Um dublê de filmes de ação em Hollwyood se vê encrencado com criminosos após tentar ajudar o marido de sua vizinha a roubar uma loja de penhores para pagar a dívida dele com gângsteres que o... Ler tudoUm dublê de filmes de ação em Hollwyood se vê encrencado com criminosos após tentar ajudar o marido de sua vizinha a roubar uma loja de penhores para pagar a dívida dele com gângsteres que o protegeram na prisão.Um dublê de filmes de ação em Hollwyood se vê encrencado com criminosos após tentar ajudar o marido de sua vizinha a roubar uma loja de penhores para pagar a dívida dele com gângsteres que o protegeram na prisão.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 79 vitórias e 180 indicações no total
- Chauffeur
- (as Joey Bucaro)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Beautifully crafted pounding action thriller with twisted humor and seriously hard core violence. Compelling tenderness from characters that are unsophisticated in the best sense of the word.
This film will go down as one of the best Action films in decades. Car chases that rival and extend beyond Bullitt and French Connection. Violence that bursts out of the screen like a horror film or a bad dream by David Cronenberg. Passing moments of tenderness that are drawn out until you are slowly pulled into the emotional world of the protagonists.
Something so powerful, especially when it works, is the use of sharp and dramatic Camera Angles in Drive that mirror the emotional moment of the story drawing you into the characters world.
View and angles often extremely low angled and tilted sharply upward, effective at expanding the feeling of voyeurism of being at the dinner table or in the adjacent seat, right in the room with the characters while safely looking up from some shadow or nook or cranny. Very emotionally transcendent cinematography.
Night footage was amazingly successful at capturing the range of light and shadows, on a technical level the audio and video were strong and assured. Not only the first robbery but all the way through the film right up to the final resolution of the plot, the night was a familiar environment for major turns in the story (pun intended).
I will return hopefully soon to expand on this review, but I had to write something tonight because this film is ten times more badass than any Transporter or Fast and Furious fare that is usually sold in their all too obvious packaging.
Drive leaves them all in the Dust.
This filmed was viewed on the Big Screen at the LAFILMFEST screening June 17th 2011
The film is an electric mixture of beautiful, lingering cinematography, a pulsating soundtrack, lean dialogue and short bursts of graphic, bloody violence. It's tense and involving- almost impossible not to get immersed in. Nicolas Winding Refn is a Director to definitely keep a tab on.
Ryan Gosling is the embodiment of some kind of cold fire at the heart of the matter- his "Driver" character is a well-intentioned but unstoppable force that will surely end up as a cult favorite for decades to come. Carey Mulligan, Albert Brooks, Ron Perlman, Bryan Cranston, Christina Hendricks and Oscar Issac round out an excellent cast that's pretty much in support but extremely well-utilized.
Those wanting to check out a quick and disposable, mindlessly fun popcorn flick need to steer clear- this isn't what you're looking for. This is deadly-serious film-making that's damned-near perfect.
It's my favorite film of the year- Hell, it's one of my all-time top faves.
9.5 outta 10
The story follows an unnamed protagonist, played brilliantly by Ryan Gosling, who works as a stunt driver by day and a getaway driver by night. His life takes a thrilling turn as he gets involved with his beautiful neighbor, Irene, played by Carey Mulligan, and her troubled husband. The film masterfully combines elements of romance, action, and noir, captivating audiences with its emotional depth and organic character development.
One of the standout features of "Drive" is its unique pacing. The film takes its time, allowing tension to simmer before erupting into moments of breathtaking action. The minimalist dialogue further enhances the mood, drawing attention to the protagonist's internal struggles and emotions. The carefully crafted scenes of silence, punctuated by bursts of violence, create a hauntingly beautiful balance that keeps viewers entranced.
"Drive" is a work of art. Refn's direction shines through in every frame, presenting a stylized aesthetic that is both gritty and glamorous. The use of color is particularly striking, with neon hues that echo the 1980s while feeling contemporary and fresh. The cinematography captures the allure of Los Angeles, transforming the city into a character of its own.
Complementing the visuals is the film's unforgettable soundtrack, featuring an eclectic mix of synth-pop and atmospheric scores that elevate the viewing experience. Tracks like "Nightcall" by Kavinsky set the tone, making unforgettable moments even more impactful and memorable.
"Drive" is a cinematic gem that transcends traditional genre boundaries. It's a film that lingers in your mind long after the credits roll, challenging viewers to reflect on the choices we make and the lives we lead. With its exceptional direction, captivating performances, and a perfect blend of style and substance, "Drive" is undoubtedly a must-see experience for any film lover. This film is not just a ride; it's a journey into the heart of darkness and a celebration of the art of cinema.
Você sabia?
- CuriosidadesAfter Ryan Gosling and Nicolas Winding Refn removed much of the Driver's dialogue, Bryan Cranston felt that his character, Shannon, should make up for the lack of talking in the film, and thus made Shannon a motormouth. Much of his dialogue is improvised.
- Erros de gravaçãoIn one shot, the tachometer on Driver's steering column reads 0 RPMs and none of the other gauges are reading normally for driving. This is likely due to the vehicle being towed on a dolly. The tachometer can be seen working in other shots.
- Citações
[first lines]
Driver: [on phone] There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
[pause]
Driver: Good. And you won't be able to reach me on this phone again.
- Versões alternativasThe preview version of the movie has slightly different dialogue in the telephone conversation between Bernie Rose and Driver preceding the meeting at the Great Wall restaurant. Regular theatrical cut Driver: [to Bernie] You know the story about the scorpion and the frog? Your friend Nino didn't make it across the river. Preview version Bernie Rose: Where's Nino? Driver: He's Gone. The reference to the story about the scorpion and the frog was left out of the preview version.
- ConexõesFeatured in Ebert Presents: At the Movies: Episode #1.19 (2011)
- Trilhas sonorasTick of the Clock
Written by Johnny Jewel
Performed by Chromatics (as The Chromatics)
Courtesy of Italians Do It Better Records
Principais escolhas
- How long is Drive?Fornecido pela Alexa
- Is 'Drive' based on a book?
- Why did the pawn shop owner say only one man was involved in the robbery and that no money was taken?
- What kind of classic car is he driving in the dry ravine?
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Drive, el escape
- Locações de filme
- Point Mugu, Califórnia, EUA(end of the car chase)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 35.061.555
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.340.461
- 18 de set. de 2011
- Faturamento bruto mundial
- US$ 79.676.262
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1