Um viúvo percebe que sua única conexão com sua família era através da sua esposa. Ele decide viajar improvisadamente para se reunir com cada um dos seus filhos adultos.Um viúvo percebe que sua única conexão com sua família era através da sua esposa. Ele decide viajar improvisadamente para se reunir com cada um dos seus filhos adultos.Um viúvo percebe que sua única conexão com sua família era através da sua esposa. Ele decide viajar improvisadamente para se reunir com cada um dos seus filhos adultos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
- Jilly
- (as Katherine Moennig)
- Young Amy
- (as Lily Sheen)
- Butcher
- (as Kene Holliday)
- Wine Man
- (as EJ Carroll)
Avaliações em destaque
I have to say this movie was really sad and had a lot to say about child/parent relations. I am only 18 years old but I love these types of films and it made me think about how I would be with my parents when I get older and it really makes me want to make sure I keep a good relationship with my parents. My dad has always pushed me and wanted better for me in school and I have always been very average and against the grain, as it seems like David was.
I don't know if the makers wanted the relation between Frank and his kids to seem empty, but that's how it seemed to be throughout the film until the end. Even if it was lack of chemistry between actors, which of course I highly doubt it was, it works wonders and shows that Frank is like an alien to them and also that they are alien to him. When he learns that all of his children aren't actually as successful, he seems like he's struggling within to try and understand where they're coming from instead of just showing his disappointment. When things finally come tumbling down towards the film's climax, they come right back together as a family would. This movie made me tear up and really the only reason I didn't cry was because I was with friends.
I could write a lot more about this but I'll just suggest that if you're looking for a good movie about family, or even if you just like De Niro(that's why I saw it), you should definitely see this movie. It won't disappoint.
That said, this is a beautiful, heart-felt, and sometimes painful story of a father recognizing and coming to grips with the reality of his parenting and his lack of control over his children's lives. It is about truth and how we try to spare others pain or discomfort. It is about how many parents still see their grown up children as small children who we are responsible for.
While the supporting cast turn in good performances, this is Robert DeNiro's movie. It is his best performance since Awakenings (he deserved that Oscar, and not just the nomination).
I suspect that this film will get a lot of nominations, but don't think it will win many awards. I base that on the idea that they younger voters have not yet been in the shoes of the older ones and will not be fully able to appreciate the character or his growth and understanding.
Ah, platitudes. We're all guilty of using them. They're a polite way of telling someone to buzz off, that you don't want to talk to them, that they are unworthy of your time. This movie is all about platitudes, most cruelly applied when it's least needed or wanted. In this movie a man wants to initiate communication with his children, all of whom are adults and have long since left the home, and he and his children go through a lot of changes as they attempt to bridge the gulf that separates them. This doesn't mean the children don't care about their father, they do. But the emotional closeness was never there and this is what this movie is about: breaking down barriers to establish an emotional connection. This movie is a Robert DeNiro vehicle. It is his re-emergence onto the Hollywood scene after years of cinematic oblivion. His performance is a tour de force; he deserves at least an Academy Award nomination for best actor. He carries the movie. Drew Barrymore also gives an impressive performance as one of Mr. DeNiro's daughters. Ms. Barrymore shines on the screen and proves once again that she is one of the premiere actresses in Hollywood. Sam Rockwell and Kate Beckinsdale also are excellent. What a great movie! Never cold-shoulder your father.
This is the best Robert DeNiro movie in years. His strong acting carries this sentimental story about a man trying to reconnect with his children. The movie places a strong emphasis on family relationships and does an excellent job in engaging and keeping the audience's attention as Mr. DeNiro's character embarks on an odyssey of emotional discovery. At times the story verges on becoming openly maudlin but succeeds in avoiding that pitfall. The movie also avoids becoming hokey and corny and succeeds in staying on course as the DeNiro character continues on his journey. All in all, this is a wonderful movie featuring a strong performance by Robert DeNiro. After watching this movie, you will think twice before telling someone "everybody's fine" unless you mean it.
*** (out of 4)
Robert DeNiro plays a widower who grows tired of his four children making excuses for not coming to see him so he disregards his doctor's orders and takes a trip to visit all four. Along the way he starts to think about their childhood and where their lives are at now. I remember when THIS BOYS LIFE was released it featured a trailer that would make you think you were walking into one of the greatest family films ever made even though the actual film was a dark one about child abuse. I mention that because this film is pretty much the same effect as the poster, TV ads and trailer makes you think that you're in for a good time but the film is actually an incredibly depressing affair but it finally gives star DeNiro a true character and he does great work with it. Now, I'm not one of those who thinks DeNiro has wasted one performance after another for the past twenty years. I think he's given several very good performances even though many of the characters weren't the strongest items for an actor of his range. The performance here is downright terrific and truly deserves to be called that "old DeNiro" style. DeNiro doesn't need words to show what his character is feeling and he perfectly brings to life this rather sad character who is smart enough to know there's a lot more going on with his children then they're willing to tell him. I found DeNiro to be perfect and one would hope he'd get some Oscar consideration but that probably won't happen considering how the film did at the box office (but I would ask why that should matter). DeNiro gets to interact with various characters and the amount of life he brings this character will make one remember the type of work he was turning in on a consistent basis years ago. I won't ruin DeNiro's big scene towards the end but it's certainly very overwhelming. The supporting cast has Drew Barrymore, Kate Beckinsale and Sam Rockwell playing the children and they all give fine performances and mix with DeNiro very well. I do wish the actual film would have been a bit stronger because it's extremely depressing but at times I felt the film was holding back. I really can't explain what but it just never really felt like a full movie and at times there were some plot details that were a tad bit over dramatic and other times that the film pushes too hard to get its point across. While the film does have its share of problems, the real reason for anyone to watch this is for the return of DeNiro and that alone makes this worth seeing. Again, not the happiest film out there but at least we get to see DeNiro playing his best character in quite a while.
Você sabia?
- CuriosidadesBradley Cooper put himself on tape to audition for a role as Robert De Niro's son, with his own mother playing DeNiro's part. He lost out to Sam Rockwell.
- Erros de gravaçãoWhen Frank takes the train from Chicago to Denver he passes some beautiful scenery, including various desert mesas as well as Glenwood Canyon, both things one would see when approaching Denver via Amtrak from the west, not the east.
- Citações
Young Man in Diner #1: I'm 94. I keep away from the doctors.
Frank Goode: Boy.
Young Man in Diner #1: I have three children, six grandchildren. They're busy. They're too busy to talk to me. I gotta make an appointment. They got lost some place. They don't need anybody. People changed, life is changed. Today, you shake hands with somebody, you gotta count your fingers to make sure you got five fingers back.
- Cenas durante ou pós-créditosThe photographs Frank took during his journey are shown alongside the end credits.
- ConexõesFeatured in The Rotten Tomatoes Show: Surrogates/Pandorum/Fame (2009)
- Trilhas sonorasCatch a Falling Star
Written by Lee Pockriss, Paul Vance (as Paul J. Vance)
Performed by Perry Como
Courtesy of The RCA Records Label and The RCA/Jive Label Group, a Unit of Sony Music Entertainment by arrangement with Sony Music Licensing
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 21.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 9.208.876
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.852.068
- 6 de dez. de 2009
- Faturamento bruto mundial
- US$ 16.443.609
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1