AVALIAÇÃO DA IMDb
6,7/10
65 mil
SUA AVALIAÇÃO
Lutando para se recuperar emocionalmente de uma agressão brutal que matou seu noivo e a deixou em coma, uma personalidade de rádio começa uma vingança contra os perpetradores, o que deixa um... Ler tudoLutando para se recuperar emocionalmente de uma agressão brutal que matou seu noivo e a deixou em coma, uma personalidade de rádio começa uma vingança contra os perpetradores, o que deixa um rastro sangrento em Nova York.Lutando para se recuperar emocionalmente de uma agressão brutal que matou seu noivo e a deixou em coma, uma personalidade de rádio começa uma vingança contra os perpetradores, o que deixa um rastro sangrento em Nova York.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 7 indicações no total
Dennis L.A. White
- Thug on Subway
- (as Dennis White)
Laila Liliana Garro
- Shauna Nelson
- (as Julia Garro)
Avaliações em destaque
"I think someone should just take this city and just... just flush it down the f***in' toilet", says Travis Bickle (Robert De Niro), in "Taxi Driver". He wants to protect the young prostitute Iris (Jodie Foster) from some pigs, and give her a better future. 31 years later, Iris is a popular radio host whose fiancé (Naveen Andrews) is killed in a random attack. She decides to avenge him, and other helpless people, with her own hands.
If not for Jodie Foster's presence, I probably wouldn't bother watching "The Brave One" (even though I admire most of Neil Jordan's films). It's easy to call this a morally sick movie, because that's what is... but it's not sicker than any other bloody action thriller out there. Watching a "fragile" woman like Foster becoming Charles Bronson in skirts is both entertaining and (questionably) gratifying. Who's never fantasized: what if I could just kill all the scum around me? Like "Falling Down" and so many other flicks, "The Brave One" appeals to our lower instincts, and - mildly - makes us imagine what would we do in Jodie's shoes, and how "simple and satisfying" it'd be just to kill them all. That'd be the easiest, quickest 'solution' to our nightmares, and on a second look, that's not as sick as we'd think... just desperate and cathartic.
Far from being a great movie or intellectually instigating as, say, "Dogville", "The Brave One" is worth seeing for Jodie's performance and for its unapologetic badassery in times of false, excessive morality. 6.5/10.
If not for Jodie Foster's presence, I probably wouldn't bother watching "The Brave One" (even though I admire most of Neil Jordan's films). It's easy to call this a morally sick movie, because that's what is... but it's not sicker than any other bloody action thriller out there. Watching a "fragile" woman like Foster becoming Charles Bronson in skirts is both entertaining and (questionably) gratifying. Who's never fantasized: what if I could just kill all the scum around me? Like "Falling Down" and so many other flicks, "The Brave One" appeals to our lower instincts, and - mildly - makes us imagine what would we do in Jodie's shoes, and how "simple and satisfying" it'd be just to kill them all. That'd be the easiest, quickest 'solution' to our nightmares, and on a second look, that's not as sick as we'd think... just desperate and cathartic.
Far from being a great movie or intellectually instigating as, say, "Dogville", "The Brave One" is worth seeing for Jodie's performance and for its unapologetic badassery in times of false, excessive morality. 6.5/10.
I would agree with those who say that Jodi Foster is the redeeming factor in this film. I remember how much fun it was to pull for Charles Bronson in those Death Wish things (the early one's; not the silly sequels). How can one not empathize with her character. The thing is that it's easy for Hollywood to appeal to our baser instincts. This does and it wouldn't sustain long term interest if it was just anyone portraying the central figure. Of course, there are factors to face, like "if you set foot on the street, is there routinely someone out there that is just waiting for you"? But the cheap thrills are more than compensated for by Foster's masterful acting style and her incredible demeanor. While it stretches the bounds of credibility, once I set that aside, I was able to enjoy the ride. It's certainly cathartic if nothing else.
I liked this one a lot. Its a revenge thriller or remake I suppose of the Charles Bronson's Death Wish series of the 70's. Jodie Foster takes the lead here and I enjoyed seeing a woman in the role of vigilante, refusing to be a victim and fighting back.
Foster can be a bit much at times but she was perfect for this role setting out on a mission of revenge after a brutal attack (it's really rough) leaves her fiancé dead and 'Erica' unable to move past the tragedy. Eventually she buys a gun and begins prowling the city streets at night to track down the men she holds responsible. Foster does a good job here with the conflicted emotions and I have to admit to yelling "yes" a couple times after she smoked one of the bad guys.
