O Mágico Sanguinário

Horror remakes are generally lamented by lovers of the genre, and for good reason - as not only are the majority of them lame and uninspired, but there's also the fact that we simply don't need new versions of perfect films such as The Omen and Dawn of the Dead. But that is not such the case with Herschell Gordon Lewis' oeuvre, as while many of his films were entertainingly bloody, they also wouldn't be considered perfect. 1970's The Wizard of Gore was certainly one of the director's most promising features given the plot line - but unfortunately the resulting film was not so impressive. The plot here focuses on Edmund Bigelow; a reporter who becomes entranced by the stage shows of Montag the Magnificent; a magician who as part of his act selects girls from the audience and proceeds to butcher them on stage - only for them to appear intact at the end of the show. However, the magician's tricks take a more sinister turn when several of the girls used in the show turn up dead in mysterious circumstances and our lead character begins to question his own sanity.

This film is really just a remake in title only as while the plot is similar to the earlier version; here it's expanded on so much to the point where the two are unrecognisable. Indeed, I would even say that the film takes more influence from modern day magic films such as The Prestige and The Illusionist. It has to be said that the film is not completely perfect as the plot gets a little too complicated after a while and we soon get the point where explaining everything that is happening is simply not possible. However, it's all carried off with such a great style and so long as the plot is faintly coherent, it's easy to enjoy the film for its style which encompasses a supremely macabre atmosphere and some great grisly death scenes (although sadly, HG's completely over the top blood scenes are lost). The cast is impressive with Crispin Glover giving a whirlwind performance as the central magician; his dialogues are a real highlight. He gets good support from the likes of Jeffrey Combs (in a role that is far too small and insignificant!) and Brad Dourif. Kip Pardue makes for a good lead also. Overall, this may not be great modern film-making; but it's very decent for a remake and is at least worth a look.

The Wizard of Gore (2007), a remake of H. G. Lewis's 1970 splatter classic, is an extremely messy film, although not necessarily in the way one might expect. Whilst this version still offers viewers a fairly impressive level of on-screen carnage, the real butchery occurs in the narrative: in an attempt to add some kind of meaning to Lewis's rather slight original plot, the makers of this film have turned the story into a surreal, and very confusing hodgepodge of half-baked ideas. In fact, just like one of the film's victims, it's all over the place.

Crispin Glover plays macabre magician Montag the Magnificent, whose unusual carnival show involves inviting a member of the audience on to the stage and then killing them in an extremely gory manner. This naturally freaks out the audience, but, just as they turn to leave in disgust and fear, Montag reveals the 'victim' to be very much alive.

Spectator Edmund Bigelow (Kip Pardue), a journalist for a small underground newspaper, is intrigued by the bloody illusion that he witnesses, and returns to see the show night after night in an attempt to discover the secret behind the trick. However, when the girls that appear to die on stage actually begin to turn up dead in reality, Edmund is plunged into a nightmarish world of dismemberment, psychotropic drugs, and deceit from which he cannot escape.

Although director Jeremy Kasten's unusual approach at first seems to be paying off, delivering some truly weird sequences and a genuinely disturbing atmosphere, as the film progresses, he eventually loses control over proceedings and the film becomes something of an unfathomable disaster. Glover does what Glover does best—act bloody strange—which is perfect for his part, and he is ably supported by a great cast which includes cult actor Joshua Miller, and horror favourites Jeffrey Combs and Brad Dourif. However, with such a difficult to follow plot, not even their presence can save The Wizard of Gore from failure (hell, even loads of nasty deaths with graphic splatter and full frontal female nudity don't stop this one from being a disappointment).

What a totally crazy (yet highly admirable) ambition to remake a Herschell Gordon Lewis film and actually add story depth, detailed character drawings, mystery and an atmosphere of morbidity! But it works. At least, … partially it works. Horror fanatics familiar with Lewis' oeuvre know that his films are entertaining and sensationally gross, but they always severely lacked in the plotting department. Of all Lewis' splatter films, "The Wizard of Gore", released in 1970, was definitely the one with the greatest potential and it's actually most unfortunate that the basic concept ideas weren't properly elaborated. Director Jeremy Kasten and writer Zach Chassler obviously must have felt the same way, as their remake cuts down on the gore (but luckily not to much) and attempts to give meaning and background to the whole idea of a maniacal magician. "The Wizard of Gore" is actually quite a unique oddity in the area of horror cinema nowadays! People always complain about the overload of needless remakes and modern directors' lack of own creativity (and they're right, too) but here's finally one remake that doesn't aspire to just bluntly copy the original, but to complete and perhaps even "improve" it. The result may not be entirely successful, but it's definitely a courageous approach and an overall enjoyable and recommended experience.

