Notorious B.I.G. - Nenhum Sonho é Grande Demais

when i first heard notorious b.i.g. at 13, i was immediately blown away. his flow was some of the best i have ever heard. when he passed away, it left a hole in the hip hop community that will never be filled again. this film takes a look at his life story. the film looks at his relationship with his mother, and the streets. two totally different worlds that biggie is deeply in love with. he starts out as a loving mamas boy and grows to a greatly respected drug dealer and extremely talented rapper. his skills blow away everyone in his neighborhood and soon catches the attention of an aspiring c.e.o. by the name of Sean "puffy" combs. Combs starts his own record label, Bad Boy records, and immediately signs biggie. from there its a roller coaster ride as biggie takes the hip hop world by storm. and mo' money mo' problems as his beef with tupac takes a tragic turn that changes the hip hop world forever. newcomer jamal woolard makes his big screen debut, and shines as biggie. he has a natural charisma that captures biggies essence in every way. angela bassett plays voletta wallace, biggies mom, and her performance is great as always. the rest of the cast does a surprisingly good job, playing their roles as real people, and not caricatures of famous people. this film ran at around 120 mins and felt real and i had a great time watching it. this film brought back so many memories of my teens and made me realize how much the world misses the notorious b.i.g.

That should have been the title of the movie. Everything about this movie glorified Big..... if he was a nerdy student - he's gonna the nerdiest student.... if he was a drug dealer - he was gonna be the biggest drug dealer - complete with him sitting in a dark room with that one light that shines down on the table (classic).... if he didn't know anything about Tupac's murder - then he's gonna appear as if he was absolutely oblivious to that entire situation.... not to mention one of the supporting characters in this movie, Kim.... if Kim was gonna be a ho - she's gonna be the dirtiest ho ever.... If I didn't know any better, I would assume the only way she came up was by f'king Biggie.... This is a one-sided, shallow view of a person's life. Biggie fans want to remember his legacy flawless and that can be understood. Sure why not? This movie was made for you..... It's a story told as though a mother is speaking of her lost son who could do no wrong.....

Recommendation: Why not learn who Biggie was by beefing up the content of the supporting cast.... his first baby's momma for starters, and what about other artists that he interacted with? We could have seen a more developed, well-rounded and truthful character. Possibly even learn something about him that hasn't already been discussed in magazines or on TV....

Back in the 90's as a teen, I never really got in to Biggie's music or lyrics. I never knew the correlation between he and all these artists like "Puff Daddy" Faith Evans, Lil Kim all came up together. I never understood how the East Coast West Coast feud got started.

This film gave me a new respect for Christopher Wallace. His intelligence and how he tied that in to his passion for music and lyrics. He had a dream as a child and in the end he achieved that dream of not just becoming a success as a performer, but a success as a father to his children, a good son to his mom, and a good man to himself.

I love that line in the move "If you wanna change the world, First you've got to change yourself"

Inspirational film, even if you're not a fan of his music or hip hop, you can still appreciate the story behind this man.

The Movie was way better then I thought. The actors/actress in it resembled each person in everyway possible. The little kim character was on point even the way she spit those lyrics in the bedroom. According to Naturi Naughton who played the role of little kim she never rapped before but you couldn't tell the way she flowed. When she performed in that lacey outfit towards the end you wouldn't be able to tell the difference between her and kim. The biggie character played by gravy was also on point as well. The voice, build and complexion was spot on. When the faith character sung "I remember" I couldn't believe how great she sang, and it didn't look like she was lip sycn-ing at all. I really enjoyed the movie and it brought me back to those great times in college when I was hooping for Suny Farmingdale.

I was disappointed about one thing and that was the drama aspect. Nothing surprised me about it, because everything in the movie we already knew. It wasn't one thing in the movie that left anything to the imagination. It was very predictable because I already knew he sold drugs, he went to jail, then got discovered by puffy, he blew up, then he died. So probably 15 minutes into the movie I pretty much knew what would happen next. I still loved it and the music in it.

The opinion on IMDb on this film seems to be pretty split and the reason appears to be because many are not writing their opinions of the film so much as they are reviewing Biggie and/or hip-hop itself. So the unquestioning 10* reviews rave about the man and his music, while the 1* reviews talk more about the aspects of the music and culture he represents than they do about the film. I was curious to see what the film was like on its own merits so I made an effort to see it recently. The truth of the matter that the film is "ok" but not anything more than that – and I say that as a hip-hop listener who likes more east coast than west coast.

The problem with the film is that it is far to driven by ticking boxes of people and events. As a result it doesn't flow so much as it does introduce people and things in a way that the audience will recognise. This is all well and good but it breaks up the film as a dramatic piece – for example with Lil' Kim, she is not allowed to just be part of the story, no, when she is introduced we even get a shot of her name badge so we can all be sure from the start as to who she is. It is like this with events as well, and the dialogue is surprisingly expositional in its nature with far too many characters seemed to be talking just for the sake of filling in blanks or moving to the next scene. As a sort of summary of Biggie's career this is fine I suppose but when it comes to caring about the characters then it does hurt it quite bad.

Not that the film is overly concerned with the characters because the events-driven script doesn't really have any. Before anyone messages me with insults, I can see that there are physically people on the screen there, doing and saying things as these people, but in terms of character development and depth there is none. Nobody ever feels real – partly because of the dialogue but also because the material doesn't give anybody room to develop. This is best seen in the "second-tier" characters such as Puffy and the many women in Biggie's life but it comes over differently with Biggie himself. Contrary to his musical personae, the film does not play up the negative side of Biggie's life too much. It cannot completely hide it though and we do get lots of infidelity and things like him happily selling crack to a pregnant woman. However all of these things tend to be deliberately cancelled out later on in some daft and unnecessary scenes. For example we get to see the crack user years later, fine and playing with her child (also fine) and of course much is put right by conversations, commitments and phone calls on the night that he gets killed. Such things damage the film further as both a record and as a dramatic film – I didn't want "warts & all" but an edge of realism and criticism (where warranted) would have been good.

It might be them or it might be the material but either way, the cast are not that great. Woolard does a solid impersonation of Biggie and deal well with the material but he has nowhere to go with his character other than the specifics of the scene – there is not a man inside his performance so much as an image of a man. Luke and Bassett are both very talented actors but neither gets to showcase that here – indeed Luke is only memorable for how well he nails Puffy's dancing style. Naughton's Lil Kim sticks in the mind for reasons other than her performance (although again as an impression it is good enough for here). Smith, Ringgold, Mackie and others just do the basics as the film gives them no other options.

The end result is a film that looks good and covers a lot of ground but doesn't work as a dramatic film. The people and events are there but they are only ever names and things that happen – never real people or events that come from the story. The cast turn in solid but not that good performances accordingly but nobody can raise it beyond what it is. Not "bad" generally but just really lacking over what I would have expected from a biopic.