AVALIAÇÃO DA IMDb
4,6/10
12 mil
SUA AVALIAÇÃO
Ice Cube e Tracy Morgan são dois ladrões que não conseguem nem roubar igreja em PRIMEIRO DOMINGO. Um santo remédio contra o mau humor estrelado por Katt Williams e Chi McBride.Ice Cube e Tracy Morgan são dois ladrões que não conseguem nem roubar igreja em PRIMEIRO DOMINGO. Um santo remédio contra o mau humor estrelado por Katt Williams e Chi McBride.Ice Cube e Tracy Morgan são dois ladrões que não conseguem nem roubar igreja em PRIMEIRO DOMINGO. Um santo remédio contra o mau humor estrelado por Katt Williams e Chi McBride.
Sterling Ardrey
- Timmy
- (as Sterling D. Ardrey)
Avaliações em destaque
I got this movie because my wife likes movies that come out of the Black culture---I'd read all the reviews, which were uniformly negative. But we watched it together.
I'm glad I did. I'm one of those rare White pastors who has had the honor of serving as pastor of an African-American congregation. The comments about how this movie is "stereotypical" reflect a very Anglo view of life that has never been part of a Black church. The movie lifted up the humor of how Black churches work, and the sort of folks often found in them.
The Writer/Director grew up in a family of preachers. He was trying to show both the humor of what people are like in African-American churches, and how some positive male role models are needed in the Black community; men who care about their sons, may make mistakes, but will always try to do the right thing. To expect Ice Cube to be a "comedian" in this movie is to misunderstand his role: he was trying to do the right thing in the midst of craziness. He played the straight man, and left the comedy to others.
Those who look at this movie in the light of the way most Hollywood stories are reviewed didn't get it. Those who have never been part of a church community didn't get it. THIS WAS A CHURCH MOVIE! Taken on its own terms, it was a joy.
I'm glad I did. I'm one of those rare White pastors who has had the honor of serving as pastor of an African-American congregation. The comments about how this movie is "stereotypical" reflect a very Anglo view of life that has never been part of a Black church. The movie lifted up the humor of how Black churches work, and the sort of folks often found in them.
The Writer/Director grew up in a family of preachers. He was trying to show both the humor of what people are like in African-American churches, and how some positive male role models are needed in the Black community; men who care about their sons, may make mistakes, but will always try to do the right thing. To expect Ice Cube to be a "comedian" in this movie is to misunderstand his role: he was trying to do the right thing in the midst of craziness. He played the straight man, and left the comedy to others.
Those who look at this movie in the light of the way most Hollywood stories are reviewed didn't get it. Those who have never been part of a church community didn't get it. THIS WAS A CHURCH MOVIE! Taken on its own terms, it was a joy.
So, it turns out "blaxploitation" films are still alive and well, and these days cast Ice Cube, Katt Williams and Tracy Morgan in the leading roles.
This offensive film parades just about every stereotype about African Americans that you can get away with while still maintaining a PG-13 rating. That translates into a ghetto setting curiously devoid of drug dealers and crack whores. There is one character who dresses like a pimp, but I'm convinced that was because of a mix-up in wardrobe, rather than a deliberate attempt at authenticity.
What is inexcusably absent though is a discernible plot. The screenplay seems to be a weak attempt to re-purpose the flimsy dramatic premise that powers "Die Hard", but relocating it in a church and mashing some Agatha Christie mystery elements for good measure.
What emerges then, in place of a plot, is a severely frayed thread, ambitiously intended to link together a series of set pieces where the various performers deliver signature material - kind of like what you'd find at a school concert, only less coherent.
"First Sunday" does have some funny moments and to be fair, the family did chuckle about the movie for a couple of days after watching it. So think of this movie as a set of toppings in search of a (first) sundae.
This offensive film parades just about every stereotype about African Americans that you can get away with while still maintaining a PG-13 rating. That translates into a ghetto setting curiously devoid of drug dealers and crack whores. There is one character who dresses like a pimp, but I'm convinced that was because of a mix-up in wardrobe, rather than a deliberate attempt at authenticity.
What is inexcusably absent though is a discernible plot. The screenplay seems to be a weak attempt to re-purpose the flimsy dramatic premise that powers "Die Hard", but relocating it in a church and mashing some Agatha Christie mystery elements for good measure.
