Ghosts of Cité Soleil

Asger Leth offers a rare glimpse into the world of Haiti's largest slum through through his remarkable recorded encounters with the Chimeres ('ghosts'), a loose organisation of gangs supporting President Jean-Bertrand Aristide. Among the Ghosts of Cite Soleil are two brothers, Bily and 2Pac, whose changing perspectives and fortunes are documented alongside Aristide's downfall in the face of an armed rebellion. Bily, 2Pac and their fellow gang-members patrol the streets of Cite Soleil to a soundtrack of rap music, fraternising one moment and racketeering the next; there are guns everywhere and the peace is never more than tenuous. Leth's own camera-work, itself shorn of commentary, is interspersed with newsreel footage of Aristide's worsening fortunes to provide a lucid backdrop to the unfolding drama on the street.

Leth attained remarkable access when recording this film; we see 2Pac showering naked on two occasions and are witness to his startling and intimate affair with Lele, a French aid worker. Yet Leth does not reveal how this access is attained – he chooses not to show the seams of his documentary style and this leaves many important questions unanswered. Due to editing we do not hear Leth's voice, whether he is speaking to one of the Chimeres or to an expert on Haitian affairs. The lack of a 'presenter' – which contrasts with TV documentary series such as Unreported World – means that the subjects speak directly to us and not through a translator, but at the same time we are left with little clue of the questions that are being put across by the film-maker.

In the absence of a presenter or commentator the camera takes on a greater role in interviewing people. In the presence of the camera, 2Pac and Bily are often full of bluster about their status in Cite Soleil. Such scenes are revealing about the self-image and social interaction in Cite Soleil but they draw the film away from the more detached style of observation employed by many documentaries. This is a film closely centred on Bily and 2Pac and those viewers expecting a lucid account of life in a Haitian slum will be disappointed. Ghosts of Cite Soleil nevertheless succeeds as a unique and compelling portrait of gang life in Haiti.

(2006) Ghosts Of Cite Soleil (Haitian with English subtitles) DOCUMENTARY

Co-cinematography, written and co-directed by Asger Leth, with mildly interesting documentary centering on the gangs that exist around an impoverished part of Haiti called Cite Soleil and are over run by gangs one of them called the Chiméres once hired by the dictator of Haiti by the name of President Aristide. The documentary centers on the leader of the Chimera gang who calls himself 2Pac after an American rapper/ hip hop artist since he's a huge fan of his music and want to be as successful as him some day who often collides with his brother Bily in terms of turf and ownership and eventually gets involved with a French UN nurse which doesn't go anywhere. The film contains a lot of jabbering and macho talk but that's what impoverished gangs do and because it's deemed as a dangerous place to live, the film makers tend to avoid getting themselves into trouble and asked questions instead of picking sides. Definitely not for everybody.

Its a couple of years since I saw this docuflick, so what you get here is the essence that stuck in my memory.

The two brothers and main characters are living idolizing a gangsta lifestyle and are far more gangstas than the celebrity gangstas that they idolize. These are the real gangstas from real life Partly by choice but even more by need of survival, their fascination with with the celebrity gangstas most of all represent the dream of surviving their present situation (with success). The potentially lethal and ever present tension with their surrounding environment and each other, is something that I have never seen like this in a documentary. they seem to have no choice but aggression. As a viewer you get the feeling that any sign of weakness shown by the main characters will bring them closer to death but so will their aggressiveness. This film made the African child soldier "Johnny Mad Dog" much more realistic for me.

This movie is not without flaws, but portraying it as a movie with a political agenda is a mistake. Its a movie about desperate people interacting in a poor, violent and desperate environment. The frame of the story happens to be Aristides Haiti but it could have been a lot of places.

The 9-star rating is due to the very close and personal relationship between the camera and the characters and the danger that the makers of this movie has exposed themselves to.

According to the U.N., the most dangerous place on earth is a slum in Port-au-Prince, Haiti known as Cite Soleil, an area of unimaginable poverty ruled over by armed gangs dubbed by the locals "Chimeres," which, loosely translated, means "ghosts." For the most part, these Chimeres have been active supporters of the Aristide government, which, in turn, has often paid them to intimidate and do violence against anyone who might have the temerity to dissent from the official party line (though the government has long denied doing so).

