Zinda

Bollywood should NEVER try to be as ambitious to tackle films like Oldboy. Indian morality eventually gets in the way. Such attempts are cringeworthy. Do not bother watching Zinda unless you like talentless 'eye candy' type films. Watch the original instead. What is it with Bollywood anyway? They shamelessly copy from oriental cinema/Hollywood and try to pass it off as their own. You can't help but feel disappointed. It was a massacre of the cultish Oldboy. You have to have a strong stomach to stomach some of the things that happen in Oldboy. Its like Bollywood was sugar coating the themes in Oldboy and what do you end up with? A version which your granny can watch with you without feeling too offended. If that was the case then Zinda should never have been made. Well it shouldn't have!

Warning: I'm a German-Japanese / Poor English

Abnormally, i'd generally like to experience remade flicks. More so the if i loved the original. I know there are extremely few which equals or excels to the original but it's not a big problem for me 'cause i don't even expect them to. It is to me like a bonus track of a beloved album, no more no less.

So i got no hesitation in checking Zinda as well (i was even excited actually) 'cause the original must be in my all-time best 10, but, oh my..

I won't say any more about this XEROX COPY crap. (copied on retarded machine, moreover) Nough said by nough people.

Now one thing i just can't believe is how this could be legal. As far as i've read on internet articles, Sanjay and his people haven't even paid a penny to the original Oldboy makers for doing this, which means Zinda is not an official remake of Oldboy. Then what the h..! is Zinda's identity? Some's gonna say it's JUST BASED ON or INSPIRED thing but you know it's way beyond those kinds. Then what?

Sort of Homage thing ? Yea possible, but Sanjay and his company have hardly mentioned about the original on either official ads & reports or non-official comments. Instead, Sanjay's kept saying he's got a bit INSPIRED ONLY and Zinda is totally different from Oldboy or something like that. Besides, more importantly, while shamelessly copying scenes-by-scenes from Oldboy, Sanjay intentionally missed the KEY-POINT of Oldboy's story for his own audiences' taste, for COMMERCIAL PURPOSE in other words. Then how can we call it Homage anyway ?

My conclusion is : Zinda is not only a copy crap, it's rather A CRIME, LITERALLY. I don't understand why Oldboy makers let them make money with this stolen thing.

Am i disappointed ? No i'm fine i didn't even expect. I'm just p***ed and upset for this shitmakers' shamelessness that's all.

It's heavy violence. My major concern is why Bangkok? Bangkok seems to me a beautiful city, however, it's not at all captured like one here. It's ultra dark, highly gloomy and completely violent with mostly everyone in the city seem murderers (gunda log hai re baba). The movie starts well, doesn't feel it's gonna be heavy crime material. It does well to make it feel like horror after the first 10 minutes. John and Sanjay are decent, everyone else have been a disappointment. Although Lara was good, she doesn't justify her character why she's been dragged till the end, maybe just needed a female out there most of the time to make the audience glue the seats. Unnecessary. The locations are the worst part. Very gloomy, dark, and disturbing. Would rather suggest a better movie to watch. The story, too, gets complicated towards the later stages disrespecting the original one. Girls and all the ladies reading me, should have such behaviour by any men stopped right there. The more they let it go, they make them closer to the target who is you. Take the step before it's too late, do not fear. However, you're lucky since I'm sure you don't hace such brutal men around you. Most of the men are good, earthly, and highly respectful, few bad apples do not make the whole lot of men bad. Must respect the men too, because men really do.

The only reason this movie ended up with more as 1 star is because some hardcore nationalist bollywood lovers didn't write honest reviews. Don't get me wrong. I have nothing against remakes nor bollywood, but this is just uninspired crap. I like any kind of movies. But movies ought to be made by people who enjoy making them, they should be skilled. Willing to put effort in making a good movie. This guy is allowed to make movies because he is from a rich influential family.

