Atos que Desafiam a Morte

I really did not care that this was not a factual account of Houdini's life. There are some truths in the depiction of Harry (some actual B&W footage is used of his acts and his debunking of mystics). It was enjoyable, had beautiful cinematography, elements of humor a story of love and life...however implausible it may be, it does not detract from elegance of watching Catherine Zeta Jones(Mary McGarvie) try to support herself and her daughter, matching wits with the great Houdini.

Catherine displays a grace and style combined with fire and drive. Her daughter provides moments of comedic relief and there is tension between Catherine and Guy Pearce - should she win the money at any cost, allow herself to fall in love, what is in the afterlife? This was entertainment based on Houdini, a platform to tell a story which I thought was well done.

Another magician movie? But The Illusionist and The Prestige were great movies, so why not? Catherine Zeta Jones plays a foxy, yet poor, mother, scamming away through life pretending to be a psychic. When Guy Pearce's Houdini comes into town to prove or disprove the existence of the paranormal, they come into contact.

It is both a sad and a hopeful movie. A little too "psychic" for me and too little about the true nature of Harry Houdini except his fascination for his dead mother. The script itself does not lend itself to praise, but the atmosphere and realisation are top notch.

Bottom line: watch it when you are in a mood for a rom-drama, but you don't care much about the subject.

Gillian Armstrong's 'Death Defying Acts' is somewhat of a letdown. It tells the fictional story of a poor but beautiful psychic-wannabe and Houdini through her daughter's point of view. One must be warned that this film is fictional and thus, Pearce's Houdini does not bear much resemblance to the real one. This one lacks the enigma that made the real Houdini so fascinating. Nor does 'Death Defying Acts' stay true to the historical facts. The focus is much more on the psychic aspects (which wasn't that well explored either). The romance between Houdini and Mary is a little repetitive as it moves back and forth between trust and mistrust and then it becomes confusing. There was something lacking. On the plus side, Timothy Spall, Saoirse Ronan and Catherine Zeta-Jones perform well. The sensual Zeta-Jones does part of a scintillating dance as well. Guy Pearce performs good sometimes but he looks confused in many other scenes. The visuals and cinematography are stunning. The background score is whimsical and pleasing. Overall, it is an average movie that could have been better. One ought not to watch 'Death Defying Acts' as a true account but rather try to enjoy it as a work of fiction.

It might be the weakest of the latest "Magicians" movies (see Prestige and the Illusionist, the latter being overseen at the Box office), but it still has one strong central performance by Guy Pearce. I'm wondering when he will be in some top rated material again. Because the book does let him down a bit here.

He tries everything and he is pretty good in it, but does not have so much to play with, as Ed Norton, Hugh Jackman and Christian Bale. All are great actors and the others have the opportunity in their movies to shine. This being based on "true events" (some of them I guess, without having the complete background scoop on it), it does fall flat on it's back at times (no pun intended). Plus it might be a bit too much worried about the love story, than actually the story of our main character. At least that's how I felt ... still it can make a nice watch!

Gillian Armstrong makes fine movies: she is a director who knows how to tell stories and enhance what appears on the surface to be reality with a healthy dose of fantasy. Her sense of pacing and image creation adds substance to her tales that sometimes border on bizarre.

DEATH DEFYING ACTS uses the character of Harry Houdini as the stimulus of to tell a story about the folk of Edinburgh, Scotland at a time when stage shows were embraced much the way America was using vaudeville - an escape from the rather dreary state of living to a world of entertainment and love of magic. Mary McGarvie (Catherine Zeta-Jones) and her daughter Benji (Saoirse Ronan) survive in Edinburgh by picking pockets not merely for cash but for information to use in their act in the little theaters. Mary does exotic dances then uses her 'gifts' to see into the 'other world' of people in the audience ( Benji does the investigative work and is the prompter for the séance like acts Mary performs). Their idol is Harry Houdini (Guy Pearce) and when they learn Houdini is coming to Edinburgh to 'perform', they discover Houdini is promising $10,000 to anyone who can prove they have the ability to look into the future (or past). Houdini's manager Sugarman (Timothy Spall) arranges Houdini's water tank escape acts and other acts of 'magic', and when Mary and Benji arrange to meet Houdini, Sugarman is aware they are charlatans. How Mary and Benji work their way into Houdini's belief system and love life with their con game forms the meat of the sparing.

The atmosphere of the film is well captured by cinematographer Haris Zambarloukos who understands who to balance the mire of the streets of 1926 Edinburgh with the gorgeous fantasies used during Houdini's escape acts. The musical score by Cezary Skubiszewski is a terrific mixture of Scottish tunes and instruments with solid melodramatic mood music. Pearce, Zeta-Jones, Spall and Ronan turn in excellent performances. This is an unjustly overlooked film that, while not being a masterpiece, serves up a fine story well told. Grady Harp