Jaane Tu... Ya Jaane Na
- 2008
- 2 h 35 min
AVALIAÇÃO DA IMDb
7,4/10
29 mil
SUA AVALIAÇÃO
Dois melhores amigos sendo convencidos de que não estão apaixonados procuram o amor um do outro.Dois melhores amigos sendo convencidos de que não estão apaixonados procuram o amor um do outro.Dois melhores amigos sendo convencidos de que não estão apaixonados procuram o amor um do outro.
- Prêmios
- 14 vitórias e 29 indicações no total
Genelia Deshmukh
- Aditi Mahant
- (as Genelia)
Manjari Fadnnis
- Meghna
- (as Manjari)
Prateik Patil Babbar
- Amit
- (as Pratiek Babbar)
Anuradha Patel
- Pumpkin
- (as Anooradha Patel)
Jayant Kripalani
- Peachy
- (as Jayant Kriplani)
Avaliações em destaque
To me, 'Jaane Tu Ya Jaane Na' surprisingly felt refreshing. I mean, from the looks of it (in teasers and trailers) and from the synopsis it seems like the clichéd love story with supporting friends and families. And you know what? That's exactly what it is. So what's new? Hmm, well it's the charming supporting characters who are wonderfully brought to life by the actors. But more on this later...
Let's start with the cons: 'Jaane Tu Ya Jaane Na' starts off with a group of friends telling the love story of Jai and Aditi. That's pretty much how the rest of the film proceeds (in a sort of flashback format). It could have easily done without this entire sequence. Not only does it resemble Aziz Mirza's 'Chalte Chalte' but the actors are simply annoying. At several points, the movie moves at a lethargic pace and this friends-narrating-story-outside-the-airport sequence only further slows things down.
Tyrewala does a fairly decent job with directing but an even better job with writing. For example, I loved how Meghna's character was written especially how Tyrewala cleverly shows the truth behind Meghna's 'What's this?' game. Initially, to the viewer, it looks like a silly game of visualizing one thing as something else but one realizes that this is Meghna's way of seeing things in life. There are many other scenes that I really enjoyed watching such as Aditi's relationship with her brother, Jai's relationship with his mother and many more and the sequences with Jai's parents were laugh out loud funny. But at the same time, here too, there are some flaws for instance, Aditi's boyfriend is portrayed as the typical violent insecure NRI. The scene where he slaps Aditi looks forced.
The background score is quite interesting as it varies from jazz (I liked that), to rock (seems a little out of place at times), to other things. I would never have thought that A.R. Rahman composed the soundtrack because this is totally different from anything he's done. Unfortunately, it's also one of his least memorable albums.
Imran Khan makes a confident start. I'm glad that unlike many of the newcomers who pump up themselves with steroids (perhaps to cover up their lack of talent), Imran with his simplicity allows his acting to speak. Let's see what the future holds for him as he's already made a fine start. Genelia D'Souza is loud and hyper in the beginning and her diction is quite awkward but her acting gets better along the way. Perhaps Tyrewala wanted to show her character transform from the bratty child to a mature young woman. It's just that the 'child' was a little too loud. Manjari Fadnis delivers quite a natural performance. Though her screen time is limited, she has a strong presence. Pratiek Babbar is quite likable as the goofy brother. Ratna Pathak Shah is simply amazing. What a comeback to the big screen!
Apart from that, there are some very welcome cameos. Naseeruddin Shah is hilarious. 'Just loved the interactions with his wife and he's talking to her from a painting! Sohail Khan and Arbaaz Khan are actually more than tolerable here, yes they too provide some fantastic comic relief. Anooradha Patel, this woman does not seem to get old, has a great presence. And, Paresh Rawal is back as a villain but this time with a pleasant touch of comedy.
The central love story feels a bit like the Rahul-Tina-Anjali story (of 'Kuch Kuch Hota Hai) meets Akash-Shalini-Rohit angle (of 'Dil Chahta Hai') but it is the little moments that show the relationship between the mother and son, the brother and sister among other such fine moments that make 'Jaane Tu Ya Jaane Na' a refreshing experience. Overall, among the recent crop of films, this is quite a pleasant welcoming surprise.
Let's start with the cons: 'Jaane Tu Ya Jaane Na' starts off with a group of friends telling the love story of Jai and Aditi. That's pretty much how the rest of the film proceeds (in a sort of flashback format). It could have easily done without this entire sequence. Not only does it resemble Aziz Mirza's 'Chalte Chalte' but the actors are simply annoying. At several points, the movie moves at a lethargic pace and this friends-narrating-story-outside-the-airport sequence only further slows things down.
