Os Estranhos

The horror genre is probably the most perplexing genre in the cinematic medium, not because of its inherent qualities but because of the countless ways in which a movie stops being scary and starts rolling eyes. In a successful scary movie, one can expect a finite amount of characterisation mixed with tension and adequate construction of dense atmospheres and antagonists if there should be any. In The Strangers, such a sweet spot is achieved many times throughout, and it's during these moments that writer/director Bryan Bertino shows that he knows how to craft an eerie and downright scary experience to be part of. Yet too often does the film collapse under its own weight as laziness creeps in. Outside of Bertino's more refreshing techniques, he irritatingly resorts to tired clichés, dull narrative and predictable storytelling; it's a mixed bag of brilliantly executed originality and formulaic, cookie cutter banality.

Taking place for the most part in a single summer home, The Strangers is a claustrophobic nightmare that persists in its will to take that image of safety (home) and turn it into a confinement of horror. Through this general idea Bertino crafts an extremely effective way in which to engage the viewer; the warm comforting log cabin fireplace, the folk music, the backdrop of isolation and tranquil wilderness, all combining to create a sense of false security that always reeks of foreboding doom. Focusing the first twenty minutes on troubled couple Kristen McKay and James Hoyt, the script introduces us to the domestic heart of the story; a squabble and misunderstanding between two lovers. Not only does it add to the light hearted feel of the opening sequences but it develops the characters into heart-driven, fully empathetic beings, and when terror comes knocking at the door, we too are feeling the fear.

Unfortunately for all the good that the director does through the film's first act, the quality suddenly begins to dip shortly after the climax of tension has been reached. The second act of the story is much less coherent and more bumbling in its pace; there are genuine scares scattered throughout as a result of these freaky little visitors to the couple's cabin at four in the morning, yet the general structure and workings behind the scenes draw too much attention to themselves at key points. Everything from the screaming female tripping and breaking her ankle to the hereditary 'split up' of the pair for no logical reason but to satisfy the already developed structure frame are here, and it's irksome more than terrifying. Through this mix of studied technique and less than inspiring storytelling which too often puts structure ahead of natural storytelling, The Strangers feels satisfying in its ability to deliver horror, but simply doesn't do enough to cover up the glaring holes in its unconvincing façade.

As characters, Bertino neglects his three catalysts of fear to mere device-like movement only; they are facades and masks, and no real identity to them is ever given. This technique works well during the film's earlier moments when the director's aim is to scare out of their unknown presence, yet when the feature moves on and on and the three masks are exploited at every time to scare, their lack of motivation hurts the film's ability to sustain suspense. As protagonists, Kristen and James are of standard horror movie build; she is fragile and prone to screaming, and James, although a lot less macho than most male leads, is just as ill-fated to poor decision making. Individually, neither of them ever show any real sense of compelling attributes to cling onto, yet as a pair they at least share enough dynamics and chemistry to warrant the movie's key moments of characterisation.

Thankfully the movie doesn't end in a big bang and there is little in the way of cliché to be found leading up to it; it's unenlightening sure, but it's got enough conviction to carry off the film into positive light. This hollow note that finishes it all off is representative of the film as a whole, and of course Bertino's skills as a director of horror. Despite obvious flaws in storytelling, the majority of what is on display here is genuinely thrilling at its peaks and mildly compelling in its valleys. Through a startling score that punctuates the atmosphere poignantly and photography that captures the eeriness of these strangers' ominous presence, Bertino employs all the tricks in the book to deliver the scares, and while the whole product as a whole feels more like an exercise in technique, there's nevertheless plenty to behold regardless of any inconsistencies in narrative. Taken as a whole, The Strangers is a strong first attempt from newcomer writer/director Bryan Bertino who shows definite flair for crafting suspenseful scenes of terror and bringing out strong emotion from all his cast.

• A review by Jamie Robert Ward. For more reviews of all the latest movies please visit: http://www.invocus.net

Not sure why it has,numerous negative reviews? Was enjoyable,suspenseful in places & of course typical clichés. You can't help but feel uneasy,because this could happen.. A stranger pulls into your drive or knocks on your door,what's their motive? When October comes around,it's always one that gets played.

The Strangers, follows a couple as they stay in a vacant vacation home after some relationship issues not realizing they will soon be fighting for their lives as three strangers are hunting them around the house to kill and terrorize. The film is pretty gruesome considering these were based on true events. This film is okay though keeps the suspense. The movie was a bit dragged and took a while for the killers to prey even though most scenes they could have killed the couple on the spot. Though, I guess that's just part of their game. I would recommend the film for those looking for a light thrill.

Kristen: "Why are you doing this to us?" Dollface: "Because you were home."-The Strangers

It would be so easy to dismiss the very deliberate pacing of this film as pedestrian, but in this day and age of gratuitous violence and constant gore, this film relies on the ability to slowly torment you, as toy watch the hideous way in which the young couple are subjected to the night from Hell.

At the time I genuinely did find this a very unsettling, unnerving watch, going home to an empty house after this was unsettling.

Ignore those that call it boring, trust me, it isn't, it's paced in a way that throws you off guard.

No clear begining, or end, just a series of random events. It's a grim movie. 7/10

First off, let's start with a note. It was 'inspired' not 'based' off true events. People need to learn the difference between the two. The Texas Chainsaw Massacre is 'inspired' by true events, but still people believe it really happened. It never happened... it was inspired by the story of the serial killer Ed Gein who would take body parts off of women and make furniture out of them, and other forms of cruelty.The Strangers was 'inspired' by true events which means they probably took similarities from stories of The Manson killings and other killings of the same sort. So really the director had free range to do whatever the hell he wanted at the end, and I believe he failed.

I heard about this movie a long time ago and was so excited that it was finally being released that I saw it at the first midnight showing. At first, I was enjoying the set, costumes, and I believe the acting was pretty well done. I believe the director achieved a very creepy feeling, but too many times did he use to obvious cop-out of making loud noises to 'startle' the viewer instead of genuinely 'scaring' them. The site bloody-disgusting.com made an excellent article describing the differences between these.

In the end, I remember about two scenes and the rest is a vague blur. The scene with Glenn Howerton (of It's Always Sunny in Philadelphia! fame. Woot!) was probably one of the most tense and unsettling scenes of the film. The other being the portion where the record is skipping.

This movie is a strong example of anti-climactic. The ending was a cliché. I won't give it away but I will say that it did not leave me feeling disturbed nor did it leave me with a sense of accomplishment. Two things I look for in an ending to the flood of "home-invasion" horror flicks. I believe two recent films do a great job of accomplishing these factors. The recent VACANCY and FUNNY GAMES are leaps and bounds greater than this film. They do a much greater job of making the protagonists feel helpless and I strongly suggest both of them.

Hopefully, I could help some. I know many will disagree with me, but quite honestly that's fine. Many of today's moviegoers enjoy paying $10 to jump out of their seat because someone's face appears in a window or a sound guy hits a wall really loud. It's the sad truth and Hollywood banks on crap like that. So it isn't going to end anytime soon.

Thanks, Alex