As raças Alien e Predator estão em guerra e descem numa cidade rural do Colorado, onde moradores inocentes devem se unir para qualquer chance de sobrevivência.As raças Alien e Predator estão em guerra e descem numa cidade rural do Colorado, onde moradores inocentes devem se unir para qualquer chance de sobrevivência.As raças Alien e Predator estão em guerra e descem numa cidade rural do Colorado, onde moradores inocentes devem se unir para qualquer chance de sobrevivência.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 indicações no total
Shareeka Epps
- Kendra
- (não creditado)
Michal Suchánek
- Nick
- (as Michal Suchanek)
Resumo
Reviewers say 'Aliens vs. Predator: Requiem' is a divisive film with intense action, gore, and creature effects, praised for its homage to the original 'Alien' and 'Predator' movies. Improved creature designs and more violent content are highlighted, yet criticisms include dark cinematography, lack of a compelling human story, and inconsistent lore. Despite these flaws, it is seen as an entertaining addition, especially for fans of the original franchises.
Avaliações em destaque
What will it take to convince the idiots running the major Hollywood studios when to push the stop button? It's a strange time we're living in where even critically panned films are being warranted sequels now as the aim definitely seems to be making more franchises than stand- alone films & grab as much cash as possible by building on the (financial) success of the original.
Continuing the crossover of Alien & Predator series, Aliens vs. Predator: Requiem (also known as AVP:R) begins right where the first film of this newly established franchise signed off. Set in Gunnison Country where a Predator spaceship carrying a hybrid alien crashes, the film continues the war between the two iconic-but-now-turned-idiotic species with stupid humans caught in between.
Terribly directed by Brothers Strause, the movie marks a new low for any cinema that has featured either creatures so far and is an absolute trash from start to finish. Horribly written, badly photographed, tediously edited & full of dull characters (this time including the two creatures as well), there isn't one thing worth liking in this garbage throughout its runtime.
On an overall scale, continuing the recent tradition of making a mockery of all cinema classics by sequels, prequels, remakes, reboots or spin-offs, Aliens vs. Predator: Requiem is one of the most boring orgy of mindless violence whose only improvement over its already pathetic predecessor comes in its upgrade from PG-13 to R-Rated. Needs to be buried alive with whoever green- lighted it.
Continuing the crossover of Alien & Predator series, Aliens vs. Predator: Requiem (also known as AVP:R) begins right where the first film of this newly established franchise signed off. Set in Gunnison Country where a Predator spaceship carrying a hybrid alien crashes, the film continues the war between the two iconic-but-now-turned-idiotic species with stupid humans caught in between.
Terribly directed by Brothers Strause, the movie marks a new low for any cinema that has featured either creatures so far and is an absolute trash from start to finish. Horribly written, badly photographed, tediously edited & full of dull characters (this time including the two creatures as well), there isn't one thing worth liking in this garbage throughout its runtime.
On an overall scale, continuing the recent tradition of making a mockery of all cinema classics by sequels, prequels, remakes, reboots or spin-offs, Aliens vs. Predator: Requiem is one of the most boring orgy of mindless violence whose only improvement over its already pathetic predecessor comes in its upgrade from PG-13 to R-Rated. Needs to be buried alive with whoever green- lighted it.
Gleefully silly continuation of the events in "Alien vs. Predator" shows what happens as the truly monstrous "PredAlien" (veteran effects expert and creature performer Tom Woodruff Jr.) and numerous other Xenomorphs run amok in a remote Colorado town. While a great many of the local citizens are victimized, a select few come together and struggle to make it to safety. Meanwhile, a solitary Predator (Ian Whyte) comes to town to handle the infestation in its own way.
This movie is basically to its predecessor what "Aliens" was to "Alien", as it concentrates first and foremost on action and pace. Most of the human characters are not worth your time, although it's wonderful to see '24' babe Reiko Aylesworth as an ass kicking Ripley type character, a soldier just returned from Iraq. A fair amount of the dialogue is pretty bad, as well. But there is entertainment value for some viewers, provided that they can just put their brains in neutral. There's tons of violence - granted, there's the expected use of modern digital gore. The most interesting aspect for some in the audience will be the take no prisoners approach utilized by screenwriter Shane Salerno and directors Colin & Greg Strause. They pretty much treat the scenario as open season on many of the characters - including children. This will either delight or disgust viewers. The unqualified highlight - or absolute low point, depending on ones' sensibilities - is the ultra creepy maternity ward sequence.
This viewer's not ashamed to admit that he digs this entry a fair bit, although he can understand why people would be inclined to dislike it. Certainly, the major bone of contention for a lot of people is cinematographer Daniel Pearls' (the original "Texas Chain Saw Massacre") very minimalist lighting.
Six out of 10.
This movie is basically to its predecessor what "Aliens" was to "Alien", as it concentrates first and foremost on action and pace. Most of the human characters are not worth your time, although it's wonderful to see '24' babe Reiko Aylesworth as an ass kicking Ripley type character, a soldier just returned from Iraq. A fair amount of the dialogue is pretty bad, as well. But there is entertainment value for some viewers, provided that they can just put their brains in neutral. There's tons of violence - granted, there's the expected use of modern digital gore. The most interesting aspect for some in the audience will be the take no prisoners approach utilized by screenwriter Shane Salerno and directors Colin & Greg Strause. They pretty much treat the scenario as open season on many of the characters - including children. This will either delight or disgust viewers. The unqualified highlight - or absolute low point, depending on ones' sensibilities - is the ultra creepy maternity ward sequence.
