A Princesa e o Sapo

With such disappointments as Home on the Range and Chicken Little, Walt Disney Animation Studios – on the whole – has had a pretty rough decade. Last November, however, the Mouse House released Chris Williams and Byron Howards' Bolt, which is not only generally accepted as a return to form for the studio, but over the course of this past year, has usurped Pulp Fiction as my personal favorite movie of all time. With that said, I went into The Princess and the Frog with relatively high expectations; having walked out of the theatre just a couple of hours ago, I have to say that John Musker and Ron Clements' latest - while not overthrowing it - certainly continues the magic of the studio's previous film.

Visually, The Princess and the Frog is absolutely mesmerizing. Seriously, 2D animation has never looked better than it does in this film. As executive producer/Pixar founder John Lasseter said, it's very much like stepping into a pair of old, comfortable shoes. Familiar, yet seemingly brand new. The energetic look of New Orleans is perfectly captured on screen, enhancing the story all the more.

Speaking of which, the story of this film is just like the animation in that, while being traditional Disney fare, it's executed in such a way that it feels completely different from anything you've ever experienced. As many times as this movie will make you laugh, it'll make you cry, which – for me – has always been the sign of a classic Disney Animation film. The movie also succeeds in making you feel invested in each and every one of these characters, major and minor ones alike, which is definitely one of the most difficult tasks that any film could hope to achieve.

Unlike most Disney princesses, Tiana is strong, independent, and isn't looking for her Prince Charming. In fact, it's these differentiating traits of hers that make Tiana my favorite Disney princess to date. It also helps that Anika Noni Rose delivers a stunning performance as her voice, making Tiana all the more captivating every moment that she's on screen. Bruno Campos also does a terrific job as Naveen, whose character is also a departure from the traditional Disney prince. He's a fellow who, while being stuck-up and lazy, somehow manages to come across as extremely likable. Both of these characters make for what is easily the most convincing Disney couple to date.

The real stand-out performance, however, is that of Keith David as Dr. Facilier. Since his performance as the Arbiter from the Halo video game series, I've been a huge fan of this guy's work, and couldn't have been more excited when I heard that he'd be doing the voice of the villain in this movie. With his low, creepy voice, David captures the essence of this character perfectly, and by the end, you're genuinely scared of this guy. Because of this, Facilier is definitely one of – if not my absolute favorite – Disney villain, challenged only by Gaston and Frollo. With his performance as the Cat from Coraline, and now Facilier, Keith David continues to prove that he is the man.

As with every other aspect of the film, the musical numbers in The Princess and the Frog are extremely memorable, most notably Dr. Facilier's "Friends On the Other Side", a deliciously creepy piece that ranks right up there with "Hellfire" from Hunchback of Notre Dame as one of the best Disney villain songs. You'll definitely find yourself humming several of these tunes on your way back home from the theatre.

The Princess and the Frog is an excellent return to 2D animation. The animation is more beautiful than ever, the characters are some of the most memorable ones I've ever seen on film, and the musical numbers are infectiously catchy. The Princess and the Frog clearly reiterates the statement already made by last year's aforementioned Bolt: Walt Disney Animation is back and here to stay.

A Waitress has ambitions of owning her own restaurant, but a chance meeting with a Prince details her plans.

I will start by saying I'm something of a traditionalist when it comes to Disney, I love the classics, I found some of the later offerings very disappointing, it was suggested I may like this one, I'm glad I listened, I really enjoyed it.

It's as if Disney took some of the greatest elements from its illustrious history, forged them together, and put a unique twist on them.

The visuals are great I thought, it's a skilled animation, it's bright, it's detailed, it flowed so well. Great music also.

The characters are a hoot, I love that Tiana is a smart cookie, she has the backstory, she's sassy, but she's smart, she's a somewhat different Disney Princess.

It's heaps of fun, I really liked the humour, it's funny, I also loved the villain, Doctor Facilier was a menacing figure, I loved the way his shadow operated independently.

8/10.

I glanced at the many comments of this Walt Disney 2-D, mostly hand drawn, animated feature to see if any one of them came from where this movie is set-New Orleans, Louisiana. Since many of them were identified as from the United States, I have no idea. Look at my username being used under the movie title and know that the capital city I live in is just a two hour drive to and from the Crescent City. As a result, when watching this feature with my movie theatre working friend, we were wonderfully surprised to see and hear many items unique to the Pelican State: the city newspaper "The Times-Picayune", familiar sights like the French Quarter, and mentions of delicacies like gumbo, beignets, and jambalaya! Add to that a Cajun firefly, a Creole voodoo villain, and an alligator named Louis who plays the trumpet (no doubt a tribute to N.O. native Louis Armstrong-the great Satchmo) and you've got such a stirring melting pot of entertaining supporting characters. But the real treat is the leading characters of Prince Naveen as voiced by Bruno Campos and, especially, that of working girl (in the best sense of the word) Tiana as voiced and sung by Anika Noni Rose who I remembered liking in her last role in Dreamgirls. They're both a little stubborn but when it all comes down to it, they have their own set of charms as well. Two more characters I liked were the rich, white, spoiled girlfriend of Tiana named Charlotte, who really cares for her friend's happiness in spite of her occasional self-centeredness and her father, "Big Daddy" La Bouff, who I immediately recognized as the voice of New Orleans resident John Goodman. Great verbal and visual humor abounds and the songs of Randy Newman seem entertainingly authentic to both the period and setting. So on that note, I highly recommend The Princess and the Frog.