Sanjay Gupta must be one of the least talented directors these days. None of his work is original and all of his movies are cheap copies. this is the same, he saw a movie. Liked it, but just didn't understand it. it doesn't even come close to the original. Everything is just worse as the original oldboy. Camera work, story (that doesn't work out anymore) de fighting is lame, making it not offending for the Indian audience by cutting out the incest totally destroyed the story. The actor had to be a pretty face, too bad he didn't have acting skills with it. This untalented director shouldn't even be allowed to sell pop-corn in a cinema. Too bad mom and dad had money.

Its a direct insult to the real oldboy, and Sanjay didn't even pay for the rights to rip it. Please don't watch it, get oldboy instead. This one will only make you vomit

Having seen the Korean movie that Zinda is based on, and realizing how difficult a job Sanjay Gupta had on his hands, I went into this screening giving Zinda all the chance I could. What I eventually ended up watching got me thinking: Since Gupta has seen the original, what did he see at all in his version that he let it be released in cinemas? He should have left this movie on the shelves, or let out a quite Home video release and saved himself a lot of face. Or be man enough to announce that he failed. It is impossible that he could have been satisfied with the end-product. For a movie where the director deceives himself, what chance do the audience have? Zinda follows the life of Bala (Sanjay Dutt) who is plucked off his beach-house in Bangkok without notice, shortly after arriving there with his wife. He is imprisoned in a hotel-room, fed & cared for and yet devoid of all human contact. He is not even allowed to kill himself. His only contact with the outside world is a Television set which eventually gives him news that his wife has been killed and all evidence points to him as the murderer. 14 years of solitary confinement followed by sudden release fuels Bala's quest for vengeance against his captor (John Abraham). At his aid are a Female Punjabi Cab Driver (Lara Dutta) and his childhood friend (Mahesh Manjrekar).

Sanjay Gupta and Sanjay Dutt as White Feather Films make a formidable team. Since rediscovering himself as a 'remake' film-maker, Gupta has been Indianising movies quite well. Somehow, they have always managed to entertain the testosterone audience. But here Gupta sets himself too high a target. Oldboy, the Korean film that Zinda is a remake of, is a masterpiece in film-making. The movie cannot and should not be tinkered with in its story and characters. All Gupta wants to do is pick the stylization from Oldboy and fit it into a movie he has imagined he can make. Yes, style has sold film before, but a minimalist interest in the script only works to negate any effect that the sleek-look may have. To give credit where due, Sanjay Gupta does make an attempt towards a movie like nothing we have 'seen' before. But a failed attempt does not a good movie make. Sanjay Gupta has always been a master technician of his movies, but this movie falters at a more basic level - it's writing. The theme of the movie is Revenge. But is Sanjay Dutt's Bala interested in revenge at all? Yes, to begin with: when he tries to discover the place where he was held captive. But thereafter all he is interested in is staring, walking, staring, running. With such a strong motive behind a well established character, where is the pay-off? Dutt himself gives a good performance. But with no backbone. This is not an act where even if the movie collapses all around him, his performance will emerge from the rubble as a saving grace (as it was in Pitaah). We have seen Mr Dutt do a lot better than this before, and in contrast, his Bala is too mediocre. John Abraham also does a good job - but unfortunately, the consistency and fierceness of his character does a 180 at the end, thanks again to the writing. He takes the entire movie to prepare this wonderfully evil character and ends it by adding a teaspoon-full of sugar. Lara Dutta does her best to look babe (she succeeds), but fails to convince us as a Punjabi or a cab-driver. Another White-Feather alumnus Sameera Reddy could have been a better choice. Mahesh Manjrekar is a lost cause.

Sanjay Gupta and his cinematographer Sanjay F. Gupta (Oh, the number of Sanjays!) work well to mood the film right - but while the color-grading worked well in Musafir, and in Sanjay F Gupta's Karam, here the entire movie ends up with a grainy look. That, my dear Guptas, is definitely a not. The lack of dance-numbers and only background tracks is a positive, and Vishal-Shekhar with Strings add to a wonderful soundtrack. Down the years, maybe that's all this movie might be remembered for. And a somewhat decent, but copied, hammer-sequence.

My Rating --> 2/5