This viewer's not ashamed to admit that he digs this entry a fair bit, although he can understand why people would be inclined to dislike it. Certainly, the major bone of contention for a lot of people is cinematographer Daniel Pearls' (the original "Texas Chain Saw Massacre") very minimalist lighting.
Six out of 10.
But that's what I love about it. The Predator is the most bada** representation I've seen and the Predalien was bada** as well. (Skip the Human parts though, just watch the Predator/Alien story. It's not that bad)
I was so excited when I heard that finally this movie was coming to the theaters because I really liked the first AVP. But it was the worst movie ever of the alien and predator history, including the separate ones...it was so bad that 1 month ago on the internet released a fan movie called "alien vs hunter" I think something like that...it was a "b" movie...I can tell you this that I enjoyed more the fake "b" movie than the original AVPR. Its a shame that they destroyed a movie and the concept of it and I really hope the director of this movie also the lame writer to never get a real job ever in the movies industry...Im wondering if they are proud of the job they did?...because I feel disgraced of watching this crap...get a real job gentlemen..and leave the writing and directing to the professionals. It was so dark all the time you couldn't see anything..r it was supposed to imagine what was happening? The fight scenes?...I've seen so much better on TV series like Babylon 5 or something and the pred-alien? I still don't remember how it looked like. Honestly I really wish that the people who worked in this movie never get a job again because they just destroyed a LEGEND. Waste of money,waste of time.
This sequel to the original AVP ups the ante by going for that R-rating. There's a rapid succession of gory deaths, but the decision to film everything in darkness means we can almost never see anything too clearly.
It's not a terrible movie (sorry, I just love these movies) but the characters are very lacking in depth, and are never given any time to develop prior to being gouged or dismembered. This is one of the cruelest entries in either series if you consider some of the victims here. They now had that R-rating and were going for it! It's all edited in a way to confuse the viewer, the action moves too quickly at times. It's also the shortest movie of either series. A little more fleshing out ( no pun intended) of the characters and some lighting adjustments would have helped.
The Predalien was a brilliant idea, but I'm not sure I ever got a good look at it. I think the first AVP was better simply because the aliens were more bad ass than here, where they are less intimidating and are too easily dispatched. I guess this is the weakest link in the series overall, but I still liked most of it. I'm not that hard to please though, I'm a real ho for these movies!
It's not a terrible movie (sorry, I just love these movies) but the characters are very lacking in depth, and are never given any time to develop prior to being gouged or dismembered. This is one of the cruelest entries in either series if you consider some of the victims here. They now had that R-rating and were going for it! It's all edited in a way to confuse the viewer, the action moves too quickly at times. It's also the shortest movie of either series. A little more fleshing out ( no pun intended) of the characters and some lighting adjustments would have helped.
The Predalien was a brilliant idea, but I'm not sure I ever got a good look at it. I think the first AVP was better simply because the aliens were more bad ass than here, where they are less intimidating and are too easily dispatched. I guess this is the weakest link in the series overall, but I still liked most of it. I'm not that hard to please though, I'm a real ho for these movies!
Você sabia?
- CuriosidadesIn one of the movie's behind-the-scenes featurettes, director of photography Daniel Pearl stated that he wanted to visually differentiate this movie from its predecessor Alien vs. Predador (2004), which he criticized for its use of fixed cameras, wide shots and excessively bright lighting, because in his opinion, this revealed way too much of the creatures. Reasoning that monster horror works better in dark environments with documentary-style photography, Pearl employed hand-held cameras and dimly illuminated sets to get the desired effect. Ironically, the film would later be criticized mostly for its overuse of 'shaky cam' and excessively murky lighting, with people complaining that they couldn't see much of the action.
- Erros de gravação(at around 32 mins) If Wolf's purpose for coming to earth was to "clean" all evidence of the incident why did he skin Ray's body and leave it hanging for anyone to find instead of melting it down with acid like he did with all other bodies?
- Cenas durante ou pós-créditosThe opening title card features many sound effects from the previous movies, such as motion tracker beeps from Aliens, and the Predator POV humming.
- Versões alternativasAliens vs. Predator: Requiem was released on DVD, Blu-ray and PSP UMD Disc on April 15, 2008, in North America and May 12, 2008, in the United Kingdom by Fox Home Entertainment. It was released in three versions: a single-disc, R-rated version of the 94-minute theatrical presentation, a single-disc unrated version extended to 101 minutes and a two-disc unrated version with the 101-minute film and a second disc of special features.
- ConexõesEdited into Dragonball Evolution (2009)
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Aliens vs. Depredador 2
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 41.797.066
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.059.425
- 30 de dez. de 2007
- Faturamento bruto mundial
- US$ 130.290.885
- Tempo de duração
- 1 h 34 min(94 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
- 2.39 : 1
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