Fosse o Mundo Meu

Damn, I wanted to love this movie and I did. Well, parts of it. It's based on a short film called "Fairies" by Tom Gustafson, and starring some of the same actors. I think some positive feedback for that 24 minute movie, encouraged Gustafson & Co. to go back and expand it to a full-length production. Too bad. It WANTS so badly to be a musical, but there aren't nearly enough songs to make it one. The Midsummer Night's Dream mash-up is quite wonderful, but the plot veers off into the ridiculous when it should have stayed in the charming and touching world in which it begins. I love Tanner Cohen's voice; he's the absolute star of this movie, but he's sinfully underutilized. The choreography is so bad I really shouldn't call it that. It's unlikely to happen, but I hope director/writer Tom Gustafson rewrites this one more time for live theatre. This belongs on the musical stage.

This utterly adorable fantasy musical is one of those tiny movies made simply in a small town and without pretensions other than to enchant... and if you see it in a crowded cinema keen to enjoy then you are really in for a magical experience. I know I am blathering on about this funny whimsical film in the tone of the title and A MIDSUMMER NIGHT'S DREAM terminology, but as I am having fun here with my descriptions, you will as well if you take the time to see and enjoy it as I described above. With it's heart tight in its lovable hero's hairy teen armpit, this DEAD POET SOCIETY locker room version of MIDSUMMER NIGHT'S DREAM has more than a whiff of the teen spirit from Baz Luhrmann's Leo/R&J and HIGH SCHOOL MUSICAL for teenage boys. If it can be remade with a bigger sound and image quality and retain the hilarious tone and charm then WERE THE WORLD MINE might just cross into mainstream teen and young adult affection with its funny fairy charm intact and actually get world wide applause. Tanner Cohen can certainly sing, Nathaniel David Becker is an ideal love interest for him, and Zelda Williams makes the most hilarious and adorable English teacher with a very keen awareness of what when tweaked will want untold. I loved it and will happily get Pucked again even just for fun.

This is a film for the young at heart be you gay or straight or just curious. And did you see that Peter Ustinov 1948 film "Visa Versa"?

If you like modern day fairy tales, musicals and films set in boys boarding schools then enter Shakespeare's Dream for a boy who is different.

After watching it you too may also wonder if this is exactly the sort of film that could be useful to schools since it reverses the idea of what is "normal" when it comes to sexuality.

I particularly enjoyed the way the story unfolds. Very clever. Now you see me now you don't. Like magic!

"All the world's a stage" says the fabulous Wendy Robie between watering her naughty weedy seedlings(no cctv) and standing up to the schools silly head. She's great! If there were more Ms Tebbit's around the world would be a far more enchanting and tolerant place to live. And at the end of the film when she says "Well now that you've had your fun" our dear lovely Puck finds his spell's true implication.

We are left after the curtain goes down resounding like tuning forks! So please watch this film if you haven't already done so and if you have maybe watch it again ... I'm going to.

I just saw this movie at the San Francisco LGBT festival with a packed house at the Castro Theater, where it provided one of those lightning-in-a-bottle moments that sometimes happen at film fests. Yours truly is a cynical old curmudgeon of a film-goer, and when a movie can win me over this way (along with the rest of the audience) it's like a gift from out of the blue; I found myself not questioning or analyzing the experience, just letting myself give in to pure enjoyment. I'm not surprised that it keeps winning audience awards at festivals; people are grateful when a movie sweeps them up into its own world.

How the magic happens here, I don't know, especially since this is a movie by such a relatively inexperienced director. But I think I can put my finger on a few elements that make this mix happen. First, Wendy Robie as the drama teacher. I previously knew her only as crazy Nadine ("silent curtain rollers!") on "Twin Peaks." She's every gay boy's dream teacher from high school, and only gradually do we begin to realize that she must be more than she seems. Second, though the film is called a musical, and there are indeed songs, the use of music is surprisingly sparing. We don't get a big musical number every 15 minutes; instead the songs are used to capture certain states of mind and to introduce magical elements in the story. I actually left the theater wanting more music (a rare experience!). And third, the ugly homophobic elements in the movie at first seem almost jarringly realistic; this serves to heighten the magic of the wish-fulfillment.

Magic doesn't always work in movies or on the stage; not every production of "A Midsummer Night's Dream" can capture Shakespeare's whimsy. But for me, it does work in this movie, and I'm a little awed by the experience.

Were the World Mine may not be perfect, but it is inspiring, with a brilliant and durable concept (a queer interpretation and extension of A Midsummer Night's Dream). Like a previous reviewer, I just saw this at the San Francisco Int'l LGBT Film Festival, where it was indeed a solid crowd pleaser and one of my three favorite features in the festival. The film grew from the director's short film "Fairies" (which was also memorable) and I dare say that the music and lyrics, and certainly the lead performers, deserve to have him tighten it up a bit, somehow get lots more money, and carry this forward to a remake a la Baz Luhrmann ("Moulin Rouge") or Julie Taymor ("Across the Universe"). In a way, the material is both weighty and fanciful enough to really need that level of realization to be properly appreciated. As is, though, "Were the World Mine" moved me to tears, made me laugh many times, and made me want to listen to its few songs again, more closely!