AVALIAÇÃO DA IMDb
5,3/10
13 mil
SUA AVALIAÇÃO
Henry Durand é um jovem agente federal encarregado de uma tarefa difícil: espionar sua mãe e o namorado dela, os quais são suspeitos de liderar uma gangue de ladrões de arte.Henry Durand é um jovem agente federal encarregado de uma tarefa difícil: espionar sua mãe e o namorado dela, os quais são suspeitos de liderar uma gangue de ladrões de arte.Henry Durand é um jovem agente federal encarregado de uma tarefa difícil: espionar sua mãe e o namorado dela, os quais são suspeitos de liderar uma gangue de ladrões de arte.
- Direção
- Roteirista
- Artistas
John Valdetero
- Agent Fedler
- (as John Valdeterro)
Tarri Markel
- Agent Cisneros
- (as Tarri Markell)
Rocco Savastano
- Albanian Chef Victor
- (as Rocky Savastano)
Avaliações em destaque
Nice film that is more enjoyable than you would think. Sure, a bit predictable and not over the top with comedy; but, watch as a couple and it's a nice way to spend an evening. You'll see some familiar character actors and you'll enjoy the behind the scenes piano playing by Eli Danker and Banderas dancing with Ryan. Not a blockbuster; but, not everything can be.
first things first: Colin Hanks, as well as his character Henry Durand should have not been part of this feature; the character is way to stereotypical,i kept having such thoughts as "what a moron!" throwout the whole movie; the "actor" is probably one of the worst i have seen lately. Antonio Banderas, Meg Ryan and Selma Blair do all the work and bring the real laughs, sympathy and charm. Colin Hanks is one of the worst miss-casts i have seen in some time, and because of that the movie suffers. there are many gigs that he is literally killing off, especially in the first part.besides some of his really stuck-up idiotic dialogs, his body language and delivery are absolutely abdominal(forced at best). the movie would had been way better without him! also his role here would had been best played by Owen Wilson, as first example that comes to mind.while i enjoyed George Gallo's "ok" direction, he should pay better attention to such as an important aspects. oh my...and beside that God forbid if there are any such FBI characters , even remotely close to reality.
few other positive/negative thoughts: the introductory scene gave me a bad first impression, i got afraid this would be some "b" rated feature. another dumb scene would be the one having 30 or so FBI agents briefed on a possible theft of a statue(30...heh...give me a break)but once passing the "fat" Meg Ryan and getting the "regular" sized one, things picked up for me))) she and Antonio Banderas are interesting and fun to watch , a whole different approach as compared with "the assassin". the plot is quiet lame, the heist makes no sense at all, but good enough to work for a "feel good" comedy in the end. there is even a "twist" that only makes matters worse as seen from a plot integrity aspect. the Albanian family is the funniest "gig" i think.
well my score would 6 and that mostly because Antonio Banderas is in great shape, even if comedies are not really his domain.Meg Ryan is good too but towards end her character has nothing original to offer, too stereotypical.
few other positive/negative thoughts: the introductory scene gave me a bad first impression, i got afraid this would be some "b" rated feature. another dumb scene would be the one having 30 or so FBI agents briefed on a possible theft of a statue(30...heh...give me a break)but once passing the "fat" Meg Ryan and getting the "regular" sized one, things picked up for me))) she and Antonio Banderas are interesting and fun to watch , a whole different approach as compared with "the assassin". the plot is quiet lame, the heist makes no sense at all, but good enough to work for a "feel good" comedy in the end. there is even a "twist" that only makes matters worse as seen from a plot integrity aspect. the Albanian family is the funniest "gig" i think.
well my score would 6 and that mostly because Antonio Banderas is in great shape, even if comedies are not really his domain.Meg Ryan is good too but towards end her character has nothing original to offer, too stereotypical.
To the others that have commented on this movie - chillax people! Why take everything so personally/seriously? If a movie actually makes you angry - then stop watching it and move on! Actors have to make a living too - not everything they do is going to be a masterpiece. (And insulting their looks just makes YOU look petty and stupid.)
That said, this movie was mildly entertaining, not offensive, and had a few chuckles. If, like me, you watch movies to be entertained (to step out of your own world for an hour or so), then this movie should do the trick. I wouldn't recommend spending a lot to see it - but then I'm of the opinion that very few movies are actually worth the current ticket prices.
That said, this movie was mildly entertaining, not offensive, and had a few chuckles. If, like me, you watch movies to be entertained (to step out of your own world for an hour or so), then this movie should do the trick. I wouldn't recommend spending a lot to see it - but then I'm of the opinion that very few movies are actually worth the current ticket prices.
Gallo's 'My Mom's New Boyfriend' isn't half as bad as it's been made out to look. On the one had I expected something downright awful given what I'd heard but on the other hand how bad could it be if it's got Meg Ryan, Colin Hanks and Selma Blair? but hey, just because I didn't find it to be truly abysmal, by no means am I implying that it's great. The plot may be an interesting premise for a comedy but the story is silly mostly because of the poor writing. The comedic situations mostly work because of the actors. Meg Ryan, Colin Hanks and Selma Blair are solid. They do feel like a family. This isn't by any means their best movie but they make it work and watchable. Antonio Banderas's role is more of a cliché and the actor follows formula but is clearly overshadowed. Overall, it's a fun movie to watch with the family. Even though it's nowhere near a classic, there's plenty to laugh about.
I'm usually pretty forgiving when it comes to romantic comedies, especially those out of Hollywood. They often are borderline insipid, clichéd, predictable, and dull-witted, but those that aren't completely inept still manage to entertain to varying degrees. Unfortunately, "My Mom's New Boyfriend" falls way below the grade and fails even at being mildly amusing.
