AVALIAÇÃO DA IMDb
5,5/10
100 mil
SUA AVALIAÇÃO
Três estudantes universitários americanos que estudam no exterior são atraídos para um albergue eslovaco e descobrem a dura realidade por trás disso.Três estudantes universitários americanos que estudam no exterior são atraídos para um albergue eslovaco e descobrem a dura realidade por trás disso.Três estudantes universitários americanos que estudam no exterior são atraídos para um albergue eslovaco e descobrem a dura realidade por trás disso.
- Prêmios
- 10 indicações no total
Stanislav Yanevski
- Miroslav
- (as Stanislav Ianevski)
Avaliações em destaque
In "Hostel", a group of young men end up at a hostel in Slovakia that kidnaps people for its clients to torture and kill. Now, a group of American girls ends up at the same hostel. Will they meet the same fate, or perhaps they'll have more luck? And what ever became of the kids from the first film?
Full disclosure: I didn't like "Hostel" very much. I loved "Cabin Fever", but grew weary of Eli Roth after his second feature. So "Hostel 2" sat unreviewed for several month before I finally broke down and watched it. Guess what? We have a sequel that eclipses the original in every way -- this one is pretty amazing. Relying far less on torture and excessive nudity (although both are present here), we get an actual plot, likable characters and best of all a glimpse into the other side.
Torture clients aren't just faceless monsters in "Hostel 2", but real people with hopes, dreams and fears. There is a depth and complexity to them that allows us to almost sympathize with their angle, no matter how reprehensible they may be. (Some of them are still just ruthless killers, of course.) At one point, a potential murderer raises a philosophical point posed in the past by Hobbes, Rousseau and Locke: without laws, how is man naturally going to respond to others in a state of nature? To some degree, they attempt to answer this question. ("Battle Royale" also addressed this, though the characters in that film were in a more forced and less natural environment.)
Focusing on a female cast rather than male one really helps, I think. Let's assume the audience (mostly male) wants to see beautiful women, which I think is a safe assumption. In the first film, to accomplish this the boys had to come across numerous loose women with no character development. Visually appealing, sure -- but no substance. By having a female cast, the male audience gets to watch the young ladies the majority of the time while also developing a plot and character motivations. Nudity is less prevalent (but still present). Roth is fully capable of telling a story, as this movie shows, and I'm glad he chooses this over the shock value of sex and torture.
The cast is interesting. Rick Hoffman, who was "The American client" in the first film, returns as "the American businessman". He is something of an anti-hero. While we ought to be against him (he's after the protagonists), the film gives us the point of view that he's just being human, no matter how awful he comes across. Another great cameo is Ruggero Deodato, the maestro of Italian cannibal films ("Last Cannibal World" and "Cannibal Holocaust"). He appears, appropriately, as the Italian cannibal. His scene was not initially in the script (Roth showed up on Deodato's set personally to invite him to Prague) but I think it really clinches the deal of providing us a film that is both new and also giving homage to the classic.
Although you have to see "Hostel" to fully understand "Hostel 2", I think the punishment is worth the reward. For everything the first film lacked, the second makes up for it and then some. Romance, comedy, torture... a truly well-rounded horror film, which is a growing rarity in this age of shock cinema. Highly recommended.
Full disclosure: I didn't like "Hostel" very much. I loved "Cabin Fever", but grew weary of Eli Roth after his second feature. So "Hostel 2" sat unreviewed for several month before I finally broke down and watched it. Guess what? We have a sequel that eclipses the original in every way -- this one is pretty amazing. Relying far less on torture and excessive nudity (although both are present here), we get an actual plot, likable characters and best of all a glimpse into the other side.
Torture clients aren't just faceless monsters in "Hostel 2", but real people with hopes, dreams and fears. There is a depth and complexity to them that allows us to almost sympathize with their angle, no matter how reprehensible they may be. (Some of them are still just ruthless killers, of course.) At one point, a potential murderer raises a philosophical point posed in the past by Hobbes, Rousseau and Locke: without laws, how is man naturally going to respond to others in a state of nature? To some degree, they attempt to answer this question. ("Battle Royale" also addressed this, though the characters in that film were in a more forced and less natural environment.)
Focusing on a female cast rather than male one really helps, I think. Let's assume the audience (mostly male) wants to see beautiful women, which I think is a safe assumption. In the first film, to accomplish this the boys had to come across numerous loose women with no character development. Visually appealing, sure -- but no substance. By having a female cast, the male audience gets to watch the young ladies the majority of the time while also developing a plot and character motivations. Nudity is less prevalent (but still present). Roth is fully capable of telling a story, as this movie shows, and I'm glad he chooses this over the shock value of sex and torture.