This new version largely maintains the same plot as Lewis' original film. Montag the Magnificent is a thoroughly uncanny magician/illusionist who, along with his hermit assistant, tours around with a quite unique and nightmarish act. He butchers seemingly random girls from the audience live on stage, yet when the audience panics and tries to flee, the light go on and the victims are standing there back in one piece again. A young reporter quickly discovers that the girls turn up dead the next day after all and their corpses are damaged exactly like they appeared to be on stage. Severely against the will of his girlfriend, he becomes obsessed with Montag's show and becomes entangled into a web of surreal nightmares, primitive drugs, physical agony and mental deterioration. "The Wizard of Gore" is still a pretty incoherent mess in which a lot of twists make absolutely no sense and a lot of vital questions remain unanswered, but at least you get the impression that Kasten and Chassler put thought and effort into providing an explanation for the events, and that is already an accomplishment to itself. Especially given the entirely illogical mishmash of half-decent ideas Herschell Gordon Lewis left behind. Moreover, this 2007 version benefices from a supremely macabre atmosphere and all the decors and set pieces look very grim. The gore and splatter effects clearly can't hold a candle to those of the original (at least, when it comes of outrageousness), but still there's some excellent carnage on display. Gore, nudity, atmosphere and immensely creepy carnival music … These are all great elements that allow you to overlook the occasionally senseless subject matter. Another thing which makes "The Wizard of Gore" a must-see for horror fanatics is the presence of no less than three phenomenal genre veterans, namely Crispin Glover, Brad Dourif and Jeffrey Combs.

Kip Pardue, Bijou Phillips, Crispin Glover, Brad Dourif and The Suicide Girls (!) star in the 2007 remake of "The Wizard Of Gore" as directed by Jeremy Kasten. While the box-art seems enticing – an intense Glover beckons you to join him amidst scantily clad females – the movie itself is rather flat and self-indulgent. Glover plays Motag The Magnificent, a bizarre magician who is fond of dismembering and torturing his volunteers to horrified audiences on a nightly basis. It's all fun and games in the crowd's eye, as each would-be victim emerges unharmed. However, when a young reporter by the name of Edmund Bigelow (Pardue) catches onto some crazy coincidences – namely, the participants turning up dead the next day in a fashion similar to their staged fate – the line between his reality and Montag's stage-show is blurred. Is Bigelow somehow responsible for their fates? Is Montag playing a game with him that he doesn't know about? Or is it all just a side-effect of some mind-expanding drugs?

Kasten (whose previous credits are as thin as the movie's plot itself) tries to juice up a weak story with a bit of visual flare, but unfortunately wacky camera angles and color filters can't hide the lack of substance. The film is almost redeemed by its strong cast, though. Brad Dourif plays a creep well, and it serves his role appropriately. Following up "Hostel II," Bijou Phillips turns in one of her more likable roles, but it is Glover who truly steals the show. With his hilariously over-sized codpiece and Conan O'Brien-from-Hell hairstyle, it's hard to imagine he didn't know he was involved in a train-wreck, but he makes the best of things, hamming it up and his scenes are the best the film gets. Genre fans will appreciate some of the creative death scenes, although, the way they are presented (with some truly obvious and offensive CGI) kills any effectiveness whatsoever. The biggest problem, though, is the air of self-importance this film carries, especially considering how weak the story is. The bad attempt at mind-games – especially in the final act – kills any sense of enjoyment and strips the movie of at least earning the label of "enjoyable B-movie." Too pretentious for its own good and too nonsensical for what it attempts, "The Wizard Of Gore" is a messy failure, at best.

At one point – somewhere in the final act – my wife turned to me and asked me if I "get this movie." The answer was "I think so," but the real question should have been "Are you enjoying it?" to which I would have answered a solid "no." "The Wizard Of Gore" doesn't have much to offer. It may confuse you into thinking it is actually a smart movie, but nothing could be further from the truth. The film is too amateurish to be convincing (think late-night HBO/Cinemax fare) and too pretentious to be enjoyed on the most basic level. I personally can't comment on how it compares to the original movie as I've never seen it, but that is irrelevant, since the movie – on its own merits – is one sorry piece of work.

An underground reporter (Kip Purdue) stumbles upon a magician (Crispin Glover) who kills his assistants on stage. What first looks like an illusion starts to get more suspicious as they turn up dead the day after. How is a local strip club tied in to this? And what happens as layer after later is peeled away from the surface?

The biggest flaw of this film, from director Jeremy Kasten, is the fact it's a "remake" of a Hershel Gordon Lewis film. I kept comparing the two in my head, which was very unfair to Kasten's work because the films have very little in common. Aside from a magician whop performs bloody tricks, the entire plot is reworked, as are the characters. The best I can recommend is that if you are going to see this one, do not see the original first. Without that influence on your opinion, you may like this one.

What is not to like? The cast is great, not least of which includes horror veterans Jeffrey Combs and Brad Dourif, as well as the Suicide Girls. Crispin Glover has a long history in horror, as well, and Kip Purdue (who I am not very familiar with) has a personality that uniquely fits this tale. He is the one character who could not be changed without altering the entire film.

While I prefer the original film, it is not really fair to compare them. Montag the Magician is not even the same guy, and there is the whole other stripper and mind-control drug aspect here that was never even hinted at in the 1970 version. So I cannot say, "Skip this one and go see the original." As much as I want you to see the original, I think this film has its merits. It certainly upped the sex and nudity, which may appeal to viewers.