First, it isn't necessary for a movie like this to be smart or particularly realistic, but it should have some integrity so that we can actually believe in the characters. Here, in the prologue, we see Henry Durand (Colin Hanks), who clearly has a close relationship with his Mom, Marty (Meg Ryan), leaving home and Mom behind to start a job with the FBI. Flash forward three years, and Henry returns home -- apparently, without even once having visited or talked to his Mom in all that time. Now I'm sure the FBI requires a certain amount of secrecy, but it sure doesn't require its agents to cut off all communication with their nearest and dearest for three years. Right off the bat, the phoniness of the set-up sinks any chance at viewer empathy with any of the characters.
Second, the characters themselves are about the most unlikeable I can think of in any romantic comedy I've ever seen. I'd rather spend a weekend locked in a cell with Barbara Stone (Bette Midler's character in "Ruthless People") than 15 minutes with the insufferably egotistical, vapid Marty Durand. Ryan is just awful here, and I usually enjoy her performances. She badly overplays Marty's zany qualities with ticks and vocal histrionics that are way over-the-top, and she seems to have lost whatever limited gifts she had for physical comedy. Maybe the knife slipped and the surgeons cut something else out when they were redesigning her face. She looks like she's trying to look like Michelle Pfeiffer and failing miserably. It has to be the worst performance of her career, and probably the worst of the year. Hanks, perhaps trying to counterweight Ryan's annoying performance, is as lifeless as a paperweight. He glowers and scowls through the film. Neither Antonio Banderas nor Selma Blair have enough to do to make much of an impression, though Banderas manages at least to be somewhat charming through the muddle of the storyline. Actually, the only genuinely funny performance in the film is from Trevor Morgan, in a small part as a young stud Ryan dates.
The film piles bad jokes one on top of the other and beats to death what wasn't particularly funny the first time -- the Italian chef who pines for Marty, the FBI agents' jokes about how hot Marty supposedly is, etc. I guess it does this because it has nothing else to do. There's just nothing going on here, no romance, almost no comedy, certainly no suspense, and we lost logic in the first five minutes. The only thing that can recommend this movie is seeing the crack-up of a once gifted actress. There's a certain fascination in that, Ryan's performance is a slow-moving train wreck. I hope she gets it together and comes back in better form next time.
First, it isn't necessary for a movie like this to be smart or particularly realistic, but it should have some integrity so that we can actually believe in the characters. Here, in the prologue, we see Henry Durand (Colin Hanks), who clearly has a close relationship with his Mom, Marty (Meg Ryan), leaving home and Mom behind to start a job with the FBI. Flash forward three years, and Henry returns home -- apparently, without even once having visited or talked to his Mom in all that time. Now I'm sure the FBI requires a certain amount of secrecy, but it sure doesn't require its agents to cut off all communication with their nearest and dearest for three years. Right off the bat, the phoniness of the set-up sinks any chance at viewer empathy with any of the characters.
Second, the characters themselves are about the most unlikeable I can think of in any romantic comedy I've ever seen. I'd rather spend a weekend locked in a cell with Barbara Stone (Bette Midler's character in "Ruthless People") than 15 minutes with the insufferably egotistical, vapid Marty Durand. Ryan is just awful here, and I usually enjoy her performances. She badly overplays Marty's zany qualities with ticks and vocal histrionics that are way over-the-top, and she seems to have lost whatever limited gifts she had for physical comedy. Maybe the knife slipped and the surgeons cut something else out when they were redesigning her face. She looks like she's trying to look like Michelle Pfeiffer and failing miserably. It has to be the worst performance of her career, and probably the worst of the year. Hanks, perhaps trying to counterweight Ryan's annoying performance, is as lifeless as a paperweight. He glowers and scowls through the film. Neither Antonio Banderas nor Selma Blair have enough to do to make much of an impression, though Banderas manages at least to be somewhat charming through the muddle of the storyline. Actually, the only genuinely funny performance in the film is from Trevor Morgan, in a small part as a young stud Ryan dates.
The film piles bad jokes one on top of the other and beats to death what wasn't particularly funny the first time -- the Italian chef who pines for Marty, the FBI agents' jokes about how hot Marty supposedly is, etc. I guess it does this because it has nothing else to do. There's just nothing going on here, no romance, almost no comedy, certainly no suspense, and we lost logic in the first five minutes. The only thing that can recommend this movie is seeing the crack-up of a once gifted actress. There's a certain fascination in that, Ryan's performance is a slow-moving train wreck. I hope she gets it together and comes back in better form next time.
Você sabia?
- CuriosidadesMeg Ryan plays the mother to Colin Hanks' character. Hanks is the son of Tom Hanks, who co-starred with Ryan in Joe Contra o Vulcão (1990), Mensagem para Você (1998), and Sintonia de Amor (1993).
- Erros de gravaçãoWhen Henry first talks with Enrico on the front lawn, the police car's position changes from being alongside Enrico's car to being behind it.
- Citações
Eddie: You were doing some sort of secret ops sort of stuff, right?
Henry Durand: Yeah.
Eddie: Would you tell me about it?
Henry Durand: If I did, it wouldn't be a secret.
- Cenas durante ou pós-créditosA montage of crew candids, behind-the-scenes footage, and outtakes accompanies the closing credits.
- ConexõesReferences A Primeira Noite de um Homem (1967)
- Trilhas sonorasAt Last
Written by Mack Gordon (ASCAP) and Harry Warren (ASCAP)
Performed by Eva Cassidy
Published by EMI Feist Catalog, Inc. (ASCAP)
Courtesy of Blix Street Entertainment
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- How long is My Mom's New Boyfriend?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- My Mom's New Boyfriend
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 17.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 7.963.718
- Tempo de duração
- 1 h 59 min(119 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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