I also really enjoyed Terence Howard's detective character, the cat and mouse game between him and Foster is well done and suspenseful. Naveen Andrews has a small role here as the boyfriend, and the ending with the dog, jeez for some reason that almost had me in tears. It's the dogs that seem to get me every time. 03.13
Foster can be a bit much at times but she was perfect for this role setting out on a mission of revenge after a brutal attack (it's really rough) leaves her fiancé dead and 'Erica' unable to move past the tragedy. Eventually she buys a gun and begins prowling the city streets at night to track down the men she holds responsible. Foster does a good job here with the conflicted emotions and I have to admit to yelling "yes" a couple times after she smoked one of the bad guys.
I also really enjoyed Terence Howard's detective character, the cat and mouse game between him and Foster is well done and suspenseful. Naveen Andrews has a small role here as the boyfriend, and the ending with the dog, jeez for some reason that almost had me in tears. It's the dogs that seem to get me every time. 03.13
I saw this film in a preview. It was the final production though. Jodie Foster is a great actress, I would give her 10 of 10 without hesitation. The story is a standard revenge-movie. But with Jodies amazing acting and a good director the standard story becomes interesting. It's like experience the whole thing through Jodies character. The bad guys gets a little bit stereotyped and shows almost no personalty other than violent temper. Well, it's easier to kill them then, I guess. The sens-moral of the film is "kill the bad guys". Yes, feels good on the white screen, but it would be the end of society if everybody did like these characters did. Jodie gets 10 and the story 5, so average is 7 which is my vote. Definitely worth watching.
This was entertaining. Sure, one can't help but draw comparisons and think back to the most famous vigilante film of all time: "Death Wish," but this film stands on its own story. No, it's not "Death Wish," but it ain't far from it, storywise. It's different enough to keep us guessing what "Erica" will do next so, in that regard, it's good value for your entertainment dollar, particularly if you enjoy film noirs. This would be labeled a "neo noir" today.
I was a little skeptical about Jodie Foster playing a Charles Bronson-type shooter, but she pulled it off convincingly. The difference in "Erica Bain" and Bronson's "Paul Kersey" was minimal except she seemed to be more depressed over who she had become, once she started killing.
Foster, by the way, shows no signs of slowing down as an actress and this was a juicy role for her.
But don't be misled by this film's screenplay or by Hollywood standards of morality, as they have very little. The fact is, as shown in this film, this woman quickly turns into a killer, a murderer, if even if it was scumbags she was killing, it doesn't justify her actions and, deep inside, she knew it. (It sure is satisfying, though, in a real base sense!)
The ending a little UNsatisfying to a number of reviewers, both here and in national publications. That's all I will say on that, as I don't want to spoil anything for readers who haven't seen the movie. You make up your own mind what you think of it, and the message it conveys.
Suffice to say, if you're looking for an entertaining neo noir, one that serves up your thirst for vengeance a la "Death Wish," this is one to check out at your local rental store.
I was a little skeptical about Jodie Foster playing a Charles Bronson-type shooter, but she pulled it off convincingly. The difference in "Erica Bain" and Bronson's "Paul Kersey" was minimal except she seemed to be more depressed over who she had become, once she started killing.
Foster, by the way, shows no signs of slowing down as an actress and this was a juicy role for her.
But don't be misled by this film's screenplay or by Hollywood standards of morality, as they have very little. The fact is, as shown in this film, this woman quickly turns into a killer, a murderer, if even if it was scumbags she was killing, it doesn't justify her actions and, deep inside, she knew it. (It sure is satisfying, though, in a real base sense!)
The ending a little UNsatisfying to a number of reviewers, both here and in national publications. That's all I will say on that, as I don't want to spoil anything for readers who haven't seen the movie. You make up your own mind what you think of it, and the message it conveys.
Suffice to say, if you're looking for an entertaining neo noir, one that serves up your thirst for vengeance a la "Death Wish," this is one to check out at your local rental store.
Você sabia?
- CuriosidadesTerrence Howard shadowed Neil Carter, a veteran NYPD homicide detective, to research his role. Carter's first job as a movie consultant was on Jodie Foster's O Plano Perfeito (2006).
- Erros de gravaçãoThe closing credits list the wedding invitation lady as "Stationary Saleswoman", but "stationary" means "not moving". The word that means paper and envelopes is "stationery".
- Citações
Elevator Man #1: Gross. Who's he gonna shoot next, Donald Trump?
- ConexõesFeatured in HBO First Look: The Brave One (2007)
- Trilhas sonorasYou Don't Know Me
Written by Eddy Arnold and Cindy Walker
Performed by Elvis Presley
Courtesy of The RCA Records Label
By arrangement with Sony BMG Music Entertainment
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Valiente
- Locações de filme
- 183 Grand Street, Nova Iorque, Nova Iorque, EUA(Jovino Gun Shop where Erica buys a weapon)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 70.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 36.793.804
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.471.488
- 16 de set. de 2007
- Faturamento bruto mundial
- US$ 69.787.394
- Tempo de duração2 horas 2 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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