As a young female twenty-something, my 90's childhood was shaped by the Golden Age of Disney. Every year, there would be a new masterpiece for my mom to take me to; Little Mermaid, Beauty and the Beast, The Lion King, Aladdin ... And when Disney failed so terribly in the early millennium and closed down shop, my heart was broken. There was a part of our culture and my life that my little girl I someday hope to have was never going to be able to experience, and I was never going to get back.

So as soon as I heard that Disney was coming out with their triumphant return to 2-D, I felt like the world was FINALLY getting its act together.

While CGI has produced some good hits, it isn't the same as 2-D. There was no one who could do cartoons like Disney, and I think they began to realize that.

I can honestly say that this movie is brilliant. I saw it last night, and it's still haunting me twenty-four hours later like I'd just walked out of the theater. If this movie had been A.) racist or B.) a let down, I would have been very angry and wouldn't take the time to write out this review. But my God, it was right up there alongside "Beauty and the Beast" and "The Lion King." Tiana, the long-awaited princess of the film, is a (gasp) real person! Her whole life does not revolve around getting married to the prince, nor does it involve some odd and harried "I'm totally a hardkore awesome person" plot. She has her faults. She's brash, a workaholic, and kind of a judgmental jerk. However, she is also headstrong, loving, and ridiculously intuitive. This is the sort of woman we need in a Disney cartoon for our kids to look up to, especially when the best role model they've had in the past few years is Bella Swann.

The prince, Naveen, is also an actual human being. He's cocky, spoiled, and hilarious. However, as the movie goes on, it is made quite clear (in a song by Randy Newman) that Naveen isn't happy at all. His and Tiana's relationship is based on self-discovery and mutual respect, rather than some of the other Disney movies where it is completely based on the need for a romantic plot. I see Belle and the Beast and Shang and Mulan (pre Mulan II, we can pretend that sequel doesn't exist), rather than Cinderella and Prince Charming. It seems like "Enchanted" really did bring a lot of new ideas to the Disney creed, and it completely shows in the way they tackle their archetypes in this refreshing rendition.

I was skeptical when I heard Randy Newman had composed the music. And yes, folks, it is in fact musical style. The characters sing, not Randy. And while you can still tell it's Randy, it's also Disney. The jazzy complexity of the songs drive the story forward and just wrap you up into the buzzing momentum of the film. I will definitely grab this soundtrack and play it religiously on my ipod, I promise you that.

As for the racism: It's Disney and regardless of what Disney does, someone is going to find something to point out as racist. However, let me just say that this movie is completely respectful and absolutely nothing in it is racist, to the point where it is obvious that Disney is trying their hardest NOT to be racist and cuts corners on the storytelling and historical racism that WOULD have been in New Orleans in 1920 (and to an extent, yes, still is). And as for turning Tiana into a frog ... she's a human for a good half the movie before she even thinks about kissing Naveen. She's a black princess, she's not a frog princess.

I also saw a comment about how someone didn't like it because of the non-Christian message thanks to the use of voodoo? They were so busy looking at the BAD GUY use voodoo that they didn't realize that Terrence Howard's character was pretty much a walking sermon! "You can wish on a star, but that can only take you halfway?" Where does this sound familiar? "Never lose sight of what's most important ... love." My God, the complete non-Christian message is abhorrent! The star is used as an allegory for God, and they wish on it with their hands folded ... practically one could say praying? And let's not even go into the full moral of the story: "You know what you want, but dig a little deeper and find what you need." How about that whole thanking God for unanswered prayers sort of ideal? These are good and wholesome lessons that are going to really strengthen the next generation of both boys and girls, and I'm happy that it's going to be an influence on the younger generation.

And the writing is amazing. As someone who writes for a living, I was completely floored at the structure of this film. You cover so much ground in 90 minutes, and you are never bored nor know what's going to happen next! Disney knows what they're doing (finally) on this film. It's amazingly put together, and all the trademarks you expect to see (animal sidekicks, creepy awesome villain, amazing soundtrack, knockout visuals, strong heroine) are there in full. Go see this movie, and remember how it was to be a kid again. This is an experience you absolutely need to have.

