A/k/a Tommy Chong

I caught a screening of "a/k/a Tommy Chong" at the Toronto Film Festival, and I have to say it's one of the best docs I've seen in a long time. The subject itself is fascinating, but what's even cooler is the access the filmmakers had to Chong himself. The film reveals the personality behind the persona--all while giving an in-depth look into the life of a comic legend. In addition,the film gives an extremely eye-opening look at drug policy in this country. I don't think that most people realize the roots of the most of the drug laws in the U.S. are based in racism, and this film does a great job of exposing that in a non-preachy (even hilarious!) manner. Anyone who has the chance should absolutely catch "a/k/a Tommy Chong."

This movie blew me away at the U.S. debut (Palm Springs International Film Festival). It is a documentary about how Tommy was targeted in a DEA sting operation codenamed "Pipe Dreams". Tommy was arrested in 2003 along with several others in what appears to be a clear entrapment case. Tommy received the harshest sentence of all the defendants and had to serve 9 months prison time in a small California town named "Taft". Although the movie deals with an inherently controversial subject, it makes you wonder why they seem to have really socked it to Tommy as punishment for exercising his 1st amendment rights and making some great films that were loved my many and hated by a few. Hidden a little at first, but inter weaved in the fabric you will also find a story of true love and unconditional devotion... A family that loves each other and sticks together through thick and thin. Shelby and Tommy made sure to greet every moviegoer at the premiere and are two genuinely nice folks who may have achieved unwanted martyrdom but seem to deal with it in a very positive manner. Will see again and take my friends!

...and those others, in essence, might be most people in America. As the subject of a/k/a Tommy Chong states himself in the film- after being incarcerated for nine months for selling bongs to one state- his arrest and conviction was meant as a symbol for what could be done to practically anybody. When the current administration puts forth the notion of drug use being equal to terrorism all bets are off as to who's next. So the documentary here, maybe one of the better ones out this summer, works pretty much for two sides. Those interested in seeing a story of a case about the drug issue and civil rights, calling into question the constitution, and what's done by the attorney general's office is on one side. On the other side is the far and wide fan-base of Chong's from his stand-up, albums, and movies. The director Josh Gilbert does a very good job at balancing out the facts and interviews about the bong case and Chong's stay in prison with his personal and career histories. Some of this archival footage has not been seen in years, if at all, which brings out many good laughs alongside the classic clips interspersed in the film.

It's not really 'polished' style-wise, and it is mostly filmed with digital cameras at times capturing even the mundane moments of Chong days before going off to prison. Scenes like this usually wouldn't be in some documentaries, even as this is very independently made and wont be seen by as many people as other documentaries coming out this year. But in Chong's own testimonies, both of the facts and then how he puts it on in recent stand-up footage, and then through the legal and personal ramifications of the case, there's a lot to ponder and feel from the material. There's sadness, there's humor, there's outrage, and even moments of clarity and catharsis- Chong's now, apparently, been made a martyr through this happening, more popular and more counter-culture than ever in his late sixties. It's imperfect, but it has a crucial topic that is made all the more human by who is put at the center of "operation pipe dreams".

A politically-conscious documentary that steps in to cover the months after world-famous doper Tommy Chong's arrest (for the illegal cross-state sale of glass pipes) but before his nine-month prison sentence. Along the way, we get a quick-and-dirty look at the polarizing comedian's life and times, the roots of his legendary partnership with Cheech Marin, and the state's over-ambitious case against him. Judging by the facts we're presented, there's little question Tommy was entrapped and railroaded by a media-hungry federal watchdog group, but to his credit Chong takes it all in stride, serves his time and emerges ready to take up the cause as a rejuvenated activist. Pro-legalisation viewers will be nodding their heads like a bobble-head from start to finish, while the peek into our government's priorities, practices and punishments might give fence-sitters a few new things to consider. Moral crusaders, on the other hand, will see an entirely different story. At just shy of 80 minutes, it only scratches the surface of an intrinsically deep, complicated political debate. Light viewing with a few mild laughs, it reports the facts and offers a take but isn't equipped to do any really heavy digging.

It should have been called Farenheit 420, AkA is the best Documentary to ever come out!! Revealing who the person is behind the huge cloud of white smoke and bushy beard. AkA Tommy Chong should be seen by all, who appreciate CHONG and what his "Cheech & Chong" legacy stand for, if you have not seen it, your missing out on another piece of there vintage collection. AkA Tommy Chong will go down in history as the voice of all stoner's, that say screw the politics this should be legal! God grows this stuff, the fact that medical patients who are dying find some relief, and can still be charged as a criminals is stupid. Tommy's character is the Hemp Messiah, Pope of Pot, he stands for an entire culture, Hollywood and all those exec's under-estimate his popularity, I remember when he was the biggest star on That 70's Show, and when they had to keep his lines short in front of the studio audience, to sustain the chanting Chong-Heads in the audience. Look Out World here comes not just a movie, but a movement.