The cast is interesting. Rick Hoffman, who was "The American client" in the first film, returns as "the American businessman". He is something of an anti-hero. While we ought to be against him (he's after the protagonists), the film gives us the point of view that he's just being human, no matter how awful he comes across. Another great cameo is Ruggero Deodato, the maestro of Italian cannibal films ("Last Cannibal World" and "Cannibal Holocaust"). He appears, appropriately, as the Italian cannibal. His scene was not initially in the script (Roth showed up on Deodato's set personally to invite him to Prague) but I think it really clinches the deal of providing us a film that is both new and also giving homage to the classic.
Although you have to see "Hostel" to fully understand "Hostel 2", I think the punishment is worth the reward. For everything the first film lacked, the second makes up for it and then some. Romance, comedy, torture... a truly well-rounded horror film, which is a growing rarity in this age of shock cinema. Highly recommended.
OK, I know people are just going to hate my review after seeing that title, I have a feeling people are going to give this movie a harsh rating just because it is a sequel to Hostel. I know there are not that many fans to the first film, I understand somewhat, it's not for the faint of heart and the first half is like a soft core porno, not to mention the blood and gore that's involved. But I think somewhere down the line it will be a classic cult film. Now for the sequel, I thought, despite a few flaws here and there, I thought it was just as good, maybe even BETTER than the first. Not the most shocking ending I've ever seen either, but it was a good one.
Well, the tables have turned, now we have 3 American girls who are the target of this blood hound club's addiction to torture and death. Two brothers are in this together, one isn't quite sure if he could do it, one is psyched out. One of the girls is a bit naive, one is a total slut, and one is the calm and collected one. But when they are taken by the same people as in the first film falling into the same trap, they soon realize the massive trouble they're in. But I think one of the girls has heard the term "if you can't beat 'em, join 'em" a little too much when she realizes what she's in for.
There are some massive gory scenes, a warning in advance. I thought that they kinda took an idea, if you ever heard this woman from history, they called her "Countess Blood", I believe, look her up if you do not know what I'm talking about, because there is a scene that is very much like that in Hostel 2. I would only recommend this for fans of the first Hostel, or if you have an open mind, it's not for the faint of heart. It's very gory and very disturbing, but it's a great horror flick with a great ending!
8/10
Well, the tables have turned, now we have 3 American girls who are the target of this blood hound club's addiction to torture and death. Two brothers are in this together, one isn't quite sure if he could do it, one is psyched out. One of the girls is a bit naive, one is a total slut, and one is the calm and collected one. But when they are taken by the same people as in the first film falling into the same trap, they soon realize the massive trouble they're in. But I think one of the girls has heard the term "if you can't beat 'em, join 'em" a little too much when she realizes what she's in for.
There are some massive gory scenes, a warning in advance. I thought that they kinda took an idea, if you ever heard this woman from history, they called her "Countess Blood", I believe, look her up if you do not know what I'm talking about, because there is a scene that is very much like that in Hostel 2. I would only recommend this for fans of the first Hostel, or if you have an open mind, it's not for the faint of heart. It's very gory and very disturbing, but it's a great horror flick with a great ending!
8/10
Apparently, Director Eli Roth has a fetish for "snuff." If fact, in a documentary I watched on the subject recently, Roth is interviewed and becomes visibly "giddy" when he comments on the realism of "Cannibal Holocaust." It is no small wonder that he developed the idea for, and directed the two Hostel films. I don't see that as an admirable quality, but then... I am old school and still believe the best horror isn't in-your-face-gore. I realize I am in the minority these days.
The first "Hostel" was not a great film. It was, in fact, not very good, but what it did have was an intriguing premise: a club whose wealthy members pay to torture and murder abducted people. What worked was that such an idea was not entirely inconceivable. I would argue that such clubs, just like "snuff" films, currently exist, and that was what made the film interestingly creepy for me.
Hostel Part 2, however, offers nothing original. Instead, it robs from various horror films of old. For example, the opening scene mirrors that of Friday The 13th Part 2. In another scene, as I watched a female club-member bathing in the blood of her "purchase", I couldn't decide which vampire film the scene reminded me of most, there are so many. It was at the ending that I actually let a laugh slip. The foiled attempt at irony was followed by a scene reminiscent of "Blood Sucking Freaks". "Hostel" provided solid potential for a redeeming sequel, but instead, "Hostel Part 2" ended up being nothing more than a compilation of already tried and over used gimmicks.
The first "Hostel" was not a great film. It was, in fact, not very good, but what it did have was an intriguing premise: a club whose wealthy members pay to torture and murder abducted people. What worked was that such an idea was not entirely inconceivable. I would argue that such clubs, just like "snuff" films, currently exist, and that was what made the film interestingly creepy for me.