"Princess and the Frog" is here to stay.

Michael Eisner will forever be known as the man that attempted to totally kill Disney animation. After the disastrous efforts of Home on the Range, what was once a staple of the Walt Disney Company was becoming a thing of the past. Traditional animation was dead in Disney, and this was definitely one of the major contributors towards the shift in upper-upper management and his departure. Now with Pixar and John Lasseter on board, Disney pulls absolutely no punches in their return to tradition. There's a new princess, she happens to be black, and they happen to twist a classic story so much that you have literally no clue in which direction the writers were going. The major question is: can Disney revive its Renaissance quality that it experienced in the 90s? Can they ever duplicate such magic again? The answer is a resounding yes.

Princess and the Frog is the best traditionally animated flick (from ANY company) since The Emperor's New Groove. Princess Tiana is the most sophisticated and most mature Disney princess since Belle. The villain here is the best since Hades from Hercules. Prince Naveen is the best prince since Prince Eric (and even then, Naveen is one of the better princes out there). The music here is actually some of the best music from any Disney movie past and present. The animation here is the best since The Lion King. Basically, to sum things up, Princess and the Frog is an excellent effort from Disney and a superb return to Renaissance quality that the company sorely missed and needed.

The movie focuses on a hard-working waitress (Anika Nosi Rose) that is saving money to open up her own restaurant, which was a dream her father had always been chasing. Her father also taught her that it's not enough to just wish for something, you have to also work to accomplish what you want in life. Tiana lives her life on this lesson, much to the disdain of others. After a few twists and turns (I don't want to spoil the plot too much), she becomes a frog thanks to Prince Naveen (Bruno Campos), whom is a prince that is very different from the norm in terms of personality and even royalty status. Along the way they will meet a wide assortment of characters, ranging from a charismatic magician (Keith David, in an amazing role), a friendly firefly (Jim Cummings), a music-loving alligator (Michael-Leon Wooley), and many others. The movie clocks in at less than 100 minutes, but moves at such a fast pace, you'll get a lot more material than your average hour-and-a-half movie.

Let's just put this out there: Disney treated Tiana and her surroundings perfectly and without overdoing any boundaries whatsoever. New Orleans has an incredibly energetic look, and just enhances the themes and plot of the movie. Accompanying the Louisiana flavor is the incredible score of Randy Newman, which uses a wide variety of sounds and genres from the Deep South (and also is mixed in with a little Newman touch).

Can we praise the animation one more time? Sure, why not. The movie looks absolutely beautiful, and doesn't rely on just a simple palette of colors. Thanks to technology and an obvious overload of effort, this is one of the most (if not the most) colorful and vibrant-looking Disney animated movies of all-time. Some of the added computer effects only enhance the sophistication of the animation (I rhymed). One final note, the visual humor in Princess and the Frog is very fast-paced, to the style of the severely underrated Emperor's New Groove. You need a watchful eye on certain scenes to catch all the jokes.

If there was anyone that was going to save Disney's traditional animation, it would be Ron Clements and John Musker. These two were the most responsible for the Disney Renaissance, directing Little Mermaid, Aladdin, and Hercules. They once again provide a beautiful story, and direct the movie with plenty of flair and energy. The musical sequences fit the pacing of the flick, and while there wasn't an outstanding track like "Be Our Guest," "Friend Like Me," or "Under the Sea," the repertoire of musical numbers overall was quite impressive. A key part to a great animated movie is having a villain just as complex and/or engaging as the heroes; and the "Shadow Man" not only has the best musical number, but also has the most flair of any of the supporting characters. Now we can forgive them for directing Treasure Planet.

The biggest reason for the successful quality in Princess and the Frog comes from the Pixar touch. Pixar obviously lent a hand here, as this movie contains some of the most sentimental and touching animated footage since the epic heartbreak moment in Lion King when Simba sees Mufasa motionless. While the movie never nails the emotional torture that Up succeeded (then again…few films ever will), Princess and the Frog will make you cry just as easily as it can make you laugh. Don't let that bring you down though, because this movie carries an upbeat tempo throughout the entire run.

Bottom Line: If you enjoyed the Disney Renaissance (From Little Mermaid to Tarzan, before the downfall spiral started), then it is up to you to watch this movie. This movie has all the energy, quality, sentimentality, and superb animation of the 90s Disney flicks, and is inches away from Pixar status. Pixar has saved Disney altogether, and Princess and the Frog is hopefully going to save Disney traditional animation, granted it gets the praise and success it truly deserves. Unlike what we have been seeing in the past, Disney did not half-arse this time. Blending the old-school qualities with a new-school outlook on where the status of animation and storytelling is headed, Princess and the Frog is a fun, entertaining, and fulfilling ride from start to finish.