End of the Line

I just watched this movie and I immediately knew it was going to be awesome when it made me scream like a little school girl in the first 5 minutes of the film. OUT LOUD! I am a huge horror buff and not much even makes me yelp! It was a pleasant surprise, as most of the crap my brother brings over for me to watch usually doesn't make much sense or is just too out there to enjoy. But End of the Line is a great Canadian horror flick. Who needs zombies when you have religious fanatics trying to save non-believers with a razor sharp crucifix, sending them to the Almighty!? Sounds corny, but why not? How many hard core religious followers would kill in the name of their God if they were told the Apocylpse was coming? Not too far fetched to believe. And stuck in a subway during the whole thing!? The artwork on the DVD cover was right, "does what Jaws did for the ocean". I'll probably poop if I am ever caught down in a subway system after dark in a big city after seeing this. If you like horror movies, give End of the Line a shot. The acting at times is a small amount cheesy, but the story is great, so are the monsters and many of the unexpected awesome scares that a true horror fan will appreciate!

Karen is a nurse at a psychiatric hospital whose been having nightmares of jump scares recently(and yeah, those do make a lot of appearances in this... but it does build a proper atmosphere, and is a very tense ride). On her way home, the subway train she's on stops suddenly, and she and a group of other regular people find themselves chased by a cult(who are genuinely and effectively creepy, throughout; they make this, in part, a zombie flick) out for blood, who claim that judgment day is coming(and that death is the better fate). Is this just a band of mad believers, or could they actually be right? This keeps it vague enough that you continue to ask yourself that question throughout, right up until the great ending. It goes into themes about faith(without it saying that it's completely good or bad), religious fanaticism(how far will they go?), hypocrisy, status and the like. This is somewhat exploitative(with some truly brutal gore, and extremely disturbing sequences, if these are moderate in amount), and it gets quite cheesy(the killers all use crosses that function as knives, and one of them, a middle-aged guy no less, wields a friggin' sword). It doesn't overstay its welcome, and keeps to a solid pace, and it gets going quickly whilst at the same time developing the characters, all of whom are sufficiently likable and credible(no one is really obnoxious, albeit one member of the murdering lot is truly despicable... but we love to hate him, and it really works). The FX vary, however most are excellent(a couple of designs and choices are questionable). This is at its best in the first 20 minutes or so, and if you find yourself not happy with the change after about that period of time, you might not like the rest of this. It does feel like the two portions of it don't completely fit together. The hour and a half do pass like nothing, and it has positive surprises along the way. Dialog tends to be fine, if there are a handful of lines that are... strange. Acting is so-so. There's a reason those on this cast aren't "names". There is some sexuality and a little strong language in this. I recommend this to fans of dark Gothic horror. 7/10

And I thought the Mormon missionaries were relentless! This movie takes place at night on a subway train where a crazed religious cult has decided that it's the "end of days" and starts killing everyone with crucifix daggers to "save their souls". It ends up being kind of a claustrophobic "Night of The Living Dead" knock-off, and quickly begs the question of why there would be so many members in a fringe cult group, and why they would waste so much time going after a handful of passengers on late night subway car. There is an interesting twist at the end based on strange and truly terrifying visions the heroine has been having, but they kind of fumble it.

This movie is definitely effective in places, but it suffers the typical problems of modern day horror movies. There is not enough character development before the killing,for instance, to make you care much for any of the characters, and the movie often tries to be shocking and outrageous simply for the sake of being shocking and outrageous. There's one pretty tasteless scene that does the Sharon Tate murder one better (and I don't mean the Tate murders, I mean the actual murder of Tate herself). On the other hand, there is some pretty clever black comedy like the way the cult members mindlessly chant, "God loves you," as they stab people to death (as the Manson Family reportedly did). And the filmmakers seem pretty horror literate, paying homage not only to classics like "Night of the Living Dead", but also much more obscure films like "Who Can Kill a Child?". But much like Jesus, this film is just alright with me.

I just saw EOTL at the Palm Springs film festival, and I'm very pleased (the guy above would be also be pleased to know that this version was shortened to 95 minutes). It was the rare horror movie that did the fundamental thing right: made you care about the victims. Everyone, even the crazy cultists, was given layers and dimensions beyond surface stereotypes and caricatures (no token black-nerd-ditzy blonde-tough guy-final girl lineup here) This is also probably the only movie I've seen that's actually scary along with having graphic gore. The gore scenes themselves aren't scary, but they are intense, because they are happening to people that you've invested some emotion in. I'm also glad that the demon effects were used sparingly; Devereaux knows that real live crazy people can be much scarier. The atmosphere contributed greatly to this; I've always found scenes of people standing alone in those subway stations pretty creepy (best example: the scene with the Asian girl and the train. Those who've seen the movie will know what I'm talking about) The acting was top-notch across the board, my palms were actually sweating because I wanted at least most of the main cast to make it out alive. The special effects were not-surprisingly excellent; look for a nasty half-decapitation as a great example. Like I said before, it was good that the demons were rarely seen, but when they were, they were very well-done (aside from a few CGI ones, but they had to be in order to pull off certain stunts) Overall, I can give End of the Line the best praise for a horror movie: it does what it meant to do.

I'm a sucker for horror movies and watch about every one I can get near of. That usually leads to a lot of bad movie-watching. So I consider myself fairly educated in the ways of horror movies.

This movie was such a surprise to me. I had expected the typical people-going-crazy formula, but I found that there was more than that. It was interesting because of the religious reason for the craziness. I have a degree in religious studies and I found this formula very accurate.

Another great thing about this movie is that you feel sympathy with all the "good" characters and really hope that everyone gets out alive. Even through we all know that this rarely happens in horror movies.

The movie's atmosphere makes the movie work very well. No, it's not the world's greatest script and the direction is surely not perfect, men it works and is entertaining until the very end.

I really recommend this film to every horror fan.