Adicionar um enredo no seu idiomaA musician discovers a voice hidden in an old record -- one that sets into motion a series of horrific events.A musician discovers a voice hidden in an old record -- one that sets into motion a series of horrific events.A musician discovers a voice hidden in an old record -- one that sets into motion a series of horrific events.
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Apparently, the evil spirits have Sharpie markers. The premise of evil in a recording is decent, and hasn't been done to death. The acting and production aren't awful. The script and execution destroy this movie. Completely flat and boring, relying heavily on imagery. I couldn't wait for it to be over.
A rock band prepare to record their comeback album by locking themselves in a recording studio overnight.They sample an old recording which turns out to hide a mysterious voice that opens a gateway to Hell."Reverb" was currently released in Poland on DVD,so naturally I wanted to give it a look.Unfortunately the film left me disappointed.The premise of "Reverb" is actually pretty interesting,but its execution is unsatisfying and rather dull.There is no suspense,just a lot of quick cuts,even the amount of grue is minimal.Overall,I didn't enjoy this film as much as I wanted.Still if you have enough time to kill give it a chance.5 out of 10.
The plot summary on this website for this film is a bit off--a struggling rock musician does NOT head into a studio with his band--he heads into the studio with 2 hot blondes after scoring, in a non-musical way, with both of them.
Great showcase of pre-digital studio reverb processes, as the focus of the film was on a tiled room that was actually used very effectively back in the day to put reverberation on a track. The technical details of the tiled room, and the digital processes of recording shown in the film may have left an audience a bit in the lurch as far as understanding what was going on in the film. However, two hot, leggy blondes, gasping sex on a couch, gallons of blood and evil voices panned left and right on the soundtrack probably would carry the day.....
Very original filmstory, and I liked that....sadly, as is typical of much new millennium music, the "songs" featured in the film really sucked....
Great showcase of pre-digital studio reverb processes, as the focus of the film was on a tiled room that was actually used very effectively back in the day to put reverberation on a track. The technical details of the tiled room, and the digital processes of recording shown in the film may have left an audience a bit in the lurch as far as understanding what was going on in the film. However, two hot, leggy blondes, gasping sex on a couch, gallons of blood and evil voices panned left and right on the soundtrack probably would carry the day.....
Very original filmstory, and I liked that....sadly, as is typical of much new millennium music, the "songs" featured in the film really sucked....
Okay, so I love a good horror movie. And I don't mind a few clichés. But what I hate more than death or taxes is goofiness. American horror too often goes for the goofy or the gross-out, and a lot of whatever genuine creepy you might get out of the concept is dissipated by the Beavis & Butthead-level jokes.
Reverb has none of that in it. What it does have is a somewhat standard horror trope--think _Cigarette_Burns_, if you've seen it--played absolutely straight for all the chills it can muster. There's a good performance by the female lead, who I hope to see more of. There's also some fine camera work (the lighting of the studio is a natural) and a nuanced bunch of cheap audio jump-thrills.
Now there are some plot holes. For instance, who might have been holding the camera in a pivotal bit of video (nobody mentioned could). There's also an awful lot of yelling at the screen, 'Just get out! No, dude. Just get out!' But I'll forgive a lot for a genuine chill or two, and I got them.
I don't know what movie the last reviewer saw, but this one's a pretty effective and moderately original bit of Brit-horror. 8/10, because frankly, low-budget horror has a pretty low bar.
Reverb has none of that in it. What it does have is a somewhat standard horror trope--think _Cigarette_Burns_, if you've seen it--played absolutely straight for all the chills it can muster. There's a good performance by the female lead, who I hope to see more of. There's also some fine camera work (the lighting of the studio is a natural) and a nuanced bunch of cheap audio jump-thrills.
Now there are some plot holes. For instance, who might have been holding the camera in a pivotal bit of video (nobody mentioned could). There's also an awful lot of yelling at the screen, 'Just get out! No, dude. Just get out!' But I'll forgive a lot for a genuine chill or two, and I got them.
I don't know what movie the last reviewer saw, but this one's a pretty effective and moderately original bit of Brit-horror. 8/10, because frankly, low-budget horror has a pretty low bar.
I am a really big fan of British movies, i think they have a slight edge over our American counterparts in the fact its all about the imagination and what is not there.
However, with Reverb; i was disappointed and didn't feel anything for the characters at all. Not much going on about the music or the reason behind all the crazy actions, it just is. I like a little history to why it all began in what i watch, it gives me a sense of understanding.
All in all it is an okay flick, for an hour and 23 minutes you could find your mind wondering as slowly chaos takes over. The pace is a little slow for my liking although the acting is good but i feel that something was still slightly missing from it all.
It is no Deathwatch or 28 days later but still an okay movie.
However, with Reverb; i was disappointed and didn't feel anything for the characters at all. Not much going on about the music or the reason behind all the crazy actions, it just is. I like a little history to why it all began in what i watch, it gives me a sense of understanding.
All in all it is an okay flick, for an hour and 23 minutes you could find your mind wondering as slowly chaos takes over. The pace is a little slow for my liking although the acting is good but i feel that something was still slightly missing from it all.
It is no Deathwatch or 28 days later but still an okay movie.
Você sabia?
- Trilhas sonorasHelicopter (Whitey Remix)
Written by Kele Okereke, Russell Lissack, Gordon Moakes and Matt Tong
Performed by Bloc Party
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Detalhes
- Data de lançamento
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- Central de atendimento oficial
- Idioma
- Também conhecido como
- Искажение
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 124
- Tempo de duração
- 1 h 28 min(88 min)
- Cor
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