The documentary "Ghosts of Cite Soleil" focuses on two brothers - one who goes by the name Haitian 2Pac and the other Bily - who, at the time the movie was filmed, made up two of the five major chieftains who ruled the area. 2Pac, who describes himself on camera as a gangster/rapper and as "pure Mafia," nevertheless sees himself as a defender of the downtrodden who have been largely abandoned by the higher-ups and powerbrokers in his country. Thus, his devotion to the Aristide government is seen as tenuous and conditional at best. His younger brother, Bily, however, would appear to have political aspirations of his own, so he is more overtly loyal to the corrupt leader.

The movie was shot mainly in February 2004, which, as fortune would have it, was also the precise moment when Aristide was forcibly removed from office by groups of armed rebels, many of them former soldiers of the army that Aristide himself had earlier disbanded. Thus, the latter portion of the movie takes place in the not-much-more-stable post-Aristide era.

It's hard to imagine a more despairing film than "Ghosts of Cite Soleil," as even 2Pac himself states right up front that in this impoverished hellhole "you never live long, you always die young." Given such an assessment, is there even the faintest glimmer of hope to brighten the lives of the people who live there? Well, there's Lele, a compassionate French relief worker who devotes her life to providing medical assistance and emotional comfort to these citizens trapped in unremitting poverty and endless cycles of violence - and even helps to broker peace among some of the rival chieftains at a crucial moment. But that moment is an ephemeral and fleeting one, as the status quo of violence, hopelessness and mutual distrust is quickly reestablished there once the crisis is over.

If the movie makes one thing clear, it is that the situation in Haiti is hopelessly complex and entangled, with acts of violence coming from all sides in the daily struggle for survival and in the endless jockeying for power that takes place there. Even the brothers can't figure out if they're really allies or enemies of one another. And always, always, grinding the people down and preventing them from making a better life for themselves, there is the poverty - the debilitating, soul-crushing and inexorable poverty that rules their lives.

Congratulations to director Asger Leth and cameramen Milos Loncarevic and Frederick Jacobi for their personal courage in being willing to thrust themselves into a situation so fraught with volatility and danger. For there is rarely a moment in the movie when guns are not cocked and at the ready - and tempers not flaring. In fact, there are times when you have to remind yourself that what you're watching is not a staged docudrama but a real-time documentary - so close do the filmmakers get to actual violence.

This is definitely a must-see documentary - but prepare yourself for heartbreak.

I saw this tonight (8/17/07)at Facets in Chicago and was handed propaganda by American people who are apparently jumping on another cause that blames America for everything. This film did not appear to have an agenda at all to me. I actually was wishing it had a little more of one because I kept getting confused about who was good and who was bad. There is a reason I was confused, because they didn't portray anyone as completely good or bad. The place seems a mess.

The people handing me the papers definitely had an agenda just like some of the reviewers on here. In fact one of the papers I got has word for word the same thing as one of the reviewers. People yell out racist and compare the director to Leni Riffenstahl and we are supposed to think it's the film is biased??? The propaganda against the film is what seems to be blatantly biased. It is unquestionably pro Aristide.

I don't understand how anyone can call this film racist. That seems to be a typical ploy to get people emotional and disregard any facts. I didn't see any of the Hatian people as evil thugs, I saw them as victims and survivors used and manipulated by corrupt governments.

This film maker did not appear to be for deposing Aristide at all. I got the impression that both leaders were corrupt which is most likely the case. It definitely looked like the new government had the brothers killed unjustly. The brothers were not shown as completely good or bad either. We see their deplorable living conditions and their bones prominent on their scrawny bodies as they showered and know that they are desperate.

I think this film maker did an excellent job because no one came out blameless. Some reviewers on here want you to believe that Aristide was blameless and that the gangsters were made up, despite actual footage of gangsters attacking demonstrators. Even if Aristide didn't order it, he should have at least gone after the gangs.