Neil Young: Heart of Gold

I am a Neil Young fan for over 25 years. I love most of his work. I hate some of it. Neil likes to experiment. He is never afraid of failure. This boils down to 'You can't please everybody'. I have attended about 8 of his concerts plus his previous movie 'Rust Never Sleeps'. I took my son on his 20th birthday to the Cinerama Dome in Hollywood to see this movie. I also took my my wife, my 11 year-old daughter, and my son's 18 year-old girlfriend. Everyone of us loved the movie. The theatre was completely silent during the entire program. The lady next to me actually clapped after several songs. It was easy to forget we were at a movie. It felt so much like a live performance, except the acoustics were better and we could see every performer. Maybe I can identify with many of the songs he sang. My son has left home and come back. My father is in the early stages of 'Dementia'. This made the performance very personal for me. I had to remind myself that Neil was performing for millions of fans, not just myself. The movie is beautiful in its simplicity. It does not rely on sets or props or special effects. Just a bunch of very talented musicians. The lighting and camera work truly complete the mood. The day after we saw the movie, my 11 year-old daughter told me she understood the song Neil sang about his daughter. She understood the line 'I miss you, but I won't hold you down'. Yes, I loved this movie. I only wished I was at the Ryman during filming. Go see this movie. Take your wives, your kids, your friends, and anyone else you can think of.

At South By Southwest today, I saw the excellent new Jonathan Demme film on Neil Young performing in Nashville, Neil Young: Heart of Gold. Good to see the Demme style applied to a great artist. Neil had just gotten over his aneurysm surgery and the loss of his father, so it was an emotional show. It's worth it to see it on the big screen.

As in Stop Making Sense, there were no shots of the audience. When asked about that in Q & A, Demme said "If there isn't one thing up on stage more interesting than the audience, you shouldn't be up there performing." Piece of trivia: When Neil first became a rich hippie, he bought a large ranch that he still has. An old caretaker took him by Jeep around the property and they came to an overlook. The man asked "How can a young guy like you afford a place like this?" Neil wrote Old Man for him.

This is a must see for Neil fans! Just shot in August of 2005. Not the Last Waltz but a great concert picture. Might be released as "Heart of Gold" not Prairie Wind. He's added some lb's but still sounds great. A pretty heartfelt performance. Original arrangements for the older tunes. Just close your eyes and go back in time. Great mix and remix. (nothing worse than a concert picture that sounds bad) Demme puts you in the first few rows of the auditorium except for two bizarre shots that remind you "oh yea someone is filming this I'm not at the concert" I believe Neil was having brain surgery a few days after the concert. Kind of a Goodbye to friends and fans if he didn't make it. Fortunately he's fine. You'll want to see this in an auditorium with a big screen and great sound like I did.

OK, I'm a long time Neil fan, and I must admit to a little trepidation upon going to see this film tonight; one of the great things about Neil is that you never know what you're going to get. Prairie Wind turns out to be a beautiful meditation on mortality and age. Age is everywhere in this movie: Neil's never looked older (though he still looks great), Emmy Lou Harris's crystalline beauty is yielding to age (though her smile after the dog tune was still as radiant as ever); Larry Cragg is, well, craggier than ever. Mixed in here are the recent death of Neil's father, the coming of age of his daughter Amber, and his own brush with mortality in the form of a brain aneurysm. Jonathan Demme's work allows the luminosity to shine through undiminished; the ambivalence and intensity contained in some of the songs, especially 'When God Made Me' is amplified by the Demme's fearless framing and ability to stay on a single shot minute after minute. Neil Fans: Look for a few great cameos: Old Black being played by someone who is not Neil; Larry Cragg playing the banjo lick on 'Old Man' (sweet); and even Cortez the Killer makes an appearance (but not inside the Ryman). Notice Pegi's gracious reaction when Neil dedicates a tune to Nicolette Larson. I had the great pleasure to see the film with my young son, and it was moving to see him take it all in. All in all, a really moving movie....I'll be seeing it again.

I've seen this film twice and must say that, with Heart of Gold, Jonathan Demme has created the definitive Neil Young concert - this is as good as Neil Young gets and Demme has captured him perfectly. Neil Young fans and those who are turned on to him by this film will probably want to buy the DVD when it comes out. But see it in a theater if you can - production values are extremely high (this is no amateurish production), camera work (particularly the close up camera work) is among the best I have ever seen, the editing is superb, and the content is as good as it gets for a film of this genre.

Although I've been a Demme fan for years, I was lukewarm about Neil Young before seeing this film - count me as a big Neil Young fan now too. Jonathan, if you are reading this - any chance you could capture Stephen Stills one of these days?