Tennessee

Under the direction of Dusty Dukatz the magic of this film comes to life.

Many times when a person from the general public goes to see a film, they never take into account the reason why it is as good as it is to view. Well the reason is not only the story line from the writers perspective but the people behind the making of it as well.

In the case of "Tennessee", I had the opportunity to be there while Dusty Dukatz spun his magic in directing certain scenes in this production.

Many times during the days I was able to witness Mr. Dukatz and his expertise; I saw a determined individual with a huge responsibility put together a crew of professionals along with actors and the background extras to make each scene come off without additional retakes.

Dusty's genius in putting action to film is amazing. I hope in the near future more film producers and production companies realize Dustys huge talent in helping make the magic of film become completed as the final product for the coveted viewing audiences.

Just as Mr. Wayne Newton has the title of "Mr. Las Vegas" Dusty Dukatz should retain the title of "Mr. Magic" because of his knowledge and experience in creating a movie. Great job Dusty looking forward to working with you again.

-New Mexico Casting-

TENNESSEE is a minimalist film: there is very little dialogue, not a lot of movement, not a huge climax. It just happens and while it is happening it changes you. Though it is a small budget film it makes a big impact, making us wish that there were more films like this to counterbalance all the big over the top bonanzas that seem to rule the theater circuit. It is gently written (by Russell Schaumburg), sensitive directed by Aaron Woodley, and acted with honesty by a fine young cast.

Ellis (Ethan Peck, definitely an actor on the rise) and Carter (Adam Rothenberg (ditto) are brothers; their mother is dead and their father has a history of abusing the boys to the point that Ellis and Carter no longer see him. Ellis is a photographer by hobby, taking photographs of mountains and landscapes in their Tennessee small town: Carter drinks too much but looks after his younger brother. Ellis is diagnosed as having leukemia and needs a bone marrow transplant - Carter offers but despite being siblings the match is not adequate. The brothers set out on a trip to be together and end up in New Mexico. But soon they are on the road again and in Texas they pause at a diner where they meet Krystal (Mariah Carey) waiting tables, but preferring to write songs. Seeing that the brothers have no money, Krystal takes them home - she is married to an alcoholic Texas Ranger Frank (Lance Reddick) who routinely beats her and demands that the 'freeloaders' be gone in the morning. The next morning the three of them take the car and head to Tennessee - the boys have decided that Ellis' only hope is to find their father to see if he is a candidate to donate bone marrow. The three are chased by Frank until they finally reach Tennessee where, for need of cash, Krystal sings in a nightclub contest and captures the audience's approval while she now has money to give to the brothers to find their father.

How these disparate, desperate people come together emotionally and the manner in which the story ends may seem too pat for some, but for viewers with vulnerable hearts this little film will be fulfilling. Each of the cast is excellent, but it is such a pleasure to see Mariah Carey in a role that merits her talent and find that she handles it so well is rewarding. It is a small story with a huge heart.

Grady Harp

Kerrigand has exaggerated on the "beautiful painting" mumbo jumbo about this film. We saw it last night at a free screening north of Dallas. My man went with me and we both agreed: it was not a bad movie --in fact, I had VERY low expectations of Mariah Carey & co. and I was very surprised. She did a good job and the two brothers also did a good job with their characters. The acting was mostly pretty good (only a couple of scenes made me want to either hurl or giggle at the absurdity.. but many movies have a couple of scenes like this). Overall, good job.

The last 20 seconds of the movie was sub-par; I hope they change it before the release.

The main reason I was still disappointed with the film despite being pleasantly surprised by the acting was because it was a bit slow and I wasn't in the mood for a drama (I'm not usually in the mood for a drama, to be honest). And that's exactly what this is. So if you like'em a little emotional and slow (think Terms of Endearment but not quite as funny), you'll probably enjoy the movie. But if you prefer action or comedy, spare yourself.

i had no expectations about this film and i knew very little about it. all i knew of it was that it was a slow-paced melodrama about a cross-country journey. so with that in mind, the end result was quite pleasing as the film is actually a good quality film. even though there are some areas of the film that can be worked on- the beginning being a tad bit fast, the end being a bit slow, and the fact that some scenes weren't developed enough to make you fully comprehend the characters' emotions- the film itself worked well enough to draw you in. this is a pretty sad film that has a great message behind it. it kind of hits you and makes you think about life and enjoying it while you can. also, the acting was pretty good. believe it or not, mariah carey actually made the film a lot more interesting to watch, and she proved she can act in some way. put behind her 'glitter' debacle and you'll see some pretty good performances from her. overall, i liked it better than it thought i would, and i would watch it again.

Several years after fleeing their abusive father--and then losing their mother and only guardian to an unnamed cause--two young brothers hit the road on their own, but one of them contracts an unspecified disease requiring a bone marrow transplant. Stark, sketchy, turgid drama...tailor-made for indie film festivals as the writing is deliberately obtuse, the characters hopeless, and the landscapes barren and lonesome. Still, an arch phoniness renders the project unconvincing--and the characters uninteresting. Mariah Carey pops up as a put-upon truck stop waitress whose dream is to become a songwriter; changing the focus of the narrative almost instantly upon her arrival, Carey's working girl seems an unlikely fit for the troubled siblings, though at least she provides some quiet sparkle to the otherwise dour proceedings. *1/2 from ****