A Princesa e o Sapo

Disney was at its best in the 90s. They came out with such great movies as Beauty and the Beast, The Lion King, and The Hunchback of Notre Dame. And then, they made bad movies like Home on the Range. Disney can make good movies, and they usually do. The Princess and the Frog is one of Disney's best movies. It has a great twist on a classic story, characters that made me care, and music that had me tapping my foot and wishing I was in New Orleans. The animation is so beautiful that I literally almost cried at the beginning of the film. Dr. Faciler is probably one of Disney's best villains. Keith David's voice is so creepy and fits perfect into the character. His song "Friends on the Other Side" is great and shows just how scary he can be. In most Disney movies, there are usually two or three songs that really stick with you. Every song in this movie was great. I still find myself humming "Down in New Orleans" everywhere I go. The bottom line is that Princess and the Frog is one of Disney's best and one of the best films of the year. The only question I can't answer is if it is better than Up. But if I have to answer, I'd say it's equal to it.

The Princess and the Frog is one of the most highly anticipated films of the year. It marks Walt Disney Animation Studio's return to 2D animation, to recapture the era of amazing movies like The Little Mermaid, Aladdin and Beauty and the Beast – timeless tales that have reached audiences across the world. However, unlike these previous movies, The Princess and the Frog does something new. It's an updated take on the classic fairy tale, set in Jazzy New Orleans filled with witch doctors, Maldonian princes, southern lovesick daughters, Jazz playing alligators and even Cajun fireflies! In the midst of all this jazz is Disney's first black princess, Tiana, and her story.

Tiana is a young girl who wants to follow her father's dream and open up her very own restaurant. She works hard, never taking a chance on Prince Charming to sweep her off her feet - she is a realist Disney 'princess' - and that makes her stand apart from the rest. And speaking of breaking from tradition, Prince Naveen is another fresh take on the classic Disney prince. He gets a fair amount of screen time and shows us that princes are more than just stuffy suits. The pair has great chemistry as frogs and their intertwining journey is full of laughs and heart tingling moments sprinkled with some good old Disney magic. Disney Animation Studios has pulled it off again; they have conjured up something fresh and new and have made it entertaining. Perhaps we can expect greater things for the future because this is a pretty good start.

One of the strongest aspects of this musical is, of course, the music! Randy Newman has provided an array of songs, from bouncy piano songs to gospel to Broadway. There is no one single style of music and Newman serves up a diverse platter accompanied by stunning animation. There are several songs in the movie, perhaps more than needed, but all catchy while bringing a yet another flavor to New Orleans. The downside to these songs is that they are many, short and have the task of pushing story. Their presence feels like designated intervals, sometimes jarring up moments which could have been executed wonderfully without any song.

Pacing and story are the main challenges The Princess and the Frog faces. Too much happens and it happens too fast. There is an engaging plot, obstacles are overcome through action and songs also push the story forward. This leaves us very little time for dwelling in scene. I personally think this is why the movie doesn't feel quite up to par with The Little Mermaid, Aladdin, Beauty or The Lion King – there are very few moments which rely on deeper truths or engage with characters' inner struggles and relationships. I wish the directors would have slowed down and let us have a bit more interaction rather than relying on action and songs to advance plot. Also, some crucial events relied on coincidence when they could've been worked into the plot more skillfully. Despite these minor drawbacks, the Princess and the Frog still delivers an entertaining story.

Personally, I think the darker a Disney film is, the more interesting it will be. It lends a sense of reality and tells me that despite its catchy songs and humor, the movie takes itself seriously. Princess and the Frog definitely takes itself seriously. One of the main reasons I wanted to see this film was because of Dr. Facilier. He makes the film tastefully dark and shows us that even a Disney story can chill audiences. The voodoo world is intoxicating, full of intrigue and Facilier's theme song tells us he is a villain with style rivaling the likes of Jafar or Scar. However, unlike the previous villains, Facillier doesn't constantly trump the heroes after his first appearance. Villains kind of get a backseat in the movie - some people might not like this so beware!

Despite its darker side, the movie is surprisingly funny and downright hilarious. Like the old classics, the movie is timeless in a way. It doesn't reference any modern pop culture. There are lots of things that made audiences laugh, some more than others. There is no one type of humor strung throughout the whole film. Without giving anything away, I would also like to say the humor gets pretty risqué at times but it's welcoming because it tells us Disney is not excluding anyone from the audience.

