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As Panteras
T4.E14
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IMDbPro

Angel's Child

  • Episódio foi ao ar 9 de jan. de 1980
  • Not Rated
  • 50 min
AVALIAÇÃO DA IMDb
7,1/10
184
SUA AVALIAÇÃO
Shelley Hack in As Panteras (1976)
AçãoAventuraCrimeDramaMistério

Adicionar um enredo no seu idiomaOn behalf of the agency's latest client, Consolidated Appliances, which has been the victim of a series of robberies, Kelly is acting as the liaison with the police, the case led by Sgt. Cat... Ler tudoOn behalf of the agency's latest client, Consolidated Appliances, which has been the victim of a series of robberies, Kelly is acting as the liaison with the police, the case led by Sgt. Cates. Kelly can see how volatile Cates is when they capture two of three perpetrators in the... Ler tudoOn behalf of the agency's latest client, Consolidated Appliances, which has been the victim of a series of robberies, Kelly is acting as the liaison with the police, the case led by Sgt. Cates. Kelly can see how volatile Cates is when they capture two of three perpetrators in the process of the latest robbery, the third who got away and shot Cates' partner dead. Cates... Ler tudo

  • Direção
    • Dennis Donnelly
  • Roteiristas
    • Ivan Goff
    • Ben Roberts
    • Edward J. Lakso
  • Artistas
    • Jaclyn Smith
    • Cheryl Ladd
    • Shelley Hack
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    184
    SUA AVALIAÇÃO
    • Direção
      • Dennis Donnelly
    • Roteiristas
      • Ivan Goff
      • Ben Roberts
      • Edward J. Lakso
    • Artistas
      • Jaclyn Smith
      • Cheryl Ladd
      • Shelley Hack
    • 3Avaliações de usuários
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos7

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    Elenco principal14

    Editar
    Jaclyn Smith
    Jaclyn Smith
    • Kelly Garrett
    Cheryl Ladd
    Cheryl Ladd
    • Kris Munroe
    Shelley Hack
    Shelley Hack
    • Tiffany Welles
    David Doyle
    David Doyle
    • John Bosley
    Simon Oakland
    Simon Oakland
    • Sgt. Cates
    Michael Witney
    Michael Witney
    • Stone
    • (as Michael Whitney)
    Rick Casorla
    Rick Casorla
    • Burke
    Michael Allen Harris
    • Joe Willow
    S. Pearl Sharp
    • Miss James
    • (as Saundra Sharp)
    Michael Hershewe
    • Greg Cates
    John Zaremba
    John Zaremba
    • Judge Daniel Towers
    John Petlock
    • Williams
    John Forsythe
    John Forsythe
    • Charles Townsend
    • (narração)
    • (não creditado)
    David LeBell
    David LeBell
    • Bailiff
    • (não creditado)
    • Direção
      • Dennis Donnelly
    • Roteiristas
      • Ivan Goff
      • Ben Roberts
      • Edward J. Lakso
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários3

    7,1184
    1
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    10

    Avaliações em destaque

    3imdb-25288

    The Kelly-centric episodes are boring AF!

    First off I like angel Kelly. Her greatest episode was The Seance in S1. But all the ones they wrote her in S4 are almost as tiresome as the Kris-centric ones , if that's even possible! (That dreadful fake Southern accent from Cheryl Ladd, YUCK!!!)

    As much as I like Jaclyn Smith, she was a dreadful actress. Her delivery of "Sargent, Sargent!" is pee your pants hysterical! Plus every time they give her an episode, they give her a bad haircut to match her terrible acting, LOL! Those bangs...! Was it humid in L. A. for them to not stay in place and curl every which way?

    I don't know which episode is worse in S4 but it's a toss up between Caged Angel (YUCK!) Avenging Angel (Kelly: fix yo bangs, homegirl!) and this one. Don't like the performance by the Claude Atkins look-alike. As is Jaclyn copying a huge ego this season or what?! (She's even more of a b-word in Avenging Angel opposite veteran actor, Cameron Mitchell! I believe that one is even worse and more unwatchable!)

    I have no idea what the other reviewers are on about, but Jaclyn Smith can't act, never could. The depth of her acting is getting through an episode thinking "Life is beautiful because I am gorgeous". That's the extent of her dreadful acting. Sometimes they gave her good clothes, most of the time she's dressed like a frump.

    Really wish they'd have curbed the Kelly & Kris' showcase episodes and made it a trio with everyone getting equal time, although the Tiffany-centric episodes are really entertaining.

    What were they thinking? This series was supposed to be fluff and attempting to go all "social conscience" on their audiences (or whatever you call it) simply backfired. This one's a dud. 3/10 Just skip it!
    6adamcshelby

    A Very Special Charlie's Angels

    Charlie's Angels was at its best when it knew how to have fun. Angel's Child tried to tackle the serious subject matter of child abuse. It was neither a home run nor a big swing and miss. What it was for sure was an Edward J Lasko script; full of dumb criminal behavior, occasionally bad detective work, and ridiculous melodrama. At least he didn't try to slip one of his dopey songs in.

    Jaclyn Smith as Kelly Garrett does pretty well here from an acting standpoint. Most episodes she's not challenged all that much, but here she goes toe to toe with Simon Oakland's Sergeant Cates.

    Kelly discovers that Cates' has been beating his son and she refuses to stay quiet about it. In a incredulous development, she's given temporary custody of the boy named Greg, played by Michael Herschewe.

    The subplot revolves around a trio of criminals who have it in for Sgt. Cates because he arrested an accomplice of theirs. Naturally they decide the best course of action is to kidnap Kelly and the boy in order to force Cates to release their accomplice from prison. It's a stupid plan. After they accost Kelly and the boy at her home, they decide to stay there instead of taking their hostages to a safehouse. It's another CA example of criminals compounding their own criminal behavior and drawing more intention to themselves than they would have otherwise, and it always seems to happen in an Edward J Lasko script.

    A few notes; for at least the third time they reuse the same location for Kelly Garrett's house, which was great continuity.

    As for the guest cast, Michael Whitney returns for a second go-round, this time playing Stone, one of the criminals. He had previously played a menacing psycho who was stalking Kris when she had lost her memory in season 3. Rick Casorla makes his third appearance playing a criminal named Burke. He previously appeared in Antique Angels in season 2, and in Pom Pom Angels playing the repressed son of an L. A. football team's female owner.

    Overall this is an episode that wanted to be great, that certainly sent a strong message about child abuse, and despite Smith's strong performance, the writing and directing didn't quite measure up.

    Enredo

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    Você sabia?

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    • Curiosidades
      When Kelly breaks her bedroom window with a chair---to escape---the same creepy audio motif ("ooh, ooh" with a "shooting star" sound effect) that was repeatedly played at crucial, climactic moments in the horror-ish Of Ghosts and Angels (1980) can be heard. Jack Elliott and Allyn Ferguson provided the music score for both titles.
    • Erros de gravação
      In the credits, Sgt. Cates and his son Greg Cates have their last name listed as "Shanks" instead of Cates. The error is corrected in the credits for the show's final episode, Let Our Angel Live (1981).
    • Citações

      Williams: Cates has got a kid. And the lady is only a lady. We'll find a way.

    • Conexões
      Featured in As Panteras: Let Our Angel Live (1981)

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 9 de janeiro de 1980 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Locações de filme
      • 10426 Troon Ave, Los Angeles, Califórnia, EUA(as Kelly's house)
    • Empresa de produção
      • Spelling-Goldberg Productions
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 50 min
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.33 : 1
      • 4:3

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