Saawariya: Apaixonados

This movie will be framed in gold as one of the most astonishing movies ever made in Indian cinema. Each and every scene gives you an impression of 2.5yrs of real efforts done by the great Sanjay Leela Bhansali. He has truly evolved the Indian cinema with his unique way of movie making. He has emerged as one of the most daring movie makers in the world, specially in India. This masterpiece is about an imaginary world about 2 lovers and their journey towards true love.

Raj played by Ranbir Kapoor and Sakina played by Sonam Kapoor have done marvelous job as the lead pair. Both are looking immensely confident and amazing in this movie. They are going to be the new superstars of Bollywood as they have shown a lot of talent and amazing chemistry. They both are so true and close to their roles that their characters-Raj and Sakina will be remembered in lines of DDLJ, QSQT and Bobby.

Ranbir is sure-shot a star material and so is Sonam. The movie starts with Ranbir coming to this imaginary world and how he mesmerizes Gulab, a prostitute played by Rani Mukherjee and gets in to her heart as a special admirer. With her help, he manages to stay with Zohra Sehgal. An old women who found his lost son in Ranbir. The movie then takes you in a steady journey of Raj meeting Sakina and how they found or lose their love. To be honest, I'm not a great fan of sad-ending movies but Saawariya is a true exception.

Remember those days when your grandma or mom tells you a story about fairy world? How an angel comes to help a small girl and singing a beautiful song for her which led trees, rivers, birds to rhyme and enjoy all together? This movie is exactly about that kind of world with lots of hope and sacrifices for the true love.

Understand, there is no set of format to make a movie where a movie should have a flow from A to Z. Its all about understanding the movie with a different set of mind. There are some classic movies like Satya and Company which are so true to real bad world. But with Saawariya its not about how true or logical you are, its about thinking all good things and getting in to the flow of the movie.

Zohra Sehgal as an old lady who helps Raj in this new town is also a strong pillar to hold this movie in terms of acting and appearance. Salman has done a descent job in a cameo appearance and Rani is wonderful in her performance and dancing.

Its sheer delight listening such a soothing music after very-very long time and my favorites are 'Jab se tere naina', 'Yun shabnami' and of course, the title track-'Saawariya'.

All said and done, its a lovely movie with great performances from Ranbir, Sonam, Zohra and Rani. This is the first movie which has impressed me with its looks and cinematography. Hail Sanjay Leela Bhansali!

The word "Saawariya" means a lover. There was song sung by the nightingale of India, Lata Mangeshkar, many, many years back by the same title.

I don't know why this movie has been compared with "Om Shanti Om." The stories are completely different, even though the genre may be the same - love story and also being released on the same day - Diwali and also Ranbir Raj Kapoor dancing in the towel and Shah Rukh Khan showing his "six pack." But the two movies should not have been compared. The other difference, besides the story is that Sanjay Leela Bhansali, who has directed some excellent movies such as "Devdas", "Hum Dil De Chuke Sanam" and "Khamoshi - The Musical" and "Black", has launched two new stars - Ranbir Raj Kapoor and Sonam Kapoor and in the other - it has a super star and introducing Deepika.

Raj, gets Job to sing in a club in which there are prostitutes, one being Gulabji, with whom he becomes friends. He informs her that he is new in the town and has no place to stay. She gives him address of an old woman and tells him that she will allow him to stay with her as long as he is able to pay rent, etc. But one one night, after performing at the club, Raj meets Sakina in an empty street and falls in love with her. Its only later that he realises that Sakina is in love with someone else. The movie introduces two new stars - Ranbir Raj Kapoor and Sonam Kapoor. The cast includes Rani Mukherjee, Salman Khan and Zohra Saigal.

In many ways, "Saawariya" echoes some of the RK movies such as "Barsaat", "Shree 420", "Awara" and "Anari." It also has some echoes of Sanjay Leela Bhansali's previous movies such as "Black" and "Hum Dil De Chuke Sanam." While Ranbir Raj Kapoor has shown talent - naturally as he belongs to a well known filmy family and his parents being - Rishi Kapoor and Neetu Singh, both actors themselves. But this did not seem to be the case with Sonam Kapoor, who has also shown some talent but not so much and even though she comes from a family that also is connected to the film industry - Anil Kapoor being her father, Boney Kapoor her uncle and Surendra Kapoor her grandfather.

The music by Monty Sharma is good and is worth while listening to as are the songs and especially the title song. This is not a typical Sanjay Leela Bhasali film, which would normally show some glitz, glamour and costume and Jewellery as he did in "Devdas." Nevertheless, it is worthwhile watching at least once.

For those interested, the two Kapoor families are said to be long distance relatives and at one time it is believed that Anil Kapoor and his brother were going to visit the late Raj Kapoor at his home. And Rishi Kapoor and Anil Kapoor have worked together in a film by Yash Chopra entitled "Vijay." It is believed that the "RK Studios" could once again, after many years and that Ranbir Raj Kapoor will be in the movie. In the meantime, Sonam Kapoor, has already been offered to work in another movie, this time with Abhishek Bachchan.

Good luck to the two new comers.

Mvng slowly,but nicely taken. All credits goes to SLB.Songs are fantastic.....

