Amor & Tulipas

Great cast! Fine Acting! Glossy cinematography! Terrific sets! Excellent costuming! Even an intriguing first half of the film! Yet, ultimately Justin Chadwick's historical romantic drama concerning a 17th-century painter in Amsterdam who falls in love with a married woman whose portrait he has been commissioned to paint, during the period known as "Tulip Mania", fails due to its implausible, improbable, narrative outcomes.

It just goes to show that films left on the studio shelves for 3 years after being completed, before being released, as was the case with Tulip Fever, are usually top - shelved for good reason. In this case the film seems to have suffered through a combination of script and editing deficiencies and some poor directorial choices. It results in a movie that doesn't seem to know whether it wants to be some sort of comedy - drama, or straight out melodrama in corsets.

Whether due to editing or some other production choice, nothing much is ever made really clear. The titular, historically authentic,Tulip Fever itself is barely sketched out and then only against the incessant noise and rowdy crowds of Amsterdam's flower markets. Early in the film a quite close and friendly relationship is hinted at between the 2 female leads, Sophia (Alicia Vikander), a wealthy merchant's unhappy young wife and her maidservant, the more earthy and world - wise Maria (Holiday Grainger). Their love - lives are compared and contrasted with Sophia clearly ensnared in a loveless arranged marriage. But this thread is never really consolidated.

Instead we are served up a mish - mash of multiple storylines concerning fake and real pregnancies, suspicious lovers and various characters seeking their fortunes through investment in an over - heated tulip market. It all ends up being ludicrously implausible and both unfunny and undramatic, with a tacked on, unconvincing conclusion. What a waste!

I've given it a 6, because I'm sure there will be some, who like me, appreciate historical films such as this, with obviously high production values. There's no getting around the fact that Tulip Fever looks good. And Alicia Vikander is perfect as Sophia, plucked from obscurity in an orphanage and selected to marry for her great beauty. Similarly, Grainger succeeds as the pragmatic, Maria, who is anything but a dullard, or your conventional notion of a put upon servant. But these positives can't disguise that Tulip Fever ends up looking and sounding like a completely miscalculated opportunity, rather than a significantly interesting, period drama.

Countless reviewers will address this movie saying it was dismal and thin. They say the plots and subplots were disconnected and on loosely held together by a weak premise.

I thought the opposite. I chose to watch it anyway because of the cast. I'll admit none of them had a remarkable performance, award winning or otherwise. I think they were all fairly balanced without overselling any particular role. While the story centered around Sophia primarily, you could sense the desire, intrigue and frustration of the other characters. I went into it with no knowledge of the plot, tulipmania, or even the actual setting. About halfway through I began to get the feeling, "I see what going on here. This plots been done and redone." I thought I knew what to expect. At times I was right, but at others, grossly wrong. I thoroughly enjoyed this movie and would enjoy watching it again. The plot moves so quick at times I know I'll see more next time.

I've told you what I thought. Don't let anyone tell you what to think. Watch it and make up your own mind. I've seen far worse movies get higher praise.

A pretty good period piece set in an interesting location during an even more interesting time, could have been great, but overall it's still good enough.. Christoph Waltz walks on water as always!

I loved it...I really did. It is slow paced, what I absolutely like. The costumes where beautiful and detailed. Also the scenery was well done and gave an atmosphere of how it used to be.

Worth watching...not the best...but really enjoyed it!

I had the privilege of seeing this film in preview in the famous Tuschinski theatre in the heart of the canal district in Amsterdam. Having enjoyed the novel whilst living there in 2011, I have watched as it's release dates have been continually changed giving all the signs of a production in distress. Early rumours of poor test screenings can be damaging whether true or not! Like another reviewer I found the opening narration at odds with the images and consequently confusing. The first 40 minutes edited in a pedestrian style merely to tick off necessary plot points, and without any sensitivity to mood or place, so prevalent in the novel. Strangely, the movie seemed to be both full of beautiful 'pictures', historical detail, visual treats and mood, and yet at the same time, the continued use of one street set left it feeling small and enclosed and almost like stage set. Little sense of Amsterdam as a City State enjoying a glorious rise on the world stage. At that point (after 40 minutes) having laid out the plot points and established the characters, the film starts to build, thanks to the real tension in the original story, a good script and some fine performances. I got over a niggling feeling of disappointment at the 'smallness' of the set production, and instead decided to enjoy the abundant visual detail and the way the story started to rip along. Ultimately the great story rose above the shaky first reel and the production design above its limited scale. I was with two friends who hadn't read the book, and we all three came to really enjoy the film, despite the confused and hurried beginnings. It deserves to rise above its production history and be widely seen and enjoyed. It doesn't quite reach the heights of the source material, but it's far from a failure with much to enjoy.