Sem Reservas

Despite what I recall of the advertising campaign last year, this soft-hearted 2007 film is far less a Food Network-derived romantic comedy than a Lifetime-oriented drama about grief and work/life balance. Directed by Scott Hicks ("Shine") and written by first-timer Carol Fuchs, this film offers the most insightful peek into the workings of an upscale Manhattan restaurant since 2000's "Dinner Rush" (i.e., if you don't count last year's CGI-generated, French food-fest, "Ratatouille"), but it also seems intent in splintering the story between the romantic sparks between the co-stars and the unexpected relationship that a single aunt forms with her orphaned niece. The result is heartwarming but rather diluted considering the potential inherent in the material presented. Hicks and Fuchs also seem intent on inserting predictable clichés along the way to reinforce the formulaic approach taken with the story.

Basically a remake of the 2001 German comedy, "Mostly Martha", the plot centers on perfectionist chef Kate who runs a tightly efficient kitchen in a chic SoHo bistro. As a resolute overachiever, she is able to get up before dawn to get to the fish market and stay late at the restaurant making her impeccably presented dishes until closing. So tightly wound is Kate that restaurant owner Paula forces her to see a therapist to address her supposedly difficult personality. This is the first of several disconnects I had with the film as Kate strikes me as demanding but not particularly abusive to her staff. Regardless, her life is turned upside down by the sudden death of her sister and the addition of her niece Zoe to her structured life. As if that wasn't enough, Paula has hired Nick, a rowdy opera-loving sous-chef, to partner with Kate as she struggles with her personal transition at home. Taking a number from the Tracy-Hepburn manual for romantic comedy, tempers flare as do sparks. Zoe's recovery from her mother's death becomes a complicating factor, but the rest of the story plays out basically how you would presume.

More interesting in edgier, less sympathetic roles, Catherine Zeta-Jones plays the icier aspects of her role well, but she is markedly less arresting when her character turns warm and gooey. The script also doesn't really respect her character much since she is made to look overly foolish and insensitive in her early scenes as a struggling mother figure. Aaron Eckhart seems to be playing more of a plot device as Nick, but he does it well, and the requisite sparks occur with Zeta-Jones. Cornering the market on playing put-upon children, Abigail Breslin is fine as Zoe, even though she has to be glumly depressed for much of the film. The usually more dimensional Patricia Clarkson plays Paula as a surprisingly brittle, opportunistic character, while Bob Balaban isn't given much to do at all as Kate's therapist but act as a bromide. Stuart Dryburgh's autumnal cinematography makes all the food look good, the stars as well, and minimalist composer Philip Glass, of all people, provided the unobtrusive soundtrack dominated by Puccini, Verdi, and Flotow arias. The most significant bonus item on the 2008 DVD is a twenty-minute episode of the Food Network's "Unwrapped" which includes interviews with the film's stars and the real chefs who concocted the dishes in the movie.

Kate (Catherine Zeta-Jones) is the intense perfectionist head chef of an upscale Manhattan restaurant. She has anger issues and the restaurant owner Paula (Patricia Clarkson) sends her to a therapist (Bob Balaban). She lives an intense lonely single life refusing to date her neighbor Sean. Her sister dies in a car crash. Her niece Zoe (Abigail Breslin) survives and is placed with her. Zoe's father is unknown. They both struggle. Paula hires new chef Nick Palmer (Aaron Eckhart) to pick up the slack which only angers Kate.

It's a remake of 'Mostly Martha'. This is a bit lighter in tone than the original. There are some minor changes but they kept Leah pregnant with short hair. I'm glad they lost Zoe's father in this version. It was a bit of a distraction in the original.

Breslin is a great child actor. She is the big improvement over the original. She and Zeta-Jones have a compelling story. The romance with Aaron Eckhart is a little lacking. He has limited chemistry with Zeta-Jones. They're also relying on a few too many montages. I would also prefer a lot more food porn in a cooking movie. Nevertheless, this is a nice story of coming together.

