Trinta anos após o som do primeiro sino, Rocky Balboa sai da aposentadoria e calça as luvas para sua luta final contra o atual campeão de pesos pesados Mason 'The Line' Dixon.Trinta anos após o som do primeiro sino, Rocky Balboa sai da aposentadoria e calça as luvas para sua luta final contra o atual campeão de pesos pesados Mason 'The Line' Dixon.Trinta anos após o som do primeiro sino, Rocky Balboa sai da aposentadoria e calça as luvas para sua luta final contra o atual campeão de pesos pesados Mason 'The Line' Dixon.
- Direção
- Roteirista
- Artistas
- Prêmios
- 4 indicações no total
- Adrian
- (cenas de arquivo)
- Angie
- (as a different name)
- X-Cell
- (as Lahmard Tate)
Avaliações em destaque
In this segment Rocky is in his 50s and runs a restaurant called Adrian's where he reminisces with the patrons with old stories. He also befriends a woman whom he used to walk home many years ago (she may have been a character in the original Rocky, I can't recall) who also has a son named "Stephs" for Stephen. But with his son unsure about what his father's legacy has on him, and Rocky's own unsure feelings about the "basement" inside of himself, of pain over Adrian dying, he decides to get back into fighting again. In typical "movie" style (and I mean this as a compliment to the conventional wisdom of the writing), a challenger comes forward, young Mason Dixon, who is undefeated and has come under scrutiny due to a computer simulation that shows Rocky, in his prime, could kick his ass. So, training commences, speeches of inspiration/hope delivered, and it all leads up to the big bout in Vegas.
The script, as mentioned, is perhaps the strongest thing here. Stallone shines as usual in his quintessential role, and seeing people like Paulie and Apollo Creed's former trainer played by Tony Burton are nice touches too. Little flaws: Milo Ventimiglia Jr, despite having the same "jaw" as Stallone put it, is not a very good actor here. I'm not sure if it was the direction he was given for the character or just how he is, but he was constantly stiff and then when called upon to get big in a dramatic scene like the confrontation with Rocky outside the restaurant (one of those "Don't do this!" scenes), it falls totally flat. There's also a beef one can have with the way inspiration is summoned in the climactic bout. When we see Rocky and Dixon fighting with just the normal camera angles it's riveting and taut, but then Stallone piles on the clips, the flashbacks, the slivers of nostalgia, and it just gets a little too much and almost (key word 'almost') spoils the momentum of one of the best fights in the entire franchise.
Sure, some of its humor is a little corny, and some of the line deliveries by Stallone aren't always given the biggest "umph" one would want (hey, it's Stallone, waddaya want), but it is a true-blue Rocky movie, and makes a fine sort of comeback note to a franchise that had its ups and downs over the 70s and 80s. It's nothing if not from the heart, in its craft and in its performances, and it should be admired as one of those final bows to an audience that knows this is the end, as opposed to dragging it out even further.
That really should have been it - but, as the tagline for "Rocky Balboa" puts it, "It ain't over till it's over" so, 16 year after the last film and an amazing 30 years after the original movie, he's back. It seems that Rock is so missing his wife Adrian that, in spite of running a successful restaurant named after her, he finds that he has something "luking in the basement". On this sixth outing, the narrative arc is just the same as first time round - again a complete no-chancer facing a world champion after a gruelling training routine involving the same frozen meat, the same one-armed press-ups, and of course the same race up the Museum of Art steps - and the same music.
What's different is the advanced years of Rocky and of course Stallone himself - but he looks good, the film looks good, and you'll feel good at the final bell. As the man says: "It ain't about how hard you hit, it is about how hard you can get hit and keep moving forward, how much can you take and keep moving forward. That's how winning is done!"
So that is the key to this film. Understand that Stallone, who I think will be idolized by viewers of the future, does not know the meaning of the word quit. The oddsmakers said Rocky would stop at the second. When the 4th came out and was rock-solid (!) Hollywood was stunned.
