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First, I saw this film in Venice, Italy last August but I didn't see all of it. We went sightseeing. Finally last night, it emerged on late night television and I made a point to watch it. The two actresses who play Beth and Diana are brilliant in their performances. Their characters are far more alike than different. Beth is a struggling single mother of a wheelchair bound son, Benji, who she loves more than anything. She is having a rough day would be an understatement. Nothing appears to go right. Benji's father bought a house an hour away and wants to file for custody of him with his wife. Beth loses her job as a result of incompetence or lack of compassion. She doesn't have enough money in her bank account to buy her son a telescope so she pawns her necklace. She gets into a road rage incident which is equally her fault but then nobody appears to stop her. Diana is a married mother of two children with another on the way. She is equally having a bad day. Her husband is unemployed and they are on the verge of losing their home. Her son was caught bringing a gun to an expensive prep school and was expelled. Her daughter's needs are never quite answered. She needs a promotion to save her family and she needs to reassure her status in the business world. I didn't like the ending. The plot was suspenseful and kept moving along but I won't spoil it for others. You have to see it to believe it.

"Last Exit" is a fantastic little film that details the events of a day in the life of two very different women, whose days become inexplicably intertwined simply because of a little bit of road rage. Kathleen Robertson plays Beth Welland, a lovely young woman raising a son who is in a wheelchair, and dealing with the pressures of every day life. Andrea Roth is Diana Burke, a well-to-do woman with troubled teens and a distant husband, though she seems to be doing good for herself at work, until this fateful day.

Kathleen Robertson proves that she is a fantastic actress with the complex Beth, such an amazing performance. Andrea Roth also gives a great performance. Supporting them are Linden Ashby as Diana's husband Scott, Ben Baas, giving an amazing performance as David the father of Beth's son, and Noah Bernett, who plays Beth's son.

"Last Exit" may be a TV movie, but it doesn't seem like it, far exceeding the usual formula of tele-movies, and featuring a great story-telling sequence, with the shocking climax being shown at the beginning - then flashing back, because the events that take place during these women's day are so interesting, you're compelled to watch.

I think not only drivers (especially reckless ones) can benefit from watching "Last Exit", but almost everyone, for while driving is a major part of the film, the real-life issues and dilemmas the women face can be applied to almost anyones life. Well done to all involved.

They don't tell you this in the plot outline but early into this movie you realize that Murphy, of the ill-famed 'Murphy's Laws,' apparently has written himself into this script :^). As you're watching this movie, it will slowly reel you in. By the time you're 3/4 into it, you'll find yourself amazed, thinking just how good it is. But, by then, you're just scratching the surface of where this movie is going to take you. And by the end, you'll be glad that you decided to invest the time to watch it. This movie leaves you feeling. And, most importantly, you'll learn something about life and yourself from the experience because, during the movie, you'll be constantly comparing your life to the ones you're witnessing on the screen. And I bet, you'll see a bit of yourself there sometimes. This movie makes you profoundly think about a lot of things. Kudos to the director.

Director John Fawcett previously brought us the first GINGER SNAPS and THE DARK (the one with Maria Bello). Two movies I happen to like. LAST EXIT is a quite different film, but turned out a pretty solid viewing experience. Two unrelated women, portrayed by Andrea Roth and Kathleen Robertson (who finally has the chance to prove she can carry a film with a semi-leading role), are involved in a nasty car crash. The whole film consist out of flash-backs, illustrating the events leading up to the crash. LAST EXIT starts off a bit slow, but gradually Fawcett ups the pace and things get worse and worse for our two leading ladies (and thus: more interesting for the viewer).

Fawcett sets his story in a crowded, hectic city and handles a more "realistic" visual language (loose camera work from the shoulder, faster editing), so it's a bit of a break from his more stylised work in films like THE DARK and maybe requires getting a little used to at first. Nevertheless, this made-for-TV film really is worth a watch and proof that a lot of TV work these days can easily compete with theatrical releases. A decent story, a good director and fine actors work wonders sometimes. Fawcett and writer Russ Cochrane even managed to come up with a solid denouement (for which I was fearing, but ungrounded as it turned out). Check out LAST EXIT; it should leave you satisfied at the end of the ride.

Excellent acting by the two female leads. Sharp tension throughout. Ironic intersection of chance occurrences that is totally believable even if it is plot directed. Surprises and twists where least expected. Flashbacks and forward flashes that don't detract. Shocks that are the least shocking aspects of the fast paced movement. Strength and weaknesses in all the main protagonists. All of this in a made for TV movie. A superb plot, so well shot, so well thought through. The last made for TV movie that comes to mind that was on par for such quality all round - Duel by Stephen Spielberg. This movie is more than its parts and its final moments sum up the lack of answers that fate has for people, strong women, weak men, dependent children as the case may be .... this is a film which entertains while raising questions - most of which are never answered ... and the answers provided are almost all inadequate. Tragedy is a follower of the various individuals, parents, children, bosses, underlings ....but no one necessarily realizes or acknowledges what their lives are or what it may become. When the consequences of their actions take root, the results are not necessarily what are expected, for the various participants, and for us.