Tabu

This is one odd, disturbing, strange little movie that is as seductive as it is uncomfortable to watch. The ensemble cast is a standout but Summer Bishil absolutely steals this one by delivering an amazingly adult performance of an almost impossible role, and Peter Macdissi, as her father, is also excellent with a heavily nuanced complex character.

I'd also like to point out this movie has more WTF moments than anything I've seen in recent memory.

Another thing I was struck with is just how commonplace, how "normal" the events in this girl's life appear, and that is even more disturbing.

I'd like to close by saying this movie will not be enjoyed by everyone, nor will it be understood by everyone. This is a major piece of film-making and a major piece of storytelling, though, and if you don't mind extremes, definitely give this one a try.

Alan Ball's TOWELHEAD is as dark, and biting as American BEAUTY, but with a different slant as a young girl begins to experience the reality of life growing up in the suburbs of America. The cast is superb, the young actor, Summer Bishil, is tremendous in her role, and the film and story resonate with a young girl wanting to be accepted for who she is, but instead has to face incidents which would impale another young girl.

TOWELHEAD deals with prejudice, a multicultural American society that faces Iraq, and other issues, along with the sexuality of young men and women. This film has been lambasted for the sexual themes which it addresses, but in fact is a real picture into what youth must deal with in America today. The writing is crisp, brilliant and the characters and cast bring alive the story with incredible energy. Living in Southern California, I see TOWELHEAD as an important film for an audience to see and discuss for their children and families. Once again, Alan Ball has delivered a brilliant and thought provoking, and very controversial film of substance and value.

Towelhead may have the strangest opening that I have ever seen. A thirteen year old girl has her pubic hair shaved for "instructional purposes" by her mothers boyfriend; holy sh**. This traumatic event causes the young Lebanese-American girl to be sent to live with her very strict father in Houston, Texas.

This is during the Gulf War in 1990, to complicate the situation even further. Her dad winds up taking her to a supermarket to shop for tampons, in another bizarre moment, of which there are many. Jasira baby sits Zach, the boy next door. She discovers his porn magazines, and this triggers sexual feelings in her. She messes around with a classmate, Thomas, and Zach's father expresses interest in the lass. He tells her that he will be leaving for Iraq the next morning, and he convinces her to have sex with him. Afterwords, all hell breaks loose, as "family values" takes on a whole new meaning. Towelhead is somewhat entertaining and funny, and the then nineteen year old Summer Bishil looks much younger, as Jasira, and shows promises as an actress. Compared with other coming-of-age movies, this is one of the good ones.

So that is why it needs to be spread by us that loved it. I haven't been able get out the images out of my head. It such a complex motion picture, and only Alan Ball could tackle this controversial material. It's so well acted. It's a great cast, but it is Bishil that sweeps us all away. A highly important movie, sad that it's gonna be forgotten. But in a few years time, people will say just like Gob in "Arrested Development"; "I mad a huge misstake"

In overall I recommend this movie to everyone. It speaks on so many important subjects that often gets ignored by the mass. Movies are meant to provoke you, make you feel inferior and make you think. "Towelhead" does that and a little bit more.

Alan Ball steps on familiar yet virgin territory in more ways than one.An American suburb with the look and feel of a populated desert. American flags and neighboring spirits. Summer Bishil surfs uncannily the waves of her puberty. Innocence and awareness. Curiosity, excitement and fear. She has extraordinary moments as her father played by a superb Peter MacDissi marks and signs his territory with ancestral laws and American longings. A terrifying living contradiction. This time bomb of a man is the most realistic caricature I've ever seen. Played for real with frightening earnestness. There is also Aaron Eckhart who proves, once more, he's one of the most fearless actors around. His performance is as brilliant as it is uncomfortable to watch. I recommend it if you're in the mood for a couple of hours of gasps and nervous laughter.