Ao Lado da Pianista

Director Denis Dercourt's film is a compelling drama set in contemporary France. Mélanie (Julie Richalet) is an aspiring 10-year old pianist, preparing for her conservatory exam. Her audition goes badly when her concentration is broken by a commotion involving the head of the jury Ariane Fouchécourt (Catherine Frot), a renowned concert performer who behaves badly towards the aspiring pianist. Ten years pass, and Mélanie (now played by Déborah François) lands a coveted job at a law firm working for Monsieur Fouchécourt (Pascal Greggory). Mélanie makes a big impression on her patron, and she is recruited as an au-pair at his estate. She quickly becomes an indispensable member of the family, and intimate with Pascal's wife, who by now is struggling to maintain her illustrious career. Melanie is recruited to turn the pages of music during the make-or-break performance by Ariane and revenge appears to be the order of the day. An absolutely stunning performance by Belgian actress Déborah François, who was the lead in the award-winning L'Infant last year. Dercourt's use of silence to convey meaning and intention is remarkable, and has led to comparisons with the legendary Claude Chabrol (who directed L'Enfer with Emmanuelle Béart.)

The girl Mélanie Prouvost (Déborah François) is the beloved daughter of the butchers Mrs. Prouvost (Christine Citti) and Mr. Prouvost (Jacques Bonnaffé). She is an aspirant pianist and her parents make her application to the Conservatory. During the entrance exam, she begins with a great performance but she is distracted by one member of the admittance board, Ariane (Catherine Frot), who is giving an autograph, and she fails.

Years later, Mélanie is a teenager that has just finished high-school and she is accepted as intern of the law firm owned by the prominent lawyer Mr. Fouchécourt (Pascal Greggory). Mélanie overhears that he needs someone to take care of his son Tristan (Antoine Martynciow) and she offers to the position. She needs to travel to another town and when she arrives at the manor, she is welcomed by Ariane, who is the wife of Mr. Fouchécourt. She does not recognize Mélanie and soon she becomes Ariane's page turner, in the beginning of her carefully planned revenge against the woman that destroyed her dreams.

"La tourneuse de pages", a.k.a. "The Page Turner", is a stylish thriller of passion, seduction and revenge. This is almost a perfect movie, with great direction, screenplay and cast. The music score with classics is another attraction of this wonderful movie. My vote is eight.

Title (Brazil): Not Available

Melanie Prouvost (Deborah Francois) is a girl who really knows how to hold a grudge. Aged 10 she sees her prospects of a musical career go up in smoke at a piano recital when she is distracted by one of the judges, Ariane Fouchecourt (Catherine Frot), a famous pianist who thoughtlessly signs an autograph while Melanie is playing. After this failure Melanie refuses ever to play the piano again.

A decade on and Melanie, while interning at a law firm, gets the opportunity to become a live in nanny for her boss's son. Needless to say the boss's wife turns out to be none other than Ariane.

From hereon in the film plays on our uncertainty as to precisely how and to what extent Melanie intends to take her vengeance against the emotionally fragile Ariane, who of course is totally oblivious to their prior encounter. Is Melanie truly a cruel and beautiful ice maiden out for limitless revenge, or does she have a heart after all? The film keeps the tension going playfully and subtly, helped in no small measure by excellent performances from Catherine Frot and Deborah Francois. In fact about the only criticisms I can think to make are that the script could possibly have fleshed out Melanie's motivations just a little more fully, and also that there were several continuity errors regarding Melanie's dress. I don't often notice such errors, but in this case they involved the sudden disappearance of Deborah Francois' delectable cleavage, which I felt myself compelled to keep a close eye on throughout. A very minor quibble with an otherwise accomplished film.

Not once does the page turner (Melanie) reveal her thoughts throughout the action of this incredibly engaging story. Melanie's performance is one of such extraordinary deftness that the revenge she wreaks is brought upon her 'persecutors' by their own actions. 'Butter wouldn't melt' is a phrase a wise observer would wryly make of this wily operator. There is just the hint of a social comment around the social and economic class differences between the pianist and the page turner. Melanie is clearly a Leveller. In a sense, Melanie gives a virtuoso performance, dedicating herself to the quiet study and execution of her plan. Melanie leaves, dignity intact, after delivering the ultimate cure for narcissism.

This is a French movie and why I selected to see this movie was because it was running for a long time in Amsterdam. I thought that it must be a good movie. I had seen the trailer earlier and as I do not understand French I found it to be a homely movie. But that was not the case, when I read the reviews before seeing the movie – I understood that it was a thriller.

So I got more interested and went to see it. The usher of the hall – looked like did not expect a colored Asian to come and see this movie – may be she did not see any in its 14 week run in the theatres. So when she saw me – she stopped me to check whether I am entering the right hall or not – and yes I was – I was going to see a French movie – La tourneuse de pages – meaning the turning of pages.

It is a beautifully told story about a young gifted girl who is a very good piano player. She wants to get admission in a music school – but fails at the admission test because one of the lady jury member is arrogant not to give an autograph to her mother, but to show off in front of other jury members – gives autograph to someone in the middle of this girls performance; in turn unintentionally distracting her and loosing her concentration, ending up not being selected. This leaves a deep scarce inside this girl's mind, who abandons playing piano.

The next scene spans after 10 years, when this girl is grown up and is appointed to work in a lawyer's firm. The owner of the firm is the husband of that female jury member because of whom this girl was not able to pursue her interest in music - playing piano. The remaining part of the story is about this young girl's revenge to this lady jury member. The young girl is played by beautiful Deborah Francois – who plays every emotion of the innocent young girl's character with perfect ease and comfort. All the credit to the director Denis Dercourt who uses images to transfer the thoughts going on the character's mind with such ease on screen. The story unfolds – we as audience expecting what are the next thing this girl is going to do? I would not tell the tactic the girl uses – it is really very interesting and people who want to study the portrayal of psychological intent on screen – should study the scenes, characters and the on screen incidents.

At the end of the movie – I was actually waiting for something more to happen and was disappointed that the movie got over so fast. Full credit to the other character of the lady jury member – Catherine Frot – who has displayed a decent, typically wealthy lady's character – by going into the skin of what this elite people do or behave.

Worth watching.