Rastro Perdido

Watching AMC's Western miniseries Broken Trail is similar to reading a compelling novel - the beauty's in the details. Rather than rushing story and character development in order to get to the next action scene (so as to appease those with Attention Span Deficit Syndrome), Broken Trail understands that the mark of a really good Western lies with interesting, colorful characters and a storytelling style that convinces you to keep watching.

I've always been a fan of Westerns and always will be; that's why it's so disappointing that today's movie/TV landscape doesn't seem to have the time, money, or patience to do the genre right. Hopefully, Broken Trail is just the beginning of a reversal to this trend.

If you're a fan of Western epics in the vein of Lonesome Dove then I strongly suggest you check out Broken Trail. The story is a little unconventional as far as Westerns go, but you know what? It works. And it works well.

I was initially curious how captivated I would be by watching two men accompany five Chinese girls across the Western wilderness, but rather than focusing on the concept, this is all about the journey and the adventures and characters that are encountered along the way. Church proves himself quite a versatile actor (how far has he come since Wings?), and Duvall puts in the type of effortless performance that I could watch him deliver every week. He's not unlike Augustus McCrae, but what does it matter? He plays the character flawlessly. Here's a tip - never doubt a Western that Duvall is attached to.

Moving at a smooth, campfire pace, Broken Trail presents characters you'll care about, conflicts you'll want to see resolved, cinematography that will convince you to take a trip out West, and enough Western justice to keep the die-hard fans of action content. Just keep in mind that the shootouts aren't thrown in for the mere sake of satisfying those who demand violence in their Westerns. All the gunplay comes as a necessity to the story and is allowed to happen exactly when it needs to. It's never forced for the sake of hurrying things along.

This is a miniseries that is reason enough alone to justify your cable or satellite bill, and we can only hope that enough viewers tune in to influence more quality programming like this in the future.

I can only hope they someone keeps making Westerns because the few that have been made the last few years have been outstanding. This one, a TV miniseries, is just great. I can't enough good things about it. I saw it recently on DVD. It was a three-hour film. I thought I read somewhere that it was four hours, so I don't know if this version has been down. I only know what I saw, and I liked about everything I saw.

Looking at the IMDb reviews here before making a rental helped me out a lot. It prepared me for a slower film. In other words, I knew what to expect.....and that helped. I didn't expect a rough film with a ton of violence and nasty characters, language, etc.

What surprised me was just how interesting a film this was for being three hours long and not having a lot of action. I attribute this to the dialog, the acting, characters you care about and the wonderful cinematography. It's hard to beat the scenery in a nicely-filmed western.

The words coming out of the two stars of the picture, Robert Duvall and Thomas Haden Church were extremely believable material. These guys were tough, but not abrasively- macho, compassionate but not sappy. As "Prentice Ritter" and "Tom Harte," respectively, they fascinating to watch. I liked what they said throughout the movie and they were extremely believable characters. They looked and talked the part.

This story is different because it's mainly about helping five young Chinese women, who are destined for prostitution, slavery and who knows what else. Ritter and Harte didn't volunteer for the job; it accidentally came upon them as they were escorting horses North for a nice payday. The two men showed wonderful compassion for these girls, despite the fact they slowed their mission down and had a problem with communication.

There has to be some villains in a western and we have them here with "Big Rump Kate" and others but they are not overblown and we don't see so much of them they they get annoying. For a Walter Hill film, this was astonishing in how low-key it was told.

We also get a bit of a romance, just a glimpse between Duvall's character and one played by Greta Scacchi ("Nola Johns"). It has a different kind of ending to it, one I didn't expect and one that will emotionally affect you.

It simple terms: this is a nice movie, a good story about good guys doing a good deed for the right reasons. Watching them do it, under adverse conditions, was almost a privilege. A big thank you to all involved with this movie and giving us fans of this genre hope that it isn't completely dead.

