Adicionar um enredo no seu idiomaJessica and Gus, two apathetic teenagers, drift aimlessly from one day to the next until they meet each other. They make a tenuous and fleeting connection when Gus confides in Jessica about ... Ler tudoJessica and Gus, two apathetic teenagers, drift aimlessly from one day to the next until they meet each other. They make a tenuous and fleeting connection when Gus confides in Jessica about his dark past.Jessica and Gus, two apathetic teenagers, drift aimlessly from one day to the next until they meet each other. They make a tenuous and fleeting connection when Gus confides in Jessica about his dark past.
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As far as mumblecore goes, this is the best of the lot. Why? Because it's about teenagers, so their mumbling awkwardness seems natural and unaffected. Seriously, people over 17 years old shouldn't be conversing in grunts and "yeahs" and "dudes". Which is generally why mumblecore sucks, because instead of empathising with the characters, you really just want to punch them in their idiot heads. Hence, this film comes across as an honest depiction of a naturally evolving relationship, filled with doubt, wonder, insecurities and all that other lovably solipsistic mumbo-jumbo that makes sense when it comes from TEENAGERS falling in love for the first time. Plus the final scene at the fun park is super pretty and magical and makes you wish you were a kid again.
Dance Party, USA is not a bad addition to the Mumblecore family in any way. It does feel cheap and kinda amateurish, but since I know thats what these movies are supposed to feel like, I won't take it out on the filmmaker.
If you even know what this movie is and are aware of this new Mumblecore movement of late, then you'll probably want to check it out. It's got some good moments in it, but for the most part its kind of boring and pointless. But again, thats really what all Mumblecore movies are, so I didn't think it was too bad.
A final note; these kind of movies really make you want to go out and make your own film. It makes you believe that all you need is a digital camera, some friends and a 70 page script and you're done. Its a bit more complicated than that, but Mumblecore is something new and something different. I can definitely see these movies becoming the new face of Independent cinema, because guys like Quentin Tarantino and Kevin Smith have made it very difficult to make Indie films along the same lines as their work.
If you even know what this movie is and are aware of this new Mumblecore movement of late, then you'll probably want to check it out. It's got some good moments in it, but for the most part its kind of boring and pointless. But again, thats really what all Mumblecore movies are, so I didn't think it was too bad.
A final note; these kind of movies really make you want to go out and make your own film. It makes you believe that all you need is a digital camera, some friends and a 70 page script and you're done. Its a bit more complicated than that, but Mumblecore is something new and something different. I can definitely see these movies becoming the new face of Independent cinema, because guys like Quentin Tarantino and Kevin Smith have made it very difficult to make Indie films along the same lines as their work.
Teen boy attracted to a friend convinces a world -and himself at first stage in his macho abilities.
Boys are boys.
An hour long film presents a story of under-seventeen teens desperate with new instincts awaken and communicating opportunities a life promises.
They are on different stages of sexual liberty while one of them attracted to a same gender mate surely, is overactive in pillow exercising, bearing a secret of a dark experience with a younger girl.
Unlike "Don's Plum", this movie is concentrated at intimate talks between characters in pairs rather than touching sexuality-related topics in a group.
It's a low budget movie. Actors perform well and everything looks natural. Probably, they will overgrow this age as all viewers did.
Well, and where outside some third world countries dance parties differ?
An hour long film presents a story of under-seventeen teens desperate with new instincts awaken and communicating opportunities a life promises.
They are on different stages of sexual liberty while one of them attracted to a same gender mate surely, is overactive in pillow exercising, bearing a secret of a dark experience with a younger girl.
Unlike "Don's Plum", this movie is concentrated at intimate talks between characters in pairs rather than touching sexuality-related topics in a group.
It's a low budget movie. Actors perform well and everything looks natural. Probably, they will overgrow this age as all viewers did.
Well, and where outside some third world countries dance parties differ?
This movie consists mostly of dialog between some inarticulate high school students. It takes place over a Fourth of July holiday. The time period appears to be in the 1970s, since there are no cell phones or compact discs, but rap music is played at a party. I could see no significance in setting the movie in a time different from when it was made. Did the filmmakers think they understood the previous generation better than their own?
As expected, the main focus is on sex and relationships. The first twenty minutes could have been cut to a few, since all that was required was to introduce us to the four main characters and establish a downbeat mood and a level of conversation where the most serious is, "Hey, how's it going?" or "What's up?" A rambling monologue about a Nebraska trip by a character who was never to be seen again seemed pointless, unless it was inserted to annoy us in the same way the guy was annoying his listeners.
The friends Bill and Gus are initially Beavis and Butthead stand-ins, but at least Gus shows some small movement toward maturity over the course of the film, whereas Bill remains totally vacuous. Anna Kavan, as Jessica, the girl whom Gus can finally see as a person rather than a sex object, creates an appealing character.
I wonder where the adults were. We see Jessica's mother in one brief scene, otherwise the teens seem to have the run of things with no limits on their drinking.
The movie has the look of a high school film project, and maybe it was. Anyway, it proves that anyone can make a movie these days.
I found it helpful to turn on the English subtitles.
As expected, the main focus is on sex and relationships. The first twenty minutes could have been cut to a few, since all that was required was to introduce us to the four main characters and establish a downbeat mood and a level of conversation where the most serious is, "Hey, how's it going?" or "What's up?" A rambling monologue about a Nebraska trip by a character who was never to be seen again seemed pointless, unless it was inserted to annoy us in the same way the guy was annoying his listeners.
The friends Bill and Gus are initially Beavis and Butthead stand-ins, but at least Gus shows some small movement toward maturity over the course of the film, whereas Bill remains totally vacuous. Anna Kavan, as Jessica, the girl whom Gus can finally see as a person rather than a sex object, creates an appealing character.
I wonder where the adults were. We see Jessica's mother in one brief scene, otherwise the teens seem to have the run of things with no limits on their drinking.
The movie has the look of a high school film project, and maybe it was. Anyway, it proves that anyone can make a movie these days.
I found it helpful to turn on the English subtitles.
This picture saddened me. I know it represented only a segment of the teenage population, but to believe and I do that some of our young people are unable to express their feeling verbally is troubling. The young actors in this picture seemed to dialog by guessing what the other intended. In the other reviews I became aware of the genre that is being called 'mumblecore.' In my mind this is a tragic step backward in film making. It not only bores but annoys. As much as I would have liked the characters in this picture, I was given no reason to do so. When the picture ended so abruptly, my guess is that the film maker ran out of film, and that didn't bother me one iota.
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- Data de lançamento
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- Central de atendimento oficial
- Idioma
- Também conhecido como
- Fiesta bailable, USA
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- Consulte mais créditos da empresa na IMDbPro
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- Orçamento
- US$ 3.000 (estimativa)
- Tempo de duração
- 1 h 5 min(65 min)
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