Rocky 5 was a bit of a lemon but again Stallone never quits.
If you have seen all the Rocky films and they are still fresh in your mind, then his film will be a treat.
If you on the other hand are not a fan, or just arrived from another planet, then what you have is a well-told and well-acted drama that builds into a pretty good boxing film.
Either way you win.
((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
This agreeable predictable entertainment displays splendidly the 'formula Rocky'. The movie works at usual manner, fitting appropriately to franchise. Writer-director-actor Stallone new outing is surprisingly entertaining and packs good feeling. Usual and nostalgic musical score by Bill Conti and atmospheric cinematography by Clark Mathis. The motion picture is lavishly financed by the producers complete saga, Robert Chartoff and Irwin Winkler and well directed by Stallone who along with John G Avildsen made the six Rocky.
While here the opponent is an invincible young boxer,champ of the world, in former entries the contenders were the following : Rocky 1, a corpulent Carl Weathers; Rocky II again Carl Weathers through a rematch; Rocky II against Mr T from A Team; Rocky IV against a massive Russian boxer played by Dolph Lundgren; and Rock 5 against an ingrate young fighter who he trained played by Tommy Morrison.
Você sabia?
- CuriosidadesDuring preproduction, as the filmmakers tried to find a good location to shoot the fight, they met with constant obstacles - every suitable arena was booked out. Sylvester Stallone knew that HBO had an upcoming PPV event with Bernard Hopkins taking on Jermaine Taylor in the main event, at the Mandalay Resort and Casino in Las Vegas. Stallone suggested that the film could piggyback the real event, using the real HBO format, the real crowd, even the real press conference setup. As such, the press conference scene was shot only moments after the real press conference with Hopkins and Taylor, whilst the scene when Rocky walks through the curtain and down to the ring was shot using the real Hopkins/Taylor crowd. Stallone was hoping that the crowd wouldn't boo or cause any problems, but as he made his way to the ring (as Rocky), the whole building gave him a standing ovation and began to chant 'ROCKY, ROCKY'. The crowd was never told to stand up or to chant - they had done it completely on their own, and according to the filmmakers, by far the biggest cheer of the night was for Rocky, not for any of the real fighters.
- Erros de gravaçãoWhen Rocky is training at the end and is punching the air with his fists, you can hear someone say 'Go Rambo'.
- Citações
Rocky Balboa: You ain't gonna believe this, but you used to fit right here.
[taps on the inside of his hand]
Rocky Balboa: I'd hold you up to say to your mother, "this kid's gonna be the best kid in the world. This kid's gonna be somebody better than anybody I ever knew." And you grew up good and wonderful. It was great just watching you, every day was like a privilige. Then the time come for you to be your own man and take on the world, and you did. But somewhere along the line, you changed. You stopped being you. You let people stick a finger in your face and tell you you're no good. And when things got hard, you started looking for something to blame, like a big shadow. Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard you hit. It's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done! Now if you know what you're worth then go out and get what you're worth. But ya gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody! Cowards do that and that ain't you! You're better than that! I'm always gonna love you no matter what. No matter what happens. You're my son and you're my blood. You're the best thing in my life. But until you start believing in yourself, ya ain't gonna have a life. Don't forget to visit your mother.
- Cenas durante ou pós-créditosThe first set of end credits features fans of all ages running up the front steps of the Philadelphia Museum of Art. The second set of credits features a shot of Rocky standing alone at the top of the steps.
- ConexõesEdited from Rocky, um Lutador (1976)
- Trilhas sonorasIt's a Fight
Written by D.J. Paul and Juicy J
Produced by DJ Paul & Juicy J
Performed by Three 6 Mafia
Three 6 Mafia appears courtesy of Hypnotize Minds Productions / Sony Urban Music / Columbia Records
Principais escolhas
Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
Detalhes
Bilheteria
- Orçamento
- US$ 24.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 70.270.943
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.158.168
- 24 de dez. de 2006
- Faturamento bruto mundial
- US$ 155.929.020
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1