O Sol Sempre se Põe na Terceira Rua

Beautiful, simple and fantastic movie about everyday difficulties and joys. Saw it twice and wept as much the second time. Although over two hours long there was never a second of boredom. Extra cred for making Tokyo in 1958 so realistic, still without skyscrapers and metros! Characters was very well chosen. Even the kids are real professionals here!

The main plot is about two stories waved together skillfully. A young "has-been" novelist meets a young boy who was abandoned and is been forced to take him in for the time being. A girl from the countryside takes a job in the big city, Tokyo, at what she thinks is a big automobile company (Suzuki auto). But nothing is what it seems! It's about love beyond family ties, but never the less easy.

This movie is based on 2 things, technology and nostalgia.

Computer graphics reappear the scenery of Tokyo 40 years before,it's so wonderful and filled with humanity.Current Tokyo city might be not so beautiful and humanity lost anywhere,so almost scenery evokes nostalgia.

Although the story is not so rich, fine episodes are often planned. The character of the doctor who lost wife and a child in war is excellent.The figure of the Japanese who were gazing at the future being captured in the past for a while, calls sympathy.

If you have never been to Tokyo City in 1960's,you can go now by seeing this movie.

ALWAYS SAN CHOME NO YUHA is a warm-hearted, good intentioned story of Japan after the world war as a group of characters deal with the wonders and disappointments of the day. A young girl (Maki Horikita in one of her most winning roles) is good at bicycle repairs, but it seems she's been hired to fix autos; a struggling writer finds himself saddled with having to raise of orphaned boy who has few expectations or dreams; a bar hostess saddled with debts has an uncertain future;; and a doctor is haunted by memories from before the war, when his family was still alive.

The children in the story seem to be the focus of the screenplay, a real-life symbol of the future Japan.

The movie almost seems to glow from within, giving a feeling of optimism and warmth in spite of the small crises that appear from time to time. The film can feel a bit slick as the plot moves from one set-up to the next - but it's also carefully written and quite artfully composed. In the background, we periodically see vistas a Tokyo Tower being built in the background - a symbol for the growth of a new Japan- and its this hardy spirit of survival that animates the story.

This film has a nostalgic feel even for those who have not lived in that time period, and at no time does it feel forced or unsympathetic. This film has a lot emotion - it will make you laugh, it will make you cry.

This piece of great film work took Japan by storm, and once I saw it realized why it had turned out that way. The film is immensely nostalgic and filled with bits of memorable moments that would send you bursting out with laughter while tears are still continuing to fill up your eyes.

The plot is austerely simple, yet the characters are smartly introduced and thoroughly elaborated. It's ultimately easy for us to believe that the Third Street community and those characters are real. The relationships between them are reasonably developed and eventually leads to a powerful and heart-wrenching-yet-warmly ending.

This is not a regular tear-jerker. Emotional scenes are not forced in as in any other movies, but effectively and strategically put into the right places, resulting in a gradual and natural emotional building.

The music and photography are flawless, and tremendously help with the holistic ambiance of the film. Acting is also impeccable.

Truly a worth-seeing gem for movie lovers. Another delicate Asian craft which has all the qualities that Hollywood mainstream movies still lack of.