Adicionar um enredo no seu idiomaGretchen has bigger problems than abysmal fashion sense: She's 17, painfully awkward and stuck in the most unforgiving place on earth - high school. When her obsession with school bad boy Ri... Ler tudoGretchen has bigger problems than abysmal fashion sense: She's 17, painfully awkward and stuck in the most unforgiving place on earth - high school. When her obsession with school bad boy Ricky gets out of hand, her mother sends her to an emotional treatment center to recover. Sh... Ler tudoGretchen has bigger problems than abysmal fashion sense: She's 17, painfully awkward and stuck in the most unforgiving place on earth - high school. When her obsession with school bad boy Ricky gets out of hand, her mother sends her to an emotional treatment center to recover. She has to travel elsewhere, however, to truly begin to understand why she fixates on the wr... Ler tudo
- Prêmios
- 1 vitória no total
- Rich
- (as Carlos Trevino)
Avaliações em destaque
So well written, so well directed, so well shot.
And the cast is incroyable!
Courtney Davis' performance is a masterful physical comedy tour-de-force. An amazing amalgam of the dorkiest girl you ever knew - and an evil hurricane of danger (for those women who dare make out with her man).
I'm afraid to say too much more, because raising expectations for future viewers always screws things up.
But I loved this movie. So gentle. So brilliantly conceived. It builds to an unexpected climax that is completely original, and fantastically realized.
Oh what a movie, what a movie.
Joy joy, joy on earth.
The wigs were ridiculous, the actors, especially the males were a joke. I kept hoping, waiting for this movie to get good because I love independent films, but not only was the movie very slow paced, it was not at all good.
This movies showed what should have been the progression of the main character, but all she did was slide backwards. It was so boring that I thought of changing the channel the whole way through, but decided I would try to be fair and watch it entirely. In the final scene,my first thought was that I had just wasted a half an hour.
I heard this referred to as "Napoleon Dynamite with a female lead." That is accurate to a point. While Gretchen does employ the subtle, dead-pan humor that is found in the utter niavety of the main character, this is where the similarities between Gretchen and Napoleon Dynamite end.
This movie uses that humor to explore and approach serious questions of suburban life in modern America and incorporates those common themes of isolation, danger seeking (by finding that exciting bad-boy) and that snowballing phenomenon of rejection that occurs in high school.
This film is slow paced, so it is not the best choice for a party, but perhaps if you have an hour and a half to appreciate this movie and its very reserved brand of dark humor, you should be pleasantly surprised!
The film takes it's time to really allow us to see inside the mind of the title character, Gretchen (a charmingly tortured Courtney Davis). The film also boasts a wonderful supporting cast (with Becky Ann Baker who brought wonderful life to the unfairly cancelled Freaks and Geeks years ago) and creatively depressing production design including a fast food joint that God forgot (complete with gurgling nacho cheese machine) and the lamest techno rave ever conceived (at least they sold popcorn for 50 cents).
Great work to everyone involved and congrats on your success.
The director walks a fine line between making fun of Gretchen and letting her break your heart, and some people might not get it. I thought the tone was refreshing, and totally different than most "teen" movies (In the end, Gretchen might not become a popular cheerleader or "get the guy", but you still cheer for her all the way.) The actors aren't actually in their teens, however, which is part of what makes it funny. This is a movie made by adults who are looking back on those high school years, and commenting on how over-the-top dramatic everything was. It's funny, and painful.
I watched "Punch Drunk Love" again the other day, and realized that "Gretchen" is much more similar to this movie than to "Napoleon Dynamite" or "Welcome to the Dollhouse" (the two movies that I've seen it often get compared to). Gretchen is like a teenage version of Barry lonely, scared, and harboring a pent-up rage that comes out in totally the wrong ways (Barry smashes a glass door; Gretchen scratches a classmate in the face). But unlike Barry, Gretchen hasn't yet met the person that's going to help her come out of her shell. We're just dropping in on her painful high school period.
"Gretchen" also has a similar tone to "Punch Drunk Love" (the way it skirts the line between comedy and drama), and there is a similarity in the look of both movies (precise compositions, dead-center framing, or the way the camera will rest for a long painful close up of Gretchen's face). Overall, if you enjoyed "Punch Drunk Love", I think you will probably enjoy "Gretchen".
Você sabia?
- CuriosidadesMariana Seoane's debut.
- Erros de gravaçãoThe mysterious caller tells Gretchen to meet her at the racetrack at dawn. Yet in the very next scene when Gretchen arrives at the racetrack at presumably the appointed hour, it is clearly mid-day as indicated by the bright sunlight and shadows directly underneath Gretchen and her car.
- Trilhas sonorasMoonlight Sonata
Performed by Jeanine Attaway
Written by Ludwig van Beethoven
Arranged by Jeanine Attaway
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 200.000 (estimativa)