O Cheiro do Ralo

I felt odd about the movie. I know deep down I both hated it and loved it and I certainly can't stop thinking about it. It really is a sarcastic masterpiece, but very hard to watch. I didn't find it particularly funny in the spots where the audience laughed the most, and often felt horrified. I haven't read the book, which I'm sure is fantastic. Being lucky enough to have lived in Brazil for 7 years in the past, (e sim, eu falo Portuguese), I felt more and more the satiric edge of the main character as a metaphor for the worst things about Brazil lovingly portrayed by a master-- the obsession with the bunda over the female (that scene where he doesn't recognise he is not speaking to his favorite waitress till she turns around was incredible); the buying of worthless, often superstitious items over things really of value (100 rieis for a Stradavarius!?); the man constantly saying, "that smell is not from me, it's the drain;" (that line is especially deep and frightening and I understood it well); him giving all that money for the gun in a scene that looks like robbery; the fake father (leg and eye);his horrible treatment of the weak and helpless and poor; the growing obsession with the smell of his own excrement. I know the movie is a masterpiece-- the trouble is its view of the world through that glass eye is one I, too, would prefer to leave in the next room, perhaps.

Usually, when it comes to Brazilian films, it is common the themes which lies about the rich culture that shape this country or, as has happened recently, addressing the issue of urban violence. Therefore, these issues are also on the films that most Brazilians are recognized internationally. "Drained" is a different case, because it shows a Brazilian film that is not necessarily on a Brazilian theme. It tells a story about the complexity of human relations in their most obscure side, making a portrait full of dark humor. Talks about the way we transform everything into things with prices to be paid for. Selton Mello is perfect in the film, as well as the ambiance and direction. A surreal story, with great moments of humor, is what awaits the spectator of "Drained".

Lourenço (Selton Mello) is a dealer that buys belongings of needy people by a lower price to profit reselling them. He is a deranged, cold and selfish man that sees people like objects for sale, exploiting their needs. When he meets the waitress of a cheap diner, he falls in love for her butt and does not know what to do when she shows affection for him. He believes that the smell of the sewer strainer of his bathroom is blurring his mind and is a gateway to hell, but refuses to pay for its repair. When a junkie client abused by the power of his money reacts, the world of the controller Lourenço begins to fall apart.

"O Cheiro do Ralo" is a weird and unpleasant tale of the insanity process of a man completely obsessed by the power of his money. The Kafkaesque story is intriguing but unfortunately goes nowhere and has a pointless end. Selton Mello, as usual, has a magnificent performance but the situations are repetitive and this low-budget Brazilian movie is too long. My vote is six.

Title (Brazil): "O Cheiro do Ralo" ("The Smell of the Sewer Strainer")

I just saw this in Salt Lake City at the 2007 Sundance Film Festival and was both shocked, amazed, delighted and disgusted by it. It is some kind of weird masterpiece. It's based on a book and the filmmakers at the Q & A said it was very faithfully adapted.

Though the story focuses on the obsessions of its pawn shop owning protagonist, namely a pretty girl's ass, a smelly backed-up bathroom drain, and a glass eye, it still manages to be full of intelligent, thought-provoking ideas and themes.

I really loved this film because it is so unbelievably original and fresh, both in its content and with its form. The viewer never knows where it's going to go as it twists and turns through its strange little storyline.

Most of the times, when we see a movie, we do not see it, we not feel it like a vivid fact, but we see it as a thing that is "out of us", apart of what we experiment each second of our lives.

Cinema is life, vivid experience, you and it, dialog, and not a standard of stimuli that we feel the necessity of fitting and of comparing, it is there to be lived!

Yesterday I began to realize better that, while watching "O cheiro do ralo" of Heitor Dhalia. The movie is brilliant, and the character of Selton Mello even more. Cynical, arrogant, shy and lonely. Lost in the middle of so many objects, which serves to try to provide this 'lack', the lack of something, of feeling, with the other, of contact..."I do not like you and I never liked nobody". The obsession, the money, the ' assumption controls of everything and of all '. Before so many losses he buys, it is the only weapon that he has.

It makes us think about all the nuances that wrap the human life, in all the bizarres thoughts that " we want not to have thought ", or for shame, for fear or for disapproval. It makes us understand that the life is desire, want of living, of feeling, of " being there ".

"O cheiro do ralo" manages with expertise to expose the strange and bizarre daily life of a character that is there on the screen, which is very different from us, but on the same time he manages to say very much of ourselves.

To laugh .... to think ... to get emotional ...to get bothersome ... for me this is life!