A Bolha

Directed and co-written by Eytan Fox the writer/director of the highly acclaimed 2002 mini feature "Yossi & Jagger" (2002). This comparative epic, at 1hr 53 minutes, is another fine romantic drama in which we must deal with tragedy as well as celebrate the beauty and joy in life. Westerners, especially urban gay men like myself, need to be moved outside our safety zone and be informed of the real life and death struggle elsewhere to be able to love with equity.

While "Yossi & Jagger" focused on a pair of gay lovers in the closeted confines of Israeli military service, "Ha Buah" is centred on a group of civilian friends, both straight and gay, who share a unit in the heart of Israel's generally gay-tolerant, but not always gay-friendly, capital Tel Aviv.

"Ha Buah" opens with a dramatic border check point scene in which Noam (Ohad Knoller – Yossi from "Yossi & Jagger") first meets handsome young Arab Ashraf (Yousef Sweid). Romance soon blooms – but in that political climate opportunities would have to be seized quickly or lost altogether.

From there we follow an intricate interplay among the members and lovers of the housemates and the unavoidable effect of Ashraf's very conservative family. If you follow this film's dialogue attentively enough then you will have no reason to be disappointed with the ending.

The soundtrack for "Ha Buah" is vibrant and the visuals are both beautiful and stark – i.e. real life in the Middle East.

The English subtitles are very easy to follow and you quickly relax and appreciate world cinema at its best.

This film tells the love story of a young Israeli soldier and a Palestinian man. Their journey is full of difficulties, as the war breaks out and racial tension mounts.

"The Bubble" examines what it is like to have a relationship in a society full of racial tensions and people with closed minds. I feel for Ashraf so much, as his family is not accepting towards his sexuality, and also the tragic events that occur in his family towards the end of the film. Fortunately, the film has lighter moments, as the youngsters party their way through the night in the name of peace.

The ending few seconds are so powerful that it has a haunting effect on me. Even though "The Bubble" is more of a romantic comedy than a depressing drama, it still will move everyone to tears.

This is the second Eytan Fox film I have seen. The fantastic actor, Lior Ashkenazi, who starred in Walk on Water, has a minor role in this film also.

But the real stars are the young Israelis who live together in a tiny apartment - Noam (Ohad Knoller), Lulu (Daniela Virtzer), and Yelli (Alon Friedman); and the Palestinian that joins them off and on - Ashraf (Yousef 'Joe' Sweid). There is sort of a Friends/Sex in the City thing going on (mostly gay), and they all just want the war to end so they can go on with their lives in peace.

But, that's the rub. No matter how many posters you put up or how many raves for peace you have, the war is not going to end. Many have tried over the years to bring the two sides to the table, but they just want to keep it going for whatever reason. There are many on the Israeli side, both there and here in the US, who just want it all and will not consider peace. There are many on the Palestinian side who apparently would be out of a job should peace ever come. It is in no one's interest to end this war, and the children suffer.

This is always on your mind as you watch this funny and engaging film. It won't go away. You know something tragic is going to happen and, of course, it does. With the feelings on both sides running strong, and revenge as the motivator, tragedy always happens, and that is what makes this an adult version of Friends/Sex in the City. There is no superficiality. It is real life, and it was a beautiful thing to see.

This is a sweet, poignant look at young lives and loves in Tel Aviv and the damning, degrading effects of the political landscape around it. The central characters laughingly call Tel Aviv "the Bubble" because it seems insulated from the conflict between Israel and Palestinian Territories. As the movie brings to light, that is clearly not the case. The hatred, anger, blind violence, "otherization" and decades (centuries?) of mistrust on both sides color everything and everyone the question becomes are they blind to it or just so scarred they can't recognize it.

The movie focuses on the relationships — familial, sexual and friendships — between three long-time friends, two gay men and one hetero woman. Their chemistry and crazy lives would make for an entirely enjoyable romantic comedy without the layers of cultural context and history, but with the addition of, it creates a memorable, urgent and rewarding story.

When one of the men falls for a gay Palestinian, their bubble is popped irreversibly as they are all forced to confront the realities of life in a region defined — and seemingly sustained by — hatred. And being a gay Palestinian, it would seem, means twice the agony and hardships as there is little tolerance for alternative life styles within that culture and religion. That's less the case in Israel, at least according to the movie.

I appreciated the straightforward, unflinching approach the film brought to the love scenes, regardless of orientation. The sex scenes between the men were just as sweet, tentative and passionate — more so in fact — than the sex scenes featuring the girl. Even though the movie is now six years old, this approach resonates with me because same-sex scenes usually lack the same … panache as different-sex scenes, at least in Hollywood style movies. (Hollywood, check the election results and get with the times; love is love).

The entire cast was effective, but Daniella Wircer as Lulu was awesome. She had such great energy; truly a rare talent.

This is a fine movie and one that, it seems to a westerner, excavates the Israeli/Palestinian conflict effectively and without finger-pointing. It also reminds us that we all have a role to play in ending hatred and cycles of violence.

--www.cowboyandvampire.com--

Here's one more beauty in the string of beautiful films directed by Eytan Fox. The movie presents the story of star-crossed lovers (one Israeli, one Palestinian)in modern Tel Aviv. The film's effectiveness comes not only from its depiction of cross-ethnic conflict, but of conflicts personal and political within ethnic groups as well. For example, there's a telling moment when one of the secondary characters, openly gay, is visited in the hospital by his boyfriend who brings him flowers and tries to kiss him in front of his visiting family, and suddenly we see a wave of awkward discomfort wash through the room. Clearly the young man is not as open as he seems, and the family not as accepting as he might want them to be, while the boyfriend is confused and rejected. A good deal of complexity is packed into a fleeting moment. As we know from Yossi & Jagger, Fox is a master at efficiently packing emotional and psychological complexity into brief sequences. The film is also effective for the even-handed way it presents the mutual brutalities that Israelies and Palestinians inflict on each other. If you're not heartless, you'll cry through the last third of the movie. Though the plot is melodramatic, it's so intelligently written and acted that it reminds us of how satisfying good melodrama can be.