What emerges then, in place of a plot, is a severely frayed thread, ambitiously intended to link together a series of set pieces where the various performers deliver signature material - kind of like what you'd find at a school concert, only less coherent.
"First Sunday" does have some funny moments and to be fair, the family did chuckle about the movie for a couple of days after watching it. So think of this movie as a set of toppings in search of a (first) sundae.
I'm baffled by the anger in some reviewer's critiques. Sure, this movie is hardy Citizen Kane or even up to the level of the Barbershop movies, but it's not terrible. It's main issue is its inability to sustain a tone. Instead, it varies between pathos, light comedy and (of all things) hostage drama.
As with the Barbershop movies, the persistent theme is community and family. The central characters are two petty criminals who remain criminals because of previous convictions. This isn't a laughable theme. A felon has a very difficult time making a living. When's the last time you saw a job application which didn't ask about previous criminal record? Anyway, in an effort to both pay off scary people and maintain family cohesiveness, two of society's losers decide on one more crime.
The subsequent series of events combine serious situations with interesting characterizations and then throws in some scenes of such silliness that they tend to stomp a bit on the rest of the movie. Approach with an open mind and you'll be for a light, decent movie with some interesting character sketches.
As with the Barbershop movies, the persistent theme is community and family. The central characters are two petty criminals who remain criminals because of previous convictions. This isn't a laughable theme. A felon has a very difficult time making a living. When's the last time you saw a job application which didn't ask about previous criminal record? Anyway, in an effort to both pay off scary people and maintain family cohesiveness, two of society's losers decide on one more crime.
The subsequent series of events combine serious situations with interesting characterizations and then throws in some scenes of such silliness that they tend to stomp a bit on the rest of the movie. Approach with an open mind and you'll be for a light, decent movie with some interesting character sketches.
The movie can really touch with its emotional aspect, which consist of the old motive that money can't always buy anything. There are some good in the hood laughs, but not worth to remember. I personally think that Ice Cube can do better, and he can achieve something more great the "Friday" series.His acting is getting better and better, but he should try to change the plot of his movies or maybe a drastic change in his character.At all, this movie production is not something amazing,but this is not its main mission. It's just a good comedy, that can waste your time, without wasting its limit. By the way its worth nothing the fact that there are some really funny characters that are really moving the thing in this production. Like the chore director for example, or the priest.Actually this is the main element that makes me rate the movie at a more high score. It seems that almost everything was half-baked- the plot is good, but could have been better, and the actors a re funny,but could be funnier.
It's a return-to-feel-good-ol' reliable that never fails to bring back laughs and surprises with forgotten scenes. Although maybe best known as a comedy, there are several quite touching scenes that say a lot about relationships between couples, parents and children, and community. Quite the cast! There's Olivia Cole and Loretta Devine! Keith David, Chi McBride, Rickey Smiley, and Katt Williams! A number of actors who never really got their due, especially Malinda Williams and Regina Hall. It's held up well. I'll continue to come back to this film for many reasons. It's inexplicable why the overall rating isn't higher.
Você sabia?
- CuriosidadesTracy Morgan shot the whole movie with an ankle bracelet on his ankle, where if he didn't leave the set to go straight home, he was going to jail.
- Erros de gravaçãoWhen the Baltimore Police are chasing Durell and LeeJohn's van, we can see a large billboard for DJ BIG BOY, a DJ for Los Angeles radio station Power 106, in the background.
- ConexõesReferenced in Late Night with Conan O'Brien: Hulk Hogan/Regina Hall/Nicole Atkins (2008)
- Trilhas sonorasHit the Block
Written by Sean 'Diddy' Combs, The Notorious B.I.G., Krayzie Bone (as Anthony Henderson),
Layzie Bone (as Steven Howse), Bizzy Bone (as Bryon McCane), Steven Jordan, Joey Brooks, Pimp C (as Chad L. Butler), Bun B (as Bernard James Freeman), Tip 'T.I.' Harris (as Clifford Harris), Swizz Beatz (as Kasseem Dean)
Performed by UGK (as UGK (Underground Kings)) featuring Tip 'T.I.' Harris
Courtesy of Jive Records
By Arrangement with Sony BMG Music Entertainment
T.I. apepars courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
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- How long is First Sunday?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- No robarás en domingo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 37.931.869
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.714.821
- 13 de jan. de 2008
- Faturamento bruto mundial
- US$ 38.810.311
- Tempo de duração
- 1 h 38 min(98 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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