I think that Catherine Zeta Jones and Aaron Eckhart could do a new version of "Prizzi's Honor" they both look like professional killers. In a nice way, of course. It wouldn't have surprised me if one of the two had produced a kitchen knife and stabbed the other multiple times. Okay, enough of that. The movie is, how shall I put it? Nice. Catherine Zeta Jones manages a sort of warmth that I had never noticed before in her and Aaron, well, he just goes for it, reveling in this film persona that he's been developing for years. The tender macho type. The food looks great but not as great as in "Big Night" remember that one? Some character touches are really spot on. The city and the dishes are photographed beautifully, the human beings a little less. I almost walked out during a musical montage but I'm a glad I didn't. All in all. Fun. Not Preston Sturges but fun.

In Manhattan, the workaholic Kate (Catherine Zeta-Jones) is the chef of the 22 Bleecker Restaurant owned by Paula (Patricia Clarkson), who sent her to a therapist (Bob Balaban) because she has no other interest in life but cooking and controlling her kitchen. When her only sister dies in a car accident, Kate becomes the guardian of her niece Zoe (Abigail Breslin), who can not overcome the loss of her mother. Paula orders Kate to take a couple of days off to care of Zoe; when Kate returns to the work, she finds that Paula hired the sub-chef Nick (Aaron Eckhart) without her approval. Nick explains that he is honored of working with Kate, but the jealous Kate does not trust in him and believes he wants her position. When Zoe gets close to Nick and invites him to have dinner with Kate and her, she changes her feelings for Nick. But when his work is recognized by the clients of the restaurant, Kate believes she committed a mistake.

"No Reservations" is delightfully sweet, with a nice romance supported by the magnificent chemistry of Catherine Zeta-Jones and Aaron Eckhart; a good story; a wonderful soundtrack; and the visual of splendorous dishes. The beauty of Catherine Zeta-Jones is awesome, and I really loved her character and this entertaining feel-good movie. My vote is seven.

Title (Brazil): "Sem Reservas" ("Without Reservations")

(My Synopsis) Kate (Catherine Zeta-Jones) is the master chef at the trendy 22 Bleecker Street Restaurant in Manhattan. She runs her kitchen at a rapid pace as she coordinates the making and preparing of all the fantastic meals and personally displays the food to perfection on every dish. She intimidates everyone around her, so her boss sends her to therapy. Kate hates to leave the kitchen when a customer wants to compliment her on one of her special dishes, but she is ready to leave the kitchen in a second when a customer insults her cooking. Kate's sister is killed in a car accident and her nine-year old daughter Zoe (Abigail Breslin) moves in with Kate. With all of Kate's problems, the boss hires a new chef to join the staff. Nick (Aaron Eckhart) is a rising star in his own right and could be the head chef of another restaurant, but he wants to work under Kate. Kate begins to feel threatened by Nick, because he has a different style of running the kitchen. Nick loves to listen to opera when he cooks and to make the staff laugh. With all that is going on in Kate's life, falling for a man is the last thing she was looking for. There is some kind of chemistry between Kate and Nick that can only go one way. Yet life will hit her in the head when Kate's boss offers Nick the head chef job.

(My Comment) You know before going in that this is a chick flick. If anything, I wanted to see Catherine Zeta-Jones do her thing. The movie actually touches on a hard subject of what can happen in life when someone you love dies. Kate had her own life and now she is responsible for her niece Zoe. Being responsible for a child will change your life dramatically, and Kate discovers that very soon. What used to be important to Kate is not so important, and she must work very hard to build a relationship with Zoe. Yes, this is a chick flick, but it also touches real life to. I think the real star of the movie was Abigail Breslin. Abigail was able to pull off her part and make you believe that her mother had actually died. Most of the movie is light hearted and fun to watch and is very predictable. (Warner Bros. Pictures, Run time 1:44, Rated PG)(6/10)