Tyrewala does a fairly decent job with directing but an even better job with writing. For example, I loved how Meghna's character was written especially how Tyrewala cleverly shows the truth behind Meghna's 'What's this?' game. Initially, to the viewer, it looks like a silly game of visualizing one thing as something else but one realizes that this is Meghna's way of seeing things in life. There are many other scenes that I really enjoyed watching such as Aditi's relationship with her brother, Jai's relationship with his mother and many more and the sequences with Jai's parents were laugh out loud funny. But at the same time, here too, there are some flaws for instance, Aditi's boyfriend is portrayed as the typical violent insecure NRI. The scene where he slaps Aditi looks forced.
The background score is quite interesting as it varies from jazz (I liked that), to rock (seems a little out of place at times), to other things. I would never have thought that A.R. Rahman composed the soundtrack because this is totally different from anything he's done. Unfortunately, it's also one of his least memorable albums.
Imran Khan makes a confident start. I'm glad that unlike many of the newcomers who pump up themselves with steroids (perhaps to cover up their lack of talent), Imran with his simplicity allows his acting to speak. Let's see what the future holds for him as he's already made a fine start. Genelia D'Souza is loud and hyper in the beginning and her diction is quite awkward but her acting gets better along the way. Perhaps Tyrewala wanted to show her character transform from the bratty child to a mature young woman. It's just that the 'child' was a little too loud. Manjari Fadnis delivers quite a natural performance. Though her screen time is limited, she has a strong presence. Pratiek Babbar is quite likable as the goofy brother. Ratna Pathak Shah is simply amazing. What a comeback to the big screen!
Apart from that, there are some very welcome cameos. Naseeruddin Shah is hilarious. 'Just loved the interactions with his wife and he's talking to her from a painting! Sohail Khan and Arbaaz Khan are actually more than tolerable here, yes they too provide some fantastic comic relief. Anooradha Patel, this woman does not seem to get old, has a great presence. And, Paresh Rawal is back as a villain but this time with a pleasant touch of comedy.
The central love story feels a bit like the Rahul-Tina-Anjali story (of 'Kuch Kuch Hota Hai) meets Akash-Shalini-Rohit angle (of 'Dil Chahta Hai') but it is the little moments that show the relationship between the mother and son, the brother and sister among other such fine moments that make 'Jaane Tu Ya Jaane Na' a refreshing experience. Overall, among the recent crop of films, this is quite a pleasant welcoming surprise.
rarely do we see, a movie filled with freshness that feel real
The main leads, Jai and Nandini, Jai is a middle class charismatic guy who always has the right and peaceful answer for any situation. He's not Mr popular nor does he wants to be, but yet still he is because he just that charismatic. Nandini is not a conventional heroin, she's loud, rude, obnoxious, not the type of girl you'd wanna go for but yet grows on you and eventually makes you fall in love with her, because she's not polished.
Imran Many question are asked about the acting abilities of these youngster. Does he stand a chance in this cruel industry. Is he a contender against competition like Hritik, Ranbeer,... and others? He can give this industry a sure run for it's money with this performance he pulled off and he can surely be satisfied to be launched in a way that many newcomers dream about. Has he inherited his acting abilities from "aamir mamoon"? Well I'm sorry to break this to you, but no he hasn't. He might become a great actor, that depends on future projects, but one thing is for sure. This guy sure packs the goods to become a great actor.
Genelia This is a far more interesting review for me to write about, because before long there has been a more fierce competition between heroins in the industry then there has ever been between their male counterparts. When the elegance of Sri Devi, Rekha, Madhuri faded fresh faces like Karishma, Kajol,... came in when the seemed to have settled Rani and Pretty took their shine and nowadays it's an open invitation for anyone who wants to compete for the crown of Queen Bollywood. The requirements? Not just conventional good looks, a great voice,international presence and charisma is also required together with an acting ability that blows away any competetor. Genelia isn't any of these but that makes her so special, her unconventional approach to acting is just a joy to watch. She lights up the screen with her charisma yet her differ to all the sonam kapoors or the deepika's in the industry seems not to be out of place. She's looking at a bright future in this industry.
The movie Boy loves girl or the other way around, the typical "Bollywood" formula. Or is it? This time around it isn't because what makes this movie so special is it's reality, rare do we see characters utter words we recognize from conversations with our friends. Mostly it's actors having dialogue with each other which comes over extremely unnatural and forced. We are taken into the world of youngsters where life is all about "masa, party our pyar". What's important it's the freshness and the appeal of the youngster world in general. Things like colour pallets, fashion and style is extremely important to achieve the main goal. SRK & Kajol portraying youngsters in KKHH seems so unreal, yet Aamir and Saif pulled it off great in DCH.
