A Marca da Serpente

I bought this film at a cheap price at a drugstore because I found the story intriguing enough. I haven't heard about the movie or the book before and didn't even know the main actor Yvan Attal. Now, I will never forget him or this movie because I found a true and unexpected masterpiece by chance. This movie is dark, absorbing and intense and sends shivers down my spine by delivering everything a great psycho thriller should show us. This movie is a disturbing vengeance movie and those who always thought that the French were only able to do emotional and intellectual dramas and comedy movies should now be convinced that they can also create some heavier stuff. The great acting and the intense atmosphere are outstanding and even not comparable to other psycho thrillers so that the French have once again created something unique with this movie.

The storyline is slow paced and mysterious and becomes heavier and more and more disturbing. The characters are extremely interesting. The main actor Yvan Attal does an incredible job as a photographer that is going to get divorced soon that finds himself suddenly in the middle of a creepy nightmare that becomes reality without really knowing why. Clovis Cornillac plays the bad guy in a very mysterious, silent and creepy way that is chasing Yvan Attal and trying to destroy his life for a reason that is only revealed in a dramatical final showdown. It is hard to believe that this actor that plays a dangerous maniac and killer in this intense flick has already played Asterix and convinces in both styles. Those two actors are strong enough to carry the whole movie and we can add to them Olga Kurylenko that has a short role as a mysterious and beautiful femme fatale. The movie has a few action, gore and sex scenes but they are only some entertaining gimmicks as the whole movie is underlined by a very depressive atmosphere. The violence of this movie has a mental and not a physical touch. The whole scenery and style of directing is very photographic, very aesthetic and detailed so that a brilliant job by the director, screenwriter and cameramen are added to the perfect executions of the two main actors. Even Alfred Hitchcock or David Lynch could not have created a darker movie and only beat this movie in terms of weirdness and originality or pioneer's work. That's why "Le serpent" is maybe not properly innovating its genre but in my opinion by far the best of its kind in the last decade, maybe together with the epic vengeance movie "Oldboy" and the heavily disturbing instant Quebec classic "5150 rue des Ormes". It's a sad thing that this movie didn't get the attention it would have deserved so I would ask anyone that saw this movie to spread the word about it. I'm close to give a ten point rating to this flick which is a thing that I rarely consider. I just give nine points to this little gem because I haven't seen it often enough and because I don't know if this movie will still feel that intense in a decade or so.

All in all, I highly recommend this movie to anyone that likes disturbing and intriguing psycho thriller or simply the film noir genre. This is truly a rare masterpiece and a must see!

You have to be clear that our main actor will do stupid things here. If you can accept that and won't start thinking, about his every move, as if it were the dumbest thing a person can do, than you could enjoy this movie, otherwise ...

A friend of mine, who disliked this movie a lot, stated it clearer. If characters in a slasher movie act a certain way, you kind of expect them to do so. But in a thriller, you'd be excused to expect, that they'd think before they do something. Again it's not the case here. But apart from that, the actors play their roles great, the story is good enough and there still is tension (if you let your guard down, as said before). Enough said then ...

A short comment to express all the pleasure I've had watching this film. Actors are very good; specially Cornillac who gives a disquieting credibility to his character, but Attal is impressive too in the role of the "not so good" hero. Barbier enjoys to revivify all our inner terrors (dark, death, madness ...) and sets the end of his film in a particularly spooky place. I regret I haven't read the book of which the film is inspired but I am sure the quality of the scenario is no wonder. I am pleased to see that the French can venture in a genre that we leave generally to the American cinema. I hope this film will be received worldwide with all the success it deserves.

'Le Serpent' certainly starts well: a smart, stylish thriller with an intriguing set up and a skillful use of changes of pace. The cast are all excellent; and the cinematography captures a picture of modern, commercial Paris, not exactly run down but cold and devoid of charm. But for all its promise, it can't escape its generic (and essentially uninteresting) premise: that of one man pitted against an all-powerful psychopath, who cares about nothing except ruining the hero (but who eventually, to his own cost, prefers talking about his crimes to finishing them off). There are some similarities to 'Tell No One', another classy but ultimately implausible story.

This film is truly excellent - This is one of the best films I've seen in a long while. Both the plot and acting are absolutely first rate. OK so it's in French with subtitles however within just a minutes you feel like your actually in there with them. Anyway it's set in France and should be in French. The sad thing is that there were only three of us watching it which seems to be a pattern with subtitled films these days. No doubt Hollywood will jump on it so you'll be able to see it in a form of English one day - but it won't be the same. All I can say is if you didn't go because you couldn't be 'arsed to read the subtitles you missed something really really special.