Regarding Billy

Jeff London (The Last Year, And Then Came Summer) is a writer and director who takes on some tough subject matter about the ordinary men in gay life and fashions simple stories that, while not earth shattering, are delicate reminders of the non-sensational aspects of coming to grips with sexuality. In REGARDING BILLY, his best film to date, he has assembled a small cast of fine young actors (only three), and offers a film that for a $20,000. budget and two weeks of shooting time shows how sensitive little movies can be.

Opening inside a tent on a camping trip, we meet Billy (Ronnie Kerr) and Dean (Jason Van Eman) who have been best friends since childhood. Dean announces he has joined the military to address his life stance (his parents are long gone) and will be going to Iraq. Billy is obviously sad and both young men begin to tell each other something...'but it can wait until morning'. In the next scene Billy is seen with his mentally challenged sweet kid brother Johnny (Jack Sway) as they have returned from the funeral of their parents who have died in an accident. Billy comforts Johnny and moves back to the home he had left to care for his brother. While Dean is in Iraq he writes Billy and Billy fantasizes about Dean's returning home. When indeed Dean does come back from his tour of duty, injured irreparably in the war, Billy insists that Dean move in with the brothers. Despite the obvious new happiness of the three young men living together, there remains an underlying tension between Billy and Dean, a tension broken only by a moment of confession regarding feelings that is one of the more tender 'coming out' scenes yet filmed. The film ends as quietly as it begins with the power of love and extended family as the theme.

All three of the actors perform well despite a script that calls for excessive crying. Kerr and Van Eman are understated hunks that make the attraction and resolution of the plot completely credible. Yes, there are some awkward lines and shaky moments in the film, but the overall effect is one of a loving product that dares to be sentimental in the face of criticism because the creators obviously believe in the story. REGARDING BILLY is a refreshing change from the usual over the top gay films, a film more about core people than the peripheral characters usually in focus. Recommended. Grady Harp, February 06

I can't stop barfing long enough to type! This story is another example of the exploitation of gay men to get a film made. It isn't a gay story. Gay themed is trendy way to get $$$$$. Substitute either character for a woman and you have funding rejected by any thinking producer. I did wonder if this was some attempted sequel to Ole Yella - without the dog. OR was the initial script called Retarding Billy and the bad acting missed the humour - leading to Regarding Billy. *ponder* All the expositional lines certainly implied retardation. *ponder* That could have been quite entertaining! But - if this is a coming out movie - could you please go back in?

This was really a beautiful little story of love and family.

Dean, played by Jason Van Eman, leaves his best friend Billy, played by Ronnie Kerr, and goes off to The Gulf War. Billy has to return home and look after his mentally retarded younger brother. Several years later Dean returns from the war and comes to live with them. What unfolds from there is a touching story of two best friends who are secretly in love with each other and the process of them facing up to this fact.

I found myself really enjoying this movie and gladly purchased it to add to my small collection of wonderful gay movies. Sure, this movie is no Brokeback Mountain, a masterpiece, but it is very sweet and you feel good after watching it. Sure there are flaws, but on such a small budget of $20,000 I believe, a pretty go movie was produced. Both men are very attractive, especially Jason Van Eman who played Dean, with the most beautiful smile. And the amazing chemistry between the two actors gave their relationship 100% credibility. The two kissing scenes between the men, I wish there were more, was wonderful and authentic. Their acting was also pretty convincing, especially with the shoestring budget the actors had to work with. I hope to see both these men in future projects.

If you're in the mood for a touching and sweet little movie, rent Regarding Billy. I think it will leave you with a smile.

I applaud Jeff London for trying to make a film about gay men who are actually human beings with feelings above the waist. The premise of this small-town story is quite good. People's lives are affected by economics, death, family needs and so on. The characters are real people with real, if not mundane, lives. I also make allowances for a low budget, which seems evident. However, the budget does not totally absolve bad dialogue, worse pacing, horrible music, bad lighting, poor set design, uninspired cinematography, poor casting and high-school-quality acting. It seemed to me that the story challenged the cast and crew beyond their capabilities. Having said all that, this film may some day be shown to church youth groups after bean suppers on Saturday nights in Wyoming. While they may scream at the kissing they will not be tempted into evil by the sexuality, which is entirely lacking.

I'm a bit confounded as to why this movie has such high ratings on Netflix. Yes, it is intelligently acted by an attractive and watchable cast, but that's where my recommendation ends. The script is a slobbering sentimental mess from the first five minutes till the very end. Don't get me wrong, I don't mind seeing grown men cry - but this is ridiculous! This film is like a 'very special episode' of a gay "Party of Five" (or is that an oxymoron?). Unrequited love, mentally retardation, dead parents, war injuries, blindness - no tear is left un-shed. In the end, the characters come off as a bit naive, despite the fine performances. The plot lines are under-developed with details omitted if they didn't contribute to the bawling. There's a chaste kiss or two but little display of affection between the two characters. After all that time pining for one another, you'd think they'd do more than hold hands (they don't). This film is like a homo Hallmark Card, all sentiment, no substance.