Life on Mars

This concept was a great way to bring back the '70s cop show. Smack 'em around 'til you get the truth and damn the legal process. No time in the laboratory, but lots of cars. The settings, the clothes, the music, the bobbies' clothes all take me back to my childhood. I love the twist of seeing it through the eyes of a modern day cop, plus his attempts to do police without a computer and instant forensic results. Sam is obviously going to have to learn to do police work by his guts than relying on technology. I'm hooked on waiting to find out if Sam can get back. I get a huge kick out of the other characters too, particularly Gene, the antithesis of Sam. The series is alternately funny and touching.

Stumbled on this series on BBC America and miss it terribly now that the first season is over.

Great over-arching conflict (Is Sam imagining he's from the future? Is he living inside his coma-induced reality? Or did he really travel back in time?) intermingles well within each episodes crime to solve. Loved when promises a witness complete anonymity if the guy will agree to finger the perpetrator in a line up; handled in a way that recognized the humor without diminishing the seriousness.

Plus, even though it's promoted as Sam's story, the series would suffer greatly without the Guv (DCI Gene Hunt). In the US, Philip Glenister's character would too easily be a cardboard-flat, corrupt, irredeemable cop. Here he's written and played with many shades letting you cheer for him at times, loathe him at others, pity his neanderthal ways, respect his desire to be a "good cop" while shaking your head at his twisted definition of a "good cop." He's a smart and unpredictable foil for Sam. They're each a better man for having to deal with the other even as they resent the complication and will never fully agree on their methods. There's a grudging respect building between them.

It's Sam's and Hunt's push me-pull you relationship that makes this must-see for me.

Like some of the reviewers here, I wasn't expecting much of this and started watching almost by accident.

I am a '24' man(!) and I have to say after watching this, 24 (after season 3 anyway) starts to show it's weaknesses. In "Life on Mars" you really start to care about the character and what is happening - it has many surprises. Some are startling, some dawn on you as you watch.

Now I wouldn't be old enough to actually remember the 70's, but it is very atmospheric - and crucially, not in an over-the-top way.

The 'real world'(??!) storyline is handled with a light touch too. You go through it with him as clues (or more questions) pop up unpredictably!

This deserves to be a huge hit!

This British series, which made it's trek to the States, Has proved to me to be one of the best series on BBC America this year (the other being Hex).

The commercials for the series don't do the justice of what the series entails. The commercial make you think that the show is basically your run of the mill Sci-fi series working with a weak plot. I have always said that marketing is just as....if not more...important than the actual subject.

You have probably already read the synopsis from other comments presented here, so I won't bore you with the background too much. However, as I watch this series (currently have watched the first 2 episodes) I can't help but be reminded of another British export from many years ago...The Prisoner.

During each case that our hero is involved in, things come into play about where he actually is. He has no idea whether he's delusional, transported in time, or in a coma. This twist, put into the plot line, is what sets this show apart from the others in a very refreshing way.

Overall, I was quite pleased with how this series has turned out and I hope to see much more of it as well as being able to buy the DVDs if they released here in the U.S.

The BBC have always been streets ahead of other stations when it comes to police dramas but this is one of the best ones for a long time. Young DI Sam Tyler is hunting a killer in 2006 when he is hit by a car and wakes up in 1973. The interesting thing about this show is how Sams modern police methods clash with the policing methods of the 70,s. Sams superior ,played superbly by Philip Glennister,is the sort of copper who arrests first and asks questions later.He cant quite get to grips with Sam's modern thinking and this often leads to fist fights between the two. This drama also has an interesting cast of supporting characters.They include the Jamacan barman who puts on the accent for the other coppers but speaks to Sam in proper language,the barman seems to know more than he is telling. There is the young WPC that seems to be a possible romantic connection but as of yet nothing has developed in that area, There is also the creepy little girl who comes out of the TV at night and tells Sam things. At certain times Sam can hear voices from the hospital in 2006 and this adds to the mystery.Is Sam really in a coma or are the voices in his head just his imagination. We have had three episodes so far and this drama is so compelling and addictive that i can't wait till the next episode to have more of my questions answered. Classic British drama deserves 9/10

Update- Coming up to the final episode and I wonder if this series will finish on a high note oo end up being a disappointment.Will just have to wait and see