How does an honest man make his way in a corrupt world? Walter Hill has been investigating this question since his days as a screenwriter, with a couple of stopovers in Dashiell Hammett country (his dauntingly unsuccessful version of Hammet's RED HARVEST, filmed as LAST MAN STANDING), comedies (48 HOURS), but here, in this leisurely western, he has found a perfect vehicle for this problem, and the right actor for the role in the ever-watchable Robert Duvall. And the answer is that you wind up accumulating a pack of people as wounded as yourself, ducking your head against the storm and slogging on through: a nephew estranged from his mother, your sister, a Virginian who can't stop traveling, five Chinese virgins intended for a mining camp's whorehouse... the list goes on. In the midst of a beautiful land -- the magnificent Canadian plains, west of Calgary where they rise to the Rockies -- they slog on, doing their best.

To what end? When death and violence surround you, then the wise man comes to recognize that the effort is all he can offer.

It is a pleasure to watch canny old pro Duvall at work, and to watch Thomas Haden Church, as his nephew, play off against him. And the beauty of moving horses across the Canadian plains is the revival of a seemingly lost art; the westerns, once the myth of America and bedrock of the film industry, are now an occasional production from people nostalgic for the form. But their nostalgia is suffused with a strong sense of film-making and this mini-series should not be missed.

A good Western is a treat, like comfort food for the soul. Robert Duvall is a favorite of mine, and he is wonderful in this movie, as always, but the surprise factor here is Thomas Haden Church, who I remember as a Mechanic in the sitcom, Wings. Watching him playing a 19th century cowboy in this project, well,- he seems made for the part: serious, soft-spoken, and a little too lean from trying to eke out a living in tough times. Wonderful! I hope to see more of him in the future.

The scenery is as beautiful as I expected, and I don't care that it was shot in Canada instead of the U.S. I do wish there had been a little more emphasis on the horses, though. The promos advertised the movie as being about a horse drive, but that was only a premise for the other story lines. They were supposed to be herding 300 to 500 horses, but it sure didn't look like that many to me. But, I guess I'm getting pretty picky there. It was satisfying to watch, regardless of whether there were hundreds of horses, or only about 75, as it looked like to me.

There is one scene in the movie that is almost a reverse "Man from Snowy River"-type scene, where they herd their horses UP a steep hill, and that was interesting. I'm not actually comparing the riding in this movie to the incomparable Charlie Lovick's downhill riding in the most famous scene from Snowy River, but it did bring that movie to mind.

If you like western movies, you'll like this mini series, and it might spark an interest in a part of our American history that is not particularly well known,- the Chinese immigration during the gold rush of the 1800s.

The film opens in Chinatown San Francisco, 1898 where we five exotic virgins from the Celestial Empire are bought by Captain Billy Fender (James Russo) to be sold as slaves and introduced into the brief and violent life of prostitution…

Robert Duvall stars as "Print" Ritter, an old cowhand whose sister left a will inheriting all to him rather than to her own son, Tom Harte (Thomas Haden Church) who lives in John Day Country Oregon...

Print ignores why she has done it, or why was crossed between the two, but his sister done it…

Print got the idea to buy a team of tough, high-desert mustangs—three to eight years of age—to take them to Sheridan, Wyoming to sell to the British Empire; the money they'll earn will be to increase their capital… And on the shares, Print figures a 25-75 split on profits after expenses and loan repayment to the bank…

From this point, Hill's Western becomes a road movie, with all kinds of odd characters, from ugly villains to a friendly musician, but the key to "Broken Trail" is that through a series of circumstances, fate has placed the five Chinese innocent girls in the hands of Tom and his uncle… But the reality is another… Their families sold them to that rat captain heading out to the mining camp, where Kate, an odious saloon owner, bought them from an associate in San Francisco…

Our two cowboys save the girls' lives from rape and take them along on their journey…

With great photography, gorgeous vistas, perilous ground, sensible brave girls, good and decidedly courageous men, great action when it is necessary, and a big confrontation at the climax of the movie, Hill's Western is a must see film for the fans of the genre