The Tudors

With the proposed ending of Rome - I think a lot of viewers will automatically turn to The Tudors as a replacement. I have watched the first episode and find that the acting and set alone can pull a viewer in. It is different than Rome, but the same core passions of humanity are present.

I am deeply saddened that Rome will be ending after such a short run, and I think that were it not, The Tudors would find far more competition. As it is, both shows are proving that there is an audience for historical dramas and I hope such endeavors continue in the future.

The Tudors has a quality cast with attractive actors for both genders to attach to. I cannot make an honest opinion yet on the plots and direction of the series until I see more of it, but the imagery alone is a good start for this series.

Having finished the first season and rewatched it a half dozen times as I wait impatiently for Showtime to unveil the second season of "The Tudors," I have to admit that this show has intrigued me in the history surrounding Henry VIII and his unfortunate wives better than any before it. The producers say it's "80% accurate," and that's an apt description, but what impressed me so much was that within that 80% are some little-known and often overlooked moments that make for great drama. Like the fact that the little wrestling match between Henry of England and Charles of France actually did take place, or that the only time Queen Katharine lost her cool in all that she was forced to endure was over the succession, and subsequent threat to her daughter's rights to the throne. Even certain of the dialogue is ripped right from the pages of history.

True, things are pushed out of order so as to move the story along at a more rapid pace, and the worst bastardization of history comes in the form of the preposterous mingling of Henry's sisters Margaret and Mary into one individual (oddly enough, they don't even bother to push through the fact that one marriage lasted eighteen years and produced several children, which would have given them a lead-in for producing a later series built on this one about the heirs to the throne), but the reality is that this is solid film-making. The production value is exquisite, the original score is absolutely gorgeous, and then there are the performances.

It is a downright shame that Maria Doyle Kennedy and Sam Neil were given no mentions in the Emmy nominations, because while the rest of the cast is outstanding, they really deserve critical acclaim. Kennedy's Katharine of Aragon is perhaps the most authentic and sympathetic depiction ever to reach the silver screen, large or small, and the audience has responded to her with overwhelmingly positive emotions. I know that she broke my heart more than once, as much as made me want to stand up and cheer, particularly in the eighth episode. Neil is not quite as unlikable as Wolsey could be, but in the second half of the first season hits his stride and is absolutely phenomenal in the finale.

The one thing that rather disenchanted me was the amount of pointless sex and skin revealed on the part of random ladies of the court. Henry certainly had his flings but they were not as often as depicted, and to be perfectly honest, one is left wondering what he sees in these naked trollops when he has a far more beautiful and enchanting wife lingering in the background. (It also doesn't give the audience much empathy for Henry, who seems incapable of "making love." Even his eventual tryst with Anne Boleyn has more primal boredom to it than wooing.) I know it was a low ploy by Showtime, cashing in on the "sex sells" shallowness of our culture, but the story is much more profoundly lingering without it.

I'm glad to see Showtime taking on the Tudor era, even if they are doing it because Henry's life is a tabloid-seller's dream come true, and our culture is tabloid-obsessed.

I love the casting of Jeremy Northam (Sir Thomas More) and Sam Neill (Cardinal Wolsey).

I read an earlier comment after I had already expressed the following thought elsewhere, and I completely agree -- Steven Waddington (Buckingham) would have been a better Henry VIII - he's bigger (he properly fills the screen, which in various shots J R-M painfully cannot, either in height or breadth); red-haired (as Henry was); and a POWERFUL, mesmerizing actor who's a better age for the part. (J R-M's eyes are riveting, but that's not enough for the part b/c at this stage of Henry's life, his fame was largely due to his physical dominance, learning & musical skill.) Showtime seems to be trying to appeal to a VERY young, VH-1 audience with the J R-M casting. Or, as they suggest, to people who don't know the story.

That's my second issue - don't suggest in the ads that you're going to tell the REAL story when you're not. Some dramatic license is expected (like flipping France for Portgual b/c they introduced Francis I early on) but there is no GOOD excuse for making a composite of Henry's sisters by telling Princess Mary Rose Tudor's story, but calling the character Princess Margaret, which was her older sister's name.

The real Margaret had a dramatic story, too -- and she's got the line to the current royal family through her great-granddaughter, Mary, Queen of Scots -- but they lost the chance to tell that by combining the sisters. Presumably they did it b/c they thought the audience was so dumb that we couldn't handle Henry's daughter and sister both being named Mary. Too bad.

I think "The Tudors" is the best television I've watched in a long time. Interesting that it was a collaboration between Irish and Canadian TV, maybe that's why the BBC didn't give it more of a profile? I disagree with the approach taken by the other reviewers - it is a DRAMA and never purported to be an accurate historical documentary, so my advice is to understand that first and enjoy it as it was meant to be enjoyed. The acting is superlative from everyone with the exception perhaps of Joely Richardson whom I've never "got" anyway - too colourless and divorced from the part. Tamsin Merchant as Catherine Howard gave a consistently outstanding performance, and all credit to such a young actress. Jonathan Rhys Meyers as Henry VIII was absolutely excellent throughout, he thoroughly owned the character and delivered with incredible passion and conviction. (And yes, he was extremely pleasing to the eye unlike H8 - so what?). I would also like to praise the production itself, the incredible and spellbinding direction, the lavish sets and opulent costumes and not least of all the music which I am now intent on buying.

Some of Showtime's artistic license can be excused as its goal is entertainment, not historical accuracy. What is INexcusable is its choice of Jonathan Rhys-Meyers ("JRM") as Henry8. As a preliminary matter, JRM is too short. Henry8 was 6', which would correspond to 6'4" or so today, so he loomed over men around him. Shorter than most of the men in the cast (including Sam Neill and Jeremy Northam) JRM looks (and acts) like a Jack Russell amongst a pack of larger breed dogs. (Henry8's other notable feature was his red hair, and Showtime could easily have rudded JRM's hair to give more historical accuracy.) Henry8's physical superiority and characteristics were legendary, and certainly contributed to his confidence and his ability to intimidate strong-willed subjects and foreign potentates. This was a case where size mattered and Showtime simply should have cast the part of Henry8 with a larger actor.

Moreover, JRM does not understand Henry8. JRM, whose lack of classical training is painfully obvious, portrays the king as a nouveau riche goomba. Had JRM greater understanding he would have realized that meretricious swagger is not the same as confidence. JRM's Henry8 would be at home on 'Growing Up Gotti' while the aplomb and skill of the other actors (most notably Neill and Northam) show him up as common and juvenile.

None of the foregoing will matter, however, to viewers looking for mindless entertainment, and whatever its deficiencies, viewers are forced to learn some rudiments about one of history's most intriguing monarchs.