There are some very spectacular moments of animation in this film. The characters are drawn in the 90's classic Disney style and don't have extremely stylized or exaggerated features that we've seen in later works like Emperor's New groove or Home on the Range. This blast from the past is a breath of fresh air. 2D animation is here to stay.

As a young female twenty-something, my 90's childhood was shaped by the Golden Age of Disney. Every year, there would be a new masterpiece for my mom to take me to; Little Mermaid, Beauty and the Beast, The Lion King, Aladdin ... And when Disney failed so terribly in the early millennium and closed down shop, my heart was broken. There was a part of our culture and my life that my little girl I someday hope to have was never going to be able to experience, and I was never going to get back.

So as soon as I heard that Disney was coming out with their triumphant return to 2-D, I felt like the world was FINALLY getting its act together.

While CGI has produced some good hits, it isn't the same as 2-D. There was no one who could do cartoons like Disney, and I think they began to realize that.

I can honestly say that this movie is brilliant. I saw it last night, and it's still haunting me twenty-four hours later like I'd just walked out of the theater. If this movie had been A.) racist or B.) a let down, I would have been very angry and wouldn't take the time to write out this review. But my God, it was right up there alongside "Beauty and the Beast" and "The Lion King." Tiana, the long-awaited princess of the film, is a (gasp) real person! Her whole life does not revolve around getting married to the prince, nor does it involve some odd and harried "I'm totally a hardkore awesome person" plot. She has her faults. She's brash, a workaholic, and kind of a judgmental jerk. However, she is also headstrong, loving, and ridiculously intuitive. This is the sort of woman we need in a Disney cartoon for our kids to look up to, especially when the best role model they've had in the past few years is Bella Swann.

The prince, Naveen, is also an actual human being. He's cocky, spoiled, and hilarious. However, as the movie goes on, it is made quite clear (in a song by Randy Newman) that Naveen isn't happy at all. His and Tiana's relationship is based on self-discovery and mutual respect, rather than some of the other Disney movies where it is completely based on the need for a romantic plot. I see Belle and the Beast and Shang and Mulan (pre Mulan II, we can pretend that sequel doesn't exist), rather than Cinderella and Prince Charming. It seems like "Enchanted" really did bring a lot of new ideas to the Disney creed, and it completely shows in the way they tackle their archetypes in this refreshing rendition.

I was skeptical when I heard Randy Newman had composed the music. And yes, folks, it is in fact musical style. The characters sing, not Randy. And while you can still tell it's Randy, it's also Disney. The jazzy complexity of the songs drive the story forward and just wrap you up into the buzzing momentum of the film. I will definitely grab this soundtrack and play it religiously on my ipod, I promise you that.

As for the racism: It's Disney and regardless of what Disney does, someone is going to find something to point out as racist. However, let me just say that this movie is completely respectful and absolutely nothing in it is racist, to the point where it is obvious that Disney is trying their hardest NOT to be racist and cuts corners on the storytelling and historical racism that WOULD have been in New Orleans in 1920 (and to an extent, yes, still is). And as for turning Tiana into a frog ... she's a human for a good half the movie before she even thinks about kissing Naveen. She's a black princess, she's not a frog princess.

I also saw a comment about how someone didn't like it because of the non-Christian message thanks to the use of voodoo? They were so busy looking at the BAD GUY use voodoo that they didn't realize that Terrence Howard's character was pretty much a walking sermon! "You can wish on a star, but that can only take you halfway?" Where does this sound familiar? "Never lose sight of what's most important ... love." My God, the complete non-Christian message is abhorrent! The star is used as an allegory for God, and they wish on it with their hands folded ... practically one could say praying? And let's not even go into the full moral of the story: "You know what you want, but dig a little deeper and find what you need." How about that whole thanking God for unanswered prayers sort of ideal? These are good and wholesome lessons that are going to really strengthen the next generation of both boys and girls, and I'm happy that it's going to be an influence on the younger generation.

And the writing is amazing. As someone who writes for a living, I was completely floored at the structure of this film. You cover so much ground in 90 minutes, and you are never bored nor know what's going to happen next! Disney knows what they're doing (finally) on this film. It's amazingly put together, and all the trademarks you expect to see (animal sidekicks, creepy awesome villain, amazing soundtrack, knockout visuals, strong heroine) are there in full. Go see this movie, and remember how it was to be a kid again. This is an experience you absolutely need to have.

"Princess and the Frog" is here to stay.

