La ragazza del lago

This film set in a mountain valley, well received at Venice last year and feted in Italy, is a slow burner for sure. It's sometimes a little hard to tell if it still has a pulse. But it does move on well-oiled wheels. It develops its portrait of malaise with steely control. As in any good murder mystery, which is what this is, everybody has secrets to hide. Many are simply repressed. Others are depressed, angry, or impaired. Several are seriously ill. Perhaps it should come as no surprise that the story is adopted from a Scandinavian source; the lago (lake) was originally a fjord, and the book was Karin Fossum's bestseller mystery novel Don't Look Back (apologies to Nicolas Roeg), which Sandro Petraglia adapted for the screen in collaboration with directorial debutant Molaioli.

Things start when little six-year-old Marta (Nicole Perrone), who has spent the night with her aunt, is sent off home, but on her way is talked into mounting the van of somebody she knows (in this town, everybody knows everybody else), and her safe trip home is derailed. Later, Marta's mother (Maria Sole Mansutti) frantic with worry, and a search that extends beyond the town is begun. The culprit is Mario (Franco Ravera), who's crazy. Harmless, some say. Till he's not, says another.

Though this may seem more a study of provincial angst than a police procedural, the most angst-ridden and the center of the story is a former homicide cop, Inspector Sanzio (well played by noted director and theater man Toni Servillo). He's newly arrived in these parts (Carnia, in the Friuli), but his instincts were immediately awakened by Marta's disappearance. Than Anna Nadal (Alessia Piovan) is found dead by the side of the lake, arranged in a peaceful position and with a coat over her naked body.

Anna has a father, Davide Nadal (Marco Baliani), who loved her excessively; his videos of her have an almost voyeuristic quality. The father of Mario (Omero Antonutti), hated Anna because she had thin legs, and he saw her often running up in the mountains. She was a gifted hockey player, but has recently quit and only runs. The autopsy reveals surprising things about Anna. She has a boyfriend, Alfredo (Nello Mascia), who goes into a funk and stops reporting to work. He's found trying to erase Anna's CD-Roms and with other incriminating evidence. There's another man who says Anna had a crush on him. Meanwhile we get to know the stony-faced but technically impeccable Inspector Sanzio further. His wife is (Anna Bonaiuto) elsewhere and he is hiding secrets about her from his daughter Francesca (Giulia Michelini), which whom he has an uneasy relationship This may seem revealing too much, but when we know this, we still know little; the essential information is yet to come along with the confession of the murderer. That scene is a little too collegial and flat for anyone with a taste for noir. But this is never noir (black); it's gray, gray and misty. And in this "existential" approach to murder—though this is hardly new—it's not so important Whodunit as what's motivating everyone, and how much lies hidden in a seemingly quiet, well-behaved town, the turbulence below the placid surface of the lake.

Andrea Molaioli has worked with directors Nanni Moretti, Carlo Mazzacurati, and Daniele Lucchetti. The Girl by the Lake/La ragazza del lago swept the Italian Oscars with ten Davide di Donatello awards including Best Film, Best Director, Best Editing, Best Actor (Servillo) and Best Screenplay. Shown at the Open Roads: New Italian Cinema series at Lincoln Center June 2008.

I saw the film yesterday at the local Filmpodium that is sponsored by the Town of Zurich and I was touched by its quietness and restrained atmosphere and the complex story line. It shows a seemingly intact little village in a seemingly untouched mountain area. It portrays a small world filled with angst and hidden feelings. The actors are excellent and the beautiful women and the Italian language contrast with the reduced setting. The music is artful and very decent though most of the time dialog and stillness dominate the film. It is the perfect film for an audience that prefers Alain Tanner, Francis Reusser, Claude Goretta to commercial film makers.

A beautiful victim in a beautiful setting starts us off on an interesting who-dun-it, with suspects emerging by the handful for our world-weary detective to evaluate. The characters are all pretty interesting, each with a believable idiosyncrasy and one or two with a plausible motive. Flashbacks to the pretty victim's life and digressions about the detective's own less- than-happy family serve to keep some tension going, too.

But the resolution is a disappointment, both in terms of who-dun-it and the manner in which the suspect is discovered. Endings are never more important than in mysteries – a weak one makes us feel guilty for killing time. This "Girl" does just that.

I'm glad a movie was filmed in the region where I live! Even though we have always been almost forget by the rest of Italy, our place offers a breathtaking variety of landscapes perfect for filming. More and more directors are realizing that, and other movies are being filmed here at the present time. I found this movie kind of slow though,and I didn't like too much the fact that the main character spoke with a southern accent as well others in the movie speaking with accents other than the Fraulein (spoken in the province of Udine). You could tell it was a production from Rome. Next time make it more "local"! Anyway I liked the plot.

I recently saw this at the 2008 Palm Springs International Film Festival. This is director Andrea Molaioli debut film and he comes out of the gate as a first time director with a very good film. The screenplay by Molaioli and Sandro Petraglia was adapted from the novel Don't Look Back by Norwegian novelist Karin Fossum and had been made into a mini series on Norwegian television in 2002. In this Italian setting, a young girl named Anna is found dead on the shore of a rural mountain lake, lying nude on her side with her clothes neatly arranged by her. Intitial suspects are the girl's boyfriend and a mentally slow man who lives nearby with his wheelchair bound elderly father and who first discovered the body and put his coat over it. A seasoned criminal investigator from the south, Inspector Giovani Sanzio (Toni Servillo), is called in to help local authorities to help solve the death. Once Sanzio enters the picture he is virtually in every scene and Servillo is excellent in the role. Director Molaioli gets the most from a fine supporting cast and this who-done-it takes several turns that keeps your interest peaked from beginning to end. Great cinematography from veteran photographer Ramiro Civita. I would give this an 8.0 out of 10 and recommend it.