What makes Jaane Tu... another great experience is the background music and score composed by the legend A.R. Rahman. From Kabhi Kabhi... to Pappu can't dance he's succeeded to put his stamp on this movie. The direction surely has it's flaws but doesn't every movie.
The Aamir Khan Factor Wel AKProductions has delivered yet again, in my opinion. It's very pleasing to see this company take shape into this industry finest production houses. Aamir has managed to create a company which has his persona and integrity all over it. Now what more can we ask for as movie-goers.
The main leads, Jai and Nandini, Jai is a middle class charismatic guy who always has the right and peaceful answer for any situation. He's not Mr popular nor does he wants to be, but yet still he is because he just that charismatic. Nandini is not a conventional heroin, she's loud, rude, obnoxious, not the type of girl you'd wanna go for but yet grows on you and eventually makes you fall in love with her, because she's not polished.
Imran Many question are asked about the acting abilities of these youngster. Does he stand a chance in this cruel industry. Is he a contender against competition like Hritik, Ranbeer,... and others? He can give this industry a sure run for it's money with this performance he pulled off and he can surely be satisfied to be launched in a way that many newcomers dream about. Has he inherited his acting abilities from "aamir mamoon"? Well I'm sorry to break this to you, but no he hasn't. He might become a great actor, that depends on future projects, but one thing is for sure. This guy sure packs the goods to become a great actor.
Genelia This is a far more interesting review for me to write about, because before long there has been a more fierce competition between heroins in the industry then there has ever been between their male counterparts. When the elegance of Sri Devi, Rekha, Madhuri faded fresh faces like Karishma, Kajol,... came in when the seemed to have settled Rani and Pretty took their shine and nowadays it's an open invitation for anyone who wants to compete for the crown of Queen Bollywood. The requirements? Not just conventional good looks, a great voice,international presence and charisma is also required together with an acting ability that blows away any competetor. Genelia isn't any of these but that makes her so special, her unconventional approach to acting is just a joy to watch. She lights up the screen with her charisma yet her differ to all the sonam kapoors or the deepika's in the industry seems not to be out of place. She's looking at a bright future in this industry.
The movie Boy loves girl or the other way around, the typical "Bollywood" formula. Or is it? This time around it isn't because what makes this movie so special is it's reality, rare do we see characters utter words we recognize from conversations with our friends. Mostly it's actors having dialogue with each other which comes over extremely unnatural and forced. We are taken into the world of youngsters where life is all about "masa, party our pyar". What's important it's the freshness and the appeal of the youngster world in general. Things like colour pallets, fashion and style is extremely important to achieve the main goal. SRK & Kajol portraying youngsters in KKHH seems so unreal, yet Aamir and Saif pulled it off great in DCH.
What makes Jaane Tu... another great experience is the background music and score composed by the legend A.R. Rahman. From Kabhi Kabhi... to Pappu can't dance he's succeeded to put his stamp on this movie. The direction surely has it's flaws but doesn't every movie.
The Aamir Khan Factor Wel AKProductions has delivered yet again, in my opinion. It's very pleasing to see this company take shape into this industry finest production houses. Aamir has managed to create a company which has his persona and integrity all over it. Now what more can we ask for as movie-goers.
Its been a long time since we've had a good bollywood movie. Well, JTYJN did a good job breaking the bad spell. I could go on about how good the movie is and how well it handles the tricky subjects of love and friendship and their wild interactions. But its not just about these, the film touches various other subjects with amazing expertise. We rarely have films which have the masala for the masses as well as being well made without too many clichés. JTYJN is one of those rare wonders. Imraan does a fair job for a debutant. Jenelia settles in as Aditi with total comfort, its almost as if she were really Aditi. The supporting "friends and co." do a decent job as well. I'd say, go for it - twice. Take along your friends, lovers, neighbors, and whoever you meet on the way to the theaters. Two thumbs up to this one!
You just need two words to describe the flick. Truly Amazing! It's a movie which has already carved its own niche on the first day of its release as a very low budget movie getting an opening the superstars can also dream of. This is the advent of the new age bollywood where superstars don't matter. What matters is performance.
