Venus

If Peter O'Toole's mesmerizing, fearless, and endearing performance was the only positive aspect of Venus, it would still be well worth seeing.

I was pleasantly surprised that the sharp wit and general delightfulness promised by the theatrical trailer for this film delivered the goods.

Like the critically acclaimed and popular film from 2004, Sideways, this well-written bittersweet comedy celebrates what is means to be fully human by presenting us with complex, flawed characters who don't always behave the way they should- and our hearts end up bleeding for them as much when they're bad as when they're good.

With the simple story line about an aging British stage actor who develops an "interest" in his best friend's great niece, Venus artfully widens into a realistic exploration of how different relationships in our lives fulfill some needs, but not all, and how aging threatens aspects of our identity, but leaves other core pieces intact.

The scenes with "Maurice" and his actor friends are absolutely delightful and perfectly executed. The two wonderful scenes between "Maurice" and his estranged wife (a marvel of a performance by Vanessa Redgrave) are both heartwarming and heartbreaking.

The core of the story- the not-so-kosher, yet not-nearly-as-revolting as-you-might-think relationship between "Maurice" and "Jessie" (an impressive Jodie Whitaker) avoids all clichés and predictability found in Hollywood movies, and presents the viewers with a believable, engrossing slice of life, and fully invests them with an emotional stake in these characters' outcomes.

Venus is an expertly acted, beautifully written little gem that hopefully will not get lost among the more hyped (and over-blown) late year offerings. If The Academy decides to reward Mr. O'Toole with an Oscar for this performance, it will be one that is well deserved and won't be dismissed as "the sentimental choice." Treat yourself to the best adult comedy of 2006, and one of the best performances of the year.

More Mother than Notting Hill. Peter O'Toole is brilliant -- creepy, lovable, objectionable and yet so vulnerable as the aging, forgotten actor in this "kind of makes you squirm in your seat" love/obsession story. I viewed it at the closing night of the Chicago International Film Festival. The tone and feel of the film places you squarely in Maurice's (O'Toole) gloomy, last chapter of life journey as well as Jesse's (Jodie Whittiker) bratty, just getting her own life started journey. Outstanding cinematography, score and music. Wonderfully haunting! V. Redgrave is terrific and beautiful. Oscar's all around for this funny, sometimes creepy, real look at two people finding each other at the most unexpected time in their lives.

Peter O'Toole, as a great actor, has a certain transcendent charisma that has not diminished with age. It is well worth it to see this movie just for him. The life affirming message implicit in his brilliance preserved in old age goes well with the main theme of the film itself, which is the perseverance of vitality in the elderly.

The movie is a black comedy, and achieves both the blackness and the comedy perfectly. A scene where O'Toole accidentally barges into a room where his young love interest is modeling nude (while trying to spy on her)is especially hilarious. And his attempts to deal with catheter troubles are darkly hilarious. The movie is a poignant portrait of old age and an uplifting story of young love.

There is poetry to Peter O'Toole's performance in "Venus"; it is so effortless, so seamless, so beyond "acting" that it tempts the rest of us to give up and hand in our union cards. No actor in memory has so finely embraced with voice Shakespeare's "Shall I compare thee to a summers day...". This is as fine a vintage as you'll ever find! Perfection. Roger Michell delivers a superb cast all around. Jodie Whitaker hands in a lovely nuanced performance, especially for a newcomer. Together with O'Toole, Leslie Phillips and Richard Griffiths present a marvelous portrait of aging actors. Michell deftly makes us laugh at some things simply because it hurts too much to weep. This is such a beautifully layered and rich film one may want to revisit it time and again.

I, like most people, thought twice about spending a good few hours of my life watching an old man fall in love with a teenager, but my respect for O'Toole and a free ticket voucher at the Denver Film Festival were more than enough to motivate me to see the film. Had I not gone, I would have made a serious mistake. O'Toole's performance is as good as anything he's done, and the whispers about Oscars might just have something behind them. Somehow, Roger Michell directed this film so beautifully that nothing that occurred between Maurie and Jessie seemed morally ambiguous whatsoever. Maybe it was the pairing of scenes with poppy Corinne Bailey Rae music that made it seem so natural, but I strongly suspect otherwise. O'Toole, paired with a beautiful performance by virtual unknown Jodie Whittaker, takes us into a world that disregards social boundaries and replaces them with raw human emotion and understanding. Though O'Toole's performance captivates the Oscar attention of anyone who sees the film, the supporting role played by Leslie Phillips was essential to the film's success. The relationship between Phillips and O'Toole's character had the entire theater laughing just seconds into the film. Overall, a cast of entirely endearing characters and knockout performances by O'Toole, Phillips, and Whittaker make Venus one of the best films I've seen in 2006.