Um comboio de mercadorias carregado de produtos tóxicos segue desgovernado pelas linhas e provoca o caos, enquanto um maquinista novato e um engenheiro veterano tentam evitar que ele descarr... Ler tudoUm comboio de mercadorias carregado de produtos tóxicos segue desgovernado pelas linhas e provoca o caos, enquanto um maquinista novato e um engenheiro veterano tentam evitar que ele descarrile e provoque vítimas mortais.Um comboio de mercadorias carregado de produtos tóxicos segue desgovernado pelas linhas e provoca o caos, enquanto um maquinista novato e um engenheiro veterano tentam evitar que ele descarrile e provoque vítimas mortais.
- Indicado a 1 Oscar
- 1 vitória e 14 indicações no total
- Nicole
- (as Elizabeth Mathis)
- Michael Colson
- (as Dylan L. Bruce)
Avaliações em destaque
Unstoppable is based on a true story that comes out of Ohio where we have a low-level employee who fails to set the air brakes on a train while changing tracks and the issues that ensue as a result. The director Tony Scott, no newcomer to the action genre, sets the stage for the high-octane second half by letting us get to know the 2 main characters: Rookie conductor Will Colson (Chris Pine) and veteran engineer Frank Barnes (Denzel Washington). The two both have their share of family issues, which adds to the difficulty of being able to work together initially. Another dynamic we discover is that the company is forcing employees to be laid off, as evidenced by the fact that Barnes is being replaced by younger engineers such as Colson. The 2 characters provide solid low-key performances and we see the tension that initially exists turn into mutual cooperation to work together for a solution, and then at the end, respect.
Solid performance also given by Rosario Dawson, who is both the eye-candy and sounding board for our heroes, planted where she can see all train activity.
As the movie progresses, we come to find out that this runaway train laden with toxic chemicals is headed towards heavily populated areas, and our stomach starts to sink about the devastating possibilities that may occur should everything go wrong. The plan? to link up to the phantom engine from the back and pull it the other way, coming to a full stop.
It is fascinating to watch the failed attempts to stop the train, which seems to add to the power, giving the audience a realistic idea of how "unstoppable" this train truly is with it's 10M pounds of force going full-steam ahead.
In the end what we are left with is ordinary men putting on extraordinary acts of courage. Where there might be chest-pounding there are a couple of family guys doing what they felt should have been done by anyone in that situation, and a humbleness that brings a more realistic quality to the movie.
I'm glad that the sensationalism was toned down so that the thrills that the movie had to offer truly thrilled me. As others have stated already, Unstoppable is truly a "Speed" on tracks and definitely one of the year's finer action movies.
7/10 stars
"Unstoppable" gets right to the point, action already starts ten minutes into the film. After that, the thrills get better and better. As a result, the film keeps you glued to the screen with increasing intensity.
Early on in the film, I wondered if there was enough to fill the screen time, but there was actually enough to make it action packed, without slow, pacing scenes to interrupt the action. "Unstoppable" is a good action film, relatively free from blood and violence which is rather rare for an action film these days.
The farewell of the brilliant director Tony Scott is a thriller with non- stop action inspired in a true event in Ohio. The screenplay is engaging and the dramatization is adequate to the story. The great cast with Denzel Washington, Chris Pine and Rosario Dawson completes this excellent entertainment. My vote is seven.
Title (Brazil): "Incontrolável" ("Uncontrollable")
It's not without its faults, but Unstoppable is a brisk, solidly entertaining thriller from start to finish. Scott has little time for characterisation or back story, preferring instead to kick things off via a pair of laughably incompetent rail yard employees roughly five minutes in, and then letting his leads fill in the blanks as we go along for the ride.
Washington and Star Trek's Chris Pine play it straight for the most part - their characters are the reluctant Johnny Everymen found in most films that rely on extended peril for thrills, and they've both nailed the mixture of brooding intensity and occasional comic relief that typifies movies of the genre.
Enough about the acting though - when you're watching a film of this nature, you want the action sequences to impress rather than worry too much about the story, and on this front Unstoppable delivers. Scott's track record in the field puts him in the perfect place to deliver the goods, and there's very little of the distracting, overdone camera-work that has plagued his recent output.
There's perhaps a little too much ShakyCam for my tastes but for the most part everything is shot with enough scope to be extremely impressive. The near total lack of CGI means the film looks suitably gritty and the pace is utterly, utterly relentless - there's no time to breathe here, just set-piece after set-piece with only brief conversational respites to quickly set up the next danger faced by our blue-collar heroes.
This type of film never goes down too well with critics and you can predict the reviews already - yes Unstoppable IS cheesy, it IS forced, it IS derivative and has all the depth of a puddle, but if you want to switch your brain off for 100 minutes and sit back for a magnificently enjoyable slice of escapism, you couldn't do much better. Highly recommended.
Você sabia?
- CuriosidadesThe film is inspired by the "Crazy Eights" unmanned train incident in 2001. The train, led by CSX Transportation SD40-2 #8888, left its Walbridge, Ohio rail yard and began a 66-mile journey through northwest Ohio with no one at the controls, after the engineer got out of the originally slow-moving train to correctly line a switch, mistakenly believing he had properly set the train's dynamic braking system, just as his counterpart in the movie did. Two of the real train's tank cars also contained thousands of gallons of molten phenol, similar to the fictional train in the film.
- Erros de gravaçãoThrough several crossings we heard a train's air horns. One train was not manned and we saw close-ups of the actors in the other - no-one was on the horns. This is not necessarily incorrect - in some areas designated "quiet zones" by the DOT, trains are not required to blow their horns in the same manner as ordinary crossings unless the engineer thinks there may be a need; some of these zones have "wayside horns" mounted at the crossing that automatically trigger as the train approaches.
- Citações
Oscar Galvin: I am not jeopardizing more personnel and more property just because some engineer wants to play *hero*! End of discussion! That train is our property. It's our decision! Now you stop your pursuit or I will fire you!
Frank: [chuckles] Fire... You already did.
Oscar Galvin: Already did what?
Frank: You've already fired me. I received my 90-day notice in the mail... 72 days ago. Forced early retirement, half benefits.
Oscar Galvin: So you're gonna risk your life for us with three weeks left.
Frank: Not for you. I'm not doing it for you.
- ConexõesEdited from 60 Segundos (2000)
- Trilhas sonorasWork
Written by Missy Elliott (as Melissa Elliott), Ciara (as Ciara P. Harris), Marcella Araica and DanJa (as Nate "Danja" Hills)
Performed by Ciara (feat. Missy Elliott)
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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Detalhes
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- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Imparable
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 100.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 81.562.942
- Fim de semana de estreia nos EUA e Canadá
- US$ 22.688.457
- 14 de nov. de 2010
- Faturamento bruto mundial
- US$ 167.805.466
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1