The performance is surely above the par in all sections of this project. The highlights of the movie are script and music. The fundamental story is not new to the bollywood cinema-goer but the treatment is truly unique. The urban, youthful and honest adaptation reinstate your faith in Hindi cinema. It is the perfect combination of friendship, love, and comedy bollywood has long forgotten. Abbas Tyrewala must be applauded.
A R Rehman continues to prove himself. The music has a simplistic honesty to every tune and suits perfectly. "Kabhi kabhi Aditi..." and "Pappu can't dance.." will be remembered.
Every actor/actress is appropriately cast in their role and is fantastic. Imran Khan in the role of Jai Singh Rathore is believable and does complete justice to the role. Genelia D'Souza is fresh, beautiful and natural in every frame. Both the lead actors have surely secured a place in the industry. Naseeruddin Shah in a cameo is excellent and takes the movie to a different level. Ratna Pathak Shah should surely replace the bollywood mother. Everybody else has given an up to the mark performance.
Amir Khan is setting a new benchmark in bollywood. This is maybe the best movie to come out after Dil Chahta Hai in last seven years in that genre.
The performance is surely above the par in all sections of this project. The highlights of the movie are script and music. The fundamental story is not new to the bollywood cinema-goer but the treatment is truly unique. The urban, youthful and honest adaptation reinstate your faith in Hindi cinema. It is the perfect combination of friendship, love, and comedy bollywood has long forgotten. Abbas Tyrewala must be applauded.
A R Rehman continues to prove himself. The music has a simplistic honesty to every tune and suits perfectly. "Kabhi kabhi Aditi..." and "Pappu can't dance.." will be remembered.
Every actor/actress is appropriately cast in their role and is fantastic. Imran Khan in the role of Jai Singh Rathore is believable and does complete justice to the role. Genelia D'Souza is fresh, beautiful and natural in every frame. Both the lead actors have surely secured a place in the industry. Naseeruddin Shah in a cameo is excellent and takes the movie to a different level. Ratna Pathak Shah should surely replace the bollywood mother. Everybody else has given an up to the mark performance.
Amir Khan is setting a new benchmark in bollywood. This is maybe the best movie to come out after Dil Chahta Hai in last seven years in that genre.
A movie which displays the Love and Friendship in the way it is just hard to come by in bollywood and here Abaas Tyrewala comes up with a wonderful script and screenplay and the audience will have to just sit back and enjoy the magic getting unfolded on the screen.The movie has many One liners which hits the chord with the Young and Old of the audiences.A.R.Rahman with the music is simply flawless as usual.Imran Khan is sure to be the next lover boy in Bollywood he simple effortlessly gives the performance of his lifetime you think that He is born for this role,Genelia rocks and gives an mind blowing performance after Bommarillu.Editing could have been little bit good.
Coming to the story Jai and Aditi are very good friends and the journey in which they find love for each other is the movie.Its completely filled with numerous sub plots which doesn't live you with a dull moment.The entire proving of Jai as an true Rathor is fantastic.Cameos by Paresh Rawal,Sohail and Arbaaz Khan is just as ans icing on the cake.
Go watch it otherwise you will miss things in life........
Coming to the story Jai and Aditi are very good friends and the journey in which they find love for each other is the movie.Its completely filled with numerous sub plots which doesn't live you with a dull moment.The entire proving of Jai as an true Rathor is fantastic.Cameos by Paresh Rawal,Sohail and Arbaaz Khan is just as ans icing on the cake.
Go watch it otherwise you will miss things in life........
Você sabia?
- CuriosidadesThe last shot of the film is on the airport of the arriving crowd. In the shot a man with a big beard is seen sleeping, holding a board in his hand saying "Mr. Godot". This is a reference to Samuel Beckett's famous play "Waiting For Godot" in which "Godot" never arrives.
- Erros de gravaçãoAfter Jai and Aditi are escorted from the Airport Manger's office, the wound around Jai's lips is not visible.
- Citações
Aditi Mahant: We used to spend so much time together because we wanted to be with each other, because we were happy together! It is not a duty or an obligation that you should spend time with me. So please, don't ashame me by saying sorry.
- ConexõesFeatured in 54th Filmfare Awards (2009)
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- How long is Jaane Tu... Ya Jaane Na?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Jaane Tu
- Locações de filme
- St. Xavier's College, Mumbai, Índia(In the song Kabhi Kabhi Aditi)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- ₹ 100.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 604.037
- Fim de semana de estreia nos EUA e Canadá
- US$ 205.203
- 6 de jul. de 2008
- Faturamento bruto mundial
- US$ 19.852.786
- Tempo de duração2 horas 35 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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