Ranbir Raj (Ranbir Kapoor), a free spirited idealist – dreamer, arrives in a dreamy surreal town and joins as a lead singer in its swankiest club. Here he bumps into Gulabji (Rani Mukerji), a prostitute, who immediately falls for his naivety and innocent charm. One night he notices a mysterious girl standing alone on a bridge holding an umbrella. As he tries to strike a conversation, she shies away. But he still keeps following her and both end up becoming friends. This mystery girl, Sakina (Sonam Kapoor) forever carries a sadness in her eyes which leaves Ranbir intrigued. But so mesmerized he is with her that his every minute goes into discussing her with his land lady, Lillipop (Zohra Sehgal) and Gulabji.

Just when Ranbir is about to express his true feelings to her, she reveals the reason behind her unhappiness. She tells him she is waiting for her love, Imaan (Salman Khan) to return. A year back before leaving, he had promised that he would be back and meet her on the same bridge that he saw her waiting.

After you've seen this Sanjay Leela Bhansali movie; you'll probably forget how to say the title of the movie without singing it. I feel ashamed that following an over-flooding of my head with bad reviews on this movie, I actually watched it only when I was dragged to the cinema by a friend who believes in SLB more than me. And now I cannot thank the friend more for showing what I think is the best cinematic production in Bollywood ever. Don't hesitate to have high expectations since this one is made to beat them.

This movie is not a comedy- so comparing it with the parallel-released movie for the amount of laughs it gives you is hardly a fair evaluation. It's a musical based on the story by Fyodor Dostoevsky's "White Nights". It's the story of love- not the Soni-Mahiwal and Veer-Zaara type of love but just love. It's the love that just happens in a snap and sweeps you off your feet. It's definitely the type of love story that Bollywood has never narrated before. There's no family rivalry; no social drama; no unrealistic action; nothing except the love of Saawariya.

The debutant actors Ranbir and Sonam couldn't have started their career with better performances. While we'll have to wait and see how the newbies fair on the spectrum of acting when they do other films with hopefully varying roles; but for a start they completely make you believe in their characters in Saawariya. Sonam is a beauty- the type that you don't lust for because it's so pure- the type you fall in love with. And Ranbir has a disarming smile and a style that will easily get him inside every girl's dream. And with the first-time-ever portrayal of male sensuality in Bollywood in a song with him barely in the towel; Ranbir might be more than smiling in the ladies' dreams.

The movie boasts of a powerful cast besides the lead actors too. We have yet another jaw-dropping performance by Rani Mukherjee – her choreography in the song 'Chabeela' is amazing. Salmaan is playing a tough guy with little dialogues but fitting in this role perfectly. Zohra Sehgal is shining through remarkably as well. Most importantly, no body is dominating the screen over the others with a clichéd acting; the characters seem to gel together and you watch every scene believing in them and believing in the magic that the director is pulling in front of your eyes with many deeply thought over dialogues; subtle appearances; through the character's eyes; through the water and the weather and even the street lights.

The music score of the movie was great. Some of the songs that have accompanying dances are beautiful and the lyrics by Sameer are touching. Playback singers really draw your heart close into the sentiment of the song with their melodious voice with emotions and rhythm. Kudos to the two new singers Shail and Parthiv! The best of everything is still the dream-world like sets. When I saw the trailers; I felt it was too unrealistic to be good. But with the story that's meant to be a tale-of-love narrated by Rani herself; the sets were perfect to create the atmosphere of a delightful small town far away somewhere love has it's own magical dimension.

I give the movie an 8/10 for the new standard it has established in Bollywood; for the acting of every single actor in it; for the music; for the dances; for the picturesque sets; for the direction; for this movie being really good cinema. If the entertainment you are looking for is more than a few skin-deep smiles; this will be a treat! A treat not just for your eyes but for your ears too and it will even leave you with a warm thought when the credits roll at the end.

I thought world can never go wrong in deciding a film. Well this time, people have gone somewhat wrong. I watched the despite all the warnings given by my friends and I found the movie to be good. Because I went to the theater with a negative mind, I was waiting that when would this movie go wrong as described by reviews. But to my surprise, it was not until the end that I felt displeasure.

For me, the movie was just like the whistle that Ranbir blew in the movie. It starts out very well defined but its ending is just not clear (isn't it?). Till the end Sonam was so faithful to her lover but right at the end she seems to have been loving Ranbir, which I didn't like. I thought it could have been much better if the director tried to show her love towards Ranbir as her acceptance due to his devotion and not because Salman has not come. And then leave with Salman after he returns. After all, a girl's feeling should be given more importance.

For acting- I like the Old Lady, her dialogs and her expressions. Ranbir and Sonam were both excellent. Rani was also good in her side role.

Songs were dull and slow when I heard them in my car but when I saw them in the movie I liked them very very much.

I cut a point for Ranbir's towel misadventure. I didn't knew about it before I went to the movie and when he was flashing it, I thought he cannot drop that but to my fear he actually did. I felt ashamed. That was not at all required in the movie and I wonder how his parents let him do it.

Now the director, I can see that director was playing very safe by showing a dream city and shooting only night scenes. I understand that love is more beautiful in night and dreamy places, but if love is great what is day and what is night? So, instead of taking the pain to be creative and show beautiful love even in day and real world environment, director played safe and avoided. Aim was also not clear on his part. They were trying only to make a good movie not a great movie within safe boundaries.

And lastly, I liked the way in which Sonam keeps speaking of Id. Whenever she speaks of preparations for Id, I felt how beautiful any festival is and its beauty lies in the people's preparation. I see that such essence of a festival is now all lost.

Watch it!