Tittybangbang

Its about time that the BBC got to spending the license fee on something that is original and funny, yes some of the sketches my be a little too much to bear i.e the necrophiliac police officers, but other than that i find myself watching and wanting more.

Also its about time that we had some truly funny ladies on the TV, its has been a while.

The only way i can think of summarizing TBB is: Bloody brilliant... enough said...

Just don't be to closed minded and expectant, its just for laughs.

but i would have to say its aimed towards the younger audiences.

BBC three released two comedy sketch shows within two months. One was rotten, but TBB was a gem. When TBB started being advertised I was of course very reserved in my enthusiasm, little Britain is a hard act to follow...

TBB really is unique and brilliant for many reasons. The editing couldn't be better, the choice of music is inspired, just look at the use of Divine comedy's national express as the entertainers theme. Then at the start of Peacocks scene you can hear the music coming up through the floor of his apartment!

So many funny characters, I am very hopeful for a second series.

TBB is brilliantly funny... but not on a level that actually makes you laugh. It's a satire on the state of modern comedy... it's full of empty catchphrases, paddling-pool characters, endless repetition, forced "dark" humour, and cloning of successful shows. It's not "like" Little Britain - it parodies it mercilessly! You have to watch for a while to really see what's going on: it's taken me a while to "get" it. But TBB is revolutionary! It turns the whole genre on its head by taking every current trend in comedy, and extrapolating them to their logical extremes. The result is a blistering attack on the stale state of TV comedy today. They're saying "Look what we can get away with!" (listen closely to the end of episode 1), and at the same time illustrating everything that is wrong. It's what Nathan Barley could have been, if the makers hadn't wussed out and decided to put jokes in it.

Hats off to the BBC for putting this on an entertainment channel! Considering how clever it really is, it ought to be on BBC4.

I wish there were more shows like Tittybangbang. I hate to think of BBC budgets being wasted on other so-called "comedians".

Incidentally, this was actually co-written by Bob Mortimer, under a false name (Robert Renwick). I don't really understand why. If I was Bob Mortimer, I'd be really proud of myself after this. Probably his finest work.

Comedy is the hardest thing to get right and yet the thing the public hunger for the most. The end result: Lots of comedies that aren't very good, but are often watched and discussed a lot despite their mediocrity (Catherine Tate anybody?) The success of Little Britain was bound to bring forth a whole host of rip-offs of which TBB is just the first and -- when you think about it -- a welcome first step towards being the last.

The problem with this show is that the first episode got reasonable reviews from the critics and why not? Some of the acting is first class and lead Lucy Montgomery (the thin one) is a great mimic -- you can hardly recognise her from one sketch to the next, but I don't want to spend time with these characters. Middle class people from Primrose Hill can laugh at council house clowns and slimy perverts in smelly bed-sits, but I don't want to. I have actually had to live with some of these people and they are not so funny in real life!

Catchphrases equal desperation. Something from 1950's radio where you couldn't see the people and needed vocal references. This is more than catchphrases, this is the just another case of the same gag being done over and over again against slightly different backdrops. They come on -- show their dysfunction -- shout their catchphrase (often more than once) and then the screen fades to black. And then we start over. No wonder people still want to watch the Two Ronnies twenty years after they were made -- at least they only did the gag once!

All TV is an education. Even bad TV. I have learnt something from watching this. This is an extenuation of what I see in real life. Women getting away with acting badly. A man having sex with a corpse wouldn't have got past the BBC blue pencil, but a woman? Hell that is OK, just as long as it is clearly fake. They even put it on-line so children can watch it any time of the day or night.

We shouldn't knock this show too much, we need to get over our Little Britain period and try and find something that is really funny (and clever-funny would be a change), because comedy is about tons of failure for ounces of success. Like mining gold for real.

*sigh*

A new year and the promise of BBC3 shoving yet another over-hyped and under-written comedy down the nation's collective throats is already enough to make me seriously consider not making it to midnight.

If the utterly hateful trailer was not enough to make you despise this rubbish then I'm delighted to say that I'm sure the pilot will be more than adequate (though it's not really a pilot the series will be airing regardless of whether anyone watched the pilot).

This series manages to bring together much of what is wrong with British comedy today. It offers a subtle blend of unfunny catchphrases, unchallenging and dull 'adult' content (that TV producers seem to think is hilarious) and endless mugging to weak jokes and a script that could have stood to have been re-written seven or eight times and should probably still not have been made.

• Lesbian Lion Tamers

• Necrophilliac morticians

• Exhibitionnist cleaners

Basically this is comedy that is all about marketing and viral spreading of catchphrases and ultimately not about good writing and good characters. In this respect it's quite typical of BBC3's output. Because the writers lack the skill required to put together a good line of comedy there's a tendency to systematically go for the shock... to reach for some sexual or "dark" angle that is essentially used to mask the inherently weak nature of the comedy. The problem is that A) this requires all the comedy skill of children shouting "Poopoo" and B) it doesn't fool anyone because it's not particularly shocking anyway because this tactic has been so over-used by weak comedy writers that it no longer has any effect.

Expect it to be hyped so heavily that it will become inescapable like Big Brother and Catherine Tate.

Hateful.