Hostel Part 2, however, offers nothing original. Instead, it robs from various horror films of old. For example, the opening scene mirrors that of Friday The 13th Part 2. In another scene, as I watched a female club-member bathing in the blood of her "purchase", I couldn't decide which vampire film the scene reminded me of most, there are so many. It was at the ending that I actually let a laugh slip. The foiled attempt at irony was followed by a scene reminiscent of "Blood Sucking Freaks". "Hostel" provided solid potential for a redeeming sequel, but instead, "Hostel Part 2" ended up being nothing more than a compilation of already tried and over used gimmicks.
For me, someone who thought the first installment of hostel was great, I had to check out the second.
I consider myself a fairly strong-stomached moviegoer, but I'm not ashamed to say this movie had me squirming in my seat.. Yet again! I would be hard pushed to argue this movie is anything but an excuse to once again try and push the boundaries of explicit violence and depravity, something that seems to be a bit of a trend these days. The narrative is fairly primitive, and in many aspects it is a replica of the first. American backpackers lured to a hostel in Slovakia where they are kidnapped and sold to the highest bidder to be tortured and killed. Only its girls this time.
However this movie does take the viewer a little further behind the scenes of the 'business', and follows two rich 'clients' through the process of purchasing a subject right through to the torture chamber sequences. Something that was quite interesting if you enjoyed the first film.
The first film I found fairly believable, and could actually imagine such a place in some remote part of Europe - which is party what added to my enjoyment of it. This installment not quite as well thought out and I did find the twist at the end totally impossible to accept. The shrouded secrecy of the business 'Elite Hunting' that was prevalent in the first film seemed to be totally thrown out of the window.
But If you want to see more of the same you will enjoy this film - its great for what it is, but don't expect anything original!
I consider myself a fairly strong-stomached moviegoer, but I'm not ashamed to say this movie had me squirming in my seat.. Yet again! I would be hard pushed to argue this movie is anything but an excuse to once again try and push the boundaries of explicit violence and depravity, something that seems to be a bit of a trend these days. The narrative is fairly primitive, and in many aspects it is a replica of the first. American backpackers lured to a hostel in Slovakia where they are kidnapped and sold to the highest bidder to be tortured and killed. Only its girls this time.
However this movie does take the viewer a little further behind the scenes of the 'business', and follows two rich 'clients' through the process of purchasing a subject right through to the torture chamber sequences. Something that was quite interesting if you enjoyed the first film.
The first film I found fairly believable, and could actually imagine such a place in some remote part of Europe - which is party what added to my enjoyment of it. This installment not quite as well thought out and I did find the twist at the end totally impossible to accept. The shrouded secrecy of the business 'Elite Hunting' that was prevalent in the first film seemed to be totally thrown out of the window.
But If you want to see more of the same you will enjoy this film - its great for what it is, but don't expect anything original!
For anyone with a real objective taste in movies, including those based on terror, would know after watching hostel part 2 that it is way better than the first installment. Hostel 2 not only a better ending than the typical horror (is it really over) ending of part 1 but it also has a more consistent story line, better acting, descent lead character development and interesting plot twist. I would highly recommend this film to any fans of the handful of truly good horror/thriller movies out there such as (Saw1 and the Ring). If you watched hostel 1 and thought it was an over rated farce of a movie like I did, then watch part 2, you wont be disappointed.
Você sabia?
- CuriosidadesRuggero Deodato: (at around 1h 19 mins) the director of the controversial 1980 film Holocausto Canibal (1980) has a brief cameo as a cannibal in the film.
- Erros de gravação(at around 24 mins) After the girls check into the Hostel, the clerk takes their passports, and e-mails the details to various bidders. However, the pictures all show the girls smiling; standard passport rules do not allow smiling or other facial expressions.
- Cenas durante ou pós-créditosAt the very end of the credits, the Bubblegum Gang Leader can be heard saying "Bitches!" one last time.
- Versões alternativasThe German theatrical version (based on the R-rated version) is rated FSK 18 and is cut by ca. 2 minutes. On DVD, two version were released: The extended version (based on the unrated version) with a SPIO/JK approval is cut by 7 seconds and misses the throat slashing scene. And the theatrical version (based on the R-rated version, the only home video release based on that version) which is cut by ca. 2.5 min.
- ConexõesFeatured in Hollywood on Set: Ocean's Thirteen/Day Watch/Hostel: Part II (2007)
- Trilhas sonorasHabanera
from "Carmen"
Written by Georges Bizet
Performed by Opus 1 Music Library
Courtesy of Opus 1 Music Library
Under license from Landor Music Publishing (BMI), Willowview Publishing (BMI)
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Hostal: parte II
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.609.452
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.203.391
- 10 de jun. de 2007
- Faturamento bruto mundial
- US$ 35.728.183
- Tempo de duração1 hora 34 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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