I glanced at the many comments of this Walt Disney 2-D, mostly hand drawn, animated feature to see if any one of them came from where this movie is set-New Orleans, Louisiana. Since many of them were identified as from the United States, I have no idea. Look at my username being used under the movie title and know that the capital city I live in is just a two hour drive to and from the Crescent City. As a result, when watching this feature with my movie theatre working friend, we were wonderfully surprised to see and hear many items unique to the Pelican State: the city newspaper "The Times-Picayune", familiar sights like the French Quarter, and mentions of delicacies like gumbo, beignets, and jambalaya! Add to that a Cajun firefly, a Creole voodoo villain, and an alligator named Louis who plays the trumpet (no doubt a tribute to N.O. native Louis Armstrong-the great Satchmo) and you've got such a stirring melting pot of entertaining supporting characters. But the real treat is the leading characters of Prince Naveen as voiced by Bruno Campos and, especially, that of working girl (in the best sense of the word) Tiana as voiced and sung by Anika Noni Rose who I remembered liking in her last role in Dreamgirls. They're both a little stubborn but when it all comes down to it, they have their own set of charms as well. Two more characters I liked were the rich, white, spoiled girlfriend of Tiana named Charlotte, who really cares for her friend's happiness in spite of her occasional self-centeredness and her father, "Big Daddy" La Bouff, who I immediately recognized as the voice of New Orleans resident John Goodman. Great verbal and visual humor abounds and the songs of Randy Newman seem entertainingly authentic to both the period and setting. So on that note, I highly recommend The Princess and the Frog.

With such disappointments as Home on the Range and Chicken Little, Walt Disney Animation Studios – on the whole – has had a pretty rough decade. Last November, however, the Mouse House released Chris Williams and Byron Howards' Bolt, which is not only generally accepted as a return to form for the studio, but over the course of this past year, has usurped Pulp Fiction as my personal favorite movie of all time. With that said, I went into The Princess and the Frog with relatively high expectations; having walked out of the theatre just a couple of hours ago, I have to say that John Musker and Ron Clements' latest - while not overthrowing it - certainly continues the magic of the studio's previous film.

Visually, The Princess and the Frog is absolutely mesmerizing. Seriously, 2D animation has never looked better than it does in this film. As executive producer/Pixar founder John Lasseter said, it's very much like stepping into a pair of old, comfortable shoes. Familiar, yet seemingly brand new. The energetic look of New Orleans is perfectly captured on screen, enhancing the story all the more.

Speaking of which, the story of this film is just like the animation in that, while being traditional Disney fare, it's executed in such a way that it feels completely different from anything you've ever experienced. As many times as this movie will make you laugh, it'll make you cry, which – for me – has always been the sign of a classic Disney Animation film. The movie also succeeds in making you feel invested in each and every one of these characters, major and minor ones alike, which is definitely one of the most difficult tasks that any film could hope to achieve.

Unlike most Disney princesses, Tiana is strong, independent, and isn't looking for her Prince Charming. In fact, it's these differentiating traits of hers that make Tiana my favorite Disney princess to date. It also helps that Anika Noni Rose delivers a stunning performance as her voice, making Tiana all the more captivating every moment that she's on screen. Bruno Campos also does a terrific job as Naveen, whose character is also a departure from the traditional Disney prince. He's a fellow who, while being stuck-up and lazy, somehow manages to come across as extremely likable. Both of these characters make for what is easily the most convincing Disney couple to date.

The real stand-out performance, however, is that of Keith David as Dr. Facilier. Since his performance as the Arbiter from the Halo video game series, I've been a huge fan of this guy's work, and couldn't have been more excited when I heard that he'd be doing the voice of the villain in this movie. With his low, creepy voice, David captures the essence of this character perfectly, and by the end, you're genuinely scared of this guy. Because of this, Facilier is definitely one of – if not my absolute favorite – Disney villain, challenged only by Gaston and Frollo. With his performance as the Cat from Coraline, and now Facilier, Keith David continues to prove that he is the man.

As with every other aspect of the film, the musical numbers in The Princess and the Frog are extremely memorable, most notably Dr. Facilier's "Friends On the Other Side", a deliciously creepy piece that ranks right up there with "Hellfire" from Hunchback of Notre Dame as one of the best Disney villain songs. You'll definitely find yourself humming several of these tunes on your way back home from the theatre.

The Princess and the Frog is an excellent return to 2D animation. The animation is more beautiful than ever, the characters are some of the most memorable ones I've ever seen on film, and the musical numbers are infectiously catchy. The Princess and the Frog clearly reiterates the statement already made by last year's aforementioned Bolt: Walt Disney Animation is back and here to stay.