Salve-se Quem Puder!

Uwe Boll's best Movie. Better than "You Don't Mess with the Zohan". Neither of those statements are saying particularly much, but to say the least, this movie is actually worth watching. Postal is essentially an absurdist farce comprised of characters designed to be caricatures of the worst parts of humanity. Assuming this was not some cosmic coincidence whereby Uwe Boll managed to write and direct a movie that actually entertains it's alleged target audience, I feel confident in saying that this movie actually hits it's mark. Knowing the spirit and tone of the source material, this is actually a pretty decent video game adaptation. The movie is essentially a Bollian journey into Tromaville territory: from the crass socio-political commentary, through the excessive violence, coarse language, gratuitous full frontal Dave Foley nudity, right down to the self deprecating director cameo. It's intentionally offensive to everyone. Despite itself, on some level this movie works. It's weird that I seem to only have good things to say about this movie, seeing as it is not a good movie... but, dare I say, it's not bad either. 5/10

If we forget for a minute that this film was directed by Uwe Boll, the discussion of this film would be very different. It's hard not to remember other video games he's responsible for bringing to the screen ("Alone in the Dark," "Bloodrayne") that really really sucked.

Boll has said he looked inward to write about his own frustration with the world for this. And it's very different. It doesn't compare to his other films at all - is closer to "Kentucky Fried Movie" than to "Alien Vs. Predator." It's a comedy, presumably his first intentional one since his debut film 15 years ago, and it goes to a place he hasn't shown us before.

It's based on the spirit of the game "Postal" already politically incorrect, cartoony, out of control, and not really serious (not even as "Vice City"). In a post 9/11 world, how do you make a film about an urban terrorist who's just "p--ssed off" without addressing terrorism, racism, and everything else that are hot buttons in the world...that create the madness that might make someone go...well, you know.

Boll has channeled the politically incorrect attitude and turned it on its ear. He doesn't mind making everyone look the fool, do things they shouldn't for the wrong reasons, kill the wrong people, overreact, act out clichés, etc. Everything and everyone is fair game in this film, and we must remember that - it's a FILM. It's fake, folks. Everyone in it takes themselves too seriously and thinks killing someone solves their problems. They're crazy, wrong, and in this film, they're laughable. Having fun yet? This is really a kitchen-sink movie. Every possible joke, high and low, sexual or sociological, is jammed in, with varying degrees of success. A lot of it's quite funny, some is stupid and offensive (but weirdly, in a good-natured way. It's not mean-spirited at all.) Ultimately it's a lot of fun. I agree that's it's too long towards the end, if only because Boll didn't have the resources to make the final shootout as epic as it should have been, and it begins to feel cramped.

The portrayal of Osama bin Laden (by "soup Nazi" Larry Thomas) is inspired. Zack Ward and Dave Foley are both great and very comfortable in their roles. Uwe himself has a great no-punches-pulled cameo along with the original maker of the game "Postal" at one point.

I wonder if this will ever translate to a wide release or if it will remain something we see on DVD (unrated, we can only hope) and laugh over. It is up to us to support any film that gets to the uncomfortable part of our world.

And amazingly, Uwe Boll wrote and directed it. Good job. Not the best film in the world, but one to remember. I don't think Paul W.S. Anderson or Eli Roth (to pick other famous "hacks") could possibly have pulled something this off. Boll is off the worst-director-ever list after this.

Let's hope after "Bloodrayne 2" he does something else more personal.

While Uwe Boll has garnered a reputation as one of the worst directors of all time, I can only surmise that those particular critics either have a very limited awareness of cinema (and clearly have not seen any films by Ulli Lommel...or Eli Roth), or are so embittered by their profession that they cannot see the insane, driven vision beneath the surface of the German mastermind's work. Those who have followed his career with masochistic pleasure have concluded that his current works have shown a legitimate upgrade in quality, and "Postal" is one of his most impressive films; while yet another loose take on a video game, Boll's proficiency with narrative structure (he co-wrote the script with Bryan C. Knight) has gotten better, as has his scene composition (few out-of-nowhere edits away from the action); and placed on the grounds of an absurd satire (a genre that many filmmakers bungle), Boll shows unfettered confidence and drive, even if the end result comes up short. Ditching the nauseating sitcom-structure that has turned Judd Apatow's films into crudely saccharine cinematic gold-mines, Boll goes for the subversive, anti-commercial jugular with "Postal"--he seems on a mission to top one offensive gag with one even more offensive, and the film (true to its title) is an onslaught of un-PC humor from start to finish. While I will say I laughed often at "Postal" and its politics (which echo the anti-consumerist diatribes that made "Fight Club" a cult classic), the comic timing is probably only spot-on about half the time; the remainder of the film's humor flows out of the absurdity of its premise: Dude (Zack Ward, the red-haired bully from "A Christmas Story") is an unemployed, lower-class guy having a bad day--in a pinch for cash, he and Uncle Dave (Dave Foley) concoct a plan to steal a shipment of Krotchy dolls from a Nazi-themed amusement park (run by Boll himself in a hilarious cameo); meanwhile, Osama bin Laden and the Taliban (camped out in the back of a convenience store, natch) are also converging on the coveted toy. Yet the plot is really just an excuse for Boll to let loose with a skewering of stereotypes, history, and blue-collar madness: while "Postal" could have merely been tasteless and humorless, its own sensitivity toward mankind's collectively repressed id shows a greater existential curiosity toward our "post-9/11" society than any Oscar-nominated tearjerker to come down the pike.

After all the crap Uwe Boll made, I really had very low expectations for this one. And those were not just met, but exceeded. The guy actually has a sense of humor. A dark sense of humor. But few people like that thing, so it's understandable that many don't like it. It goes against most common movie taboos, which is good, it doesn't favor any side, and makes fun of itself as well. There are a few drawbacks, though, like the music and some scenes could've been better, but overall it is above average.

The movie is random, it is senseless, but it is also fun. I never thought Id say this, but if you like dark humor, go see this Uwe Boll film.

I don't understand the bad reviews of this film. People complaining about how its not true to the games have obviously never played Postal 2. This movie is probably closest video game adaptation that I have seen. It is completely true to the theme of the game.

I watched this film at the premier and actually had a chat with Uwe Boll before the film started. He came out right before the film and made a 10-15 speech that consisted mostly of him tirading about how Bush is an idiot and even more about how he hate all the reviewers that give him bad reviews. I think he must have self esteem issues to come off like that against the reviewers.

Anyways, this movie is very funny, if you're into this sort of movie. Obviously if you hate Uwe Boll or are totally politically correct or are easily offended, then don't watch this movie. For people like me that like dead baby jokes and are pretty much desensitized to everything, this is a gold mine of comedy.