A Última Cartada

Here's another addition to anyone's list of definitive "guy flicks". Compared to testosterone treats like Jason Statham's pair of Transporter stints, this one offers a more complicated plot, fewer explosions and chases, but more gruesome killings. Plus some fine touches of grim humor, and a dash of eye candy. It comes from the fertile, if demented, mind of Joe Carnahan, who struck first with the cheapie hit Blood, Guts, Bullets and Octane, before upgrading to studio-quality crime drama in Narc. Arguably, he's the US doppelganger for England's Guy Ritchie (Lox, Stock and Two Smoking Barrels and Snatch - both also featuring Statham), since he's less arty and cinematically historical about showcasing mayhem than Quentin Tarantino.

Jeremy Piven plays a Las Vegas lounge star and gangster wannabe, who first endears himself to the Mob, runs afoul of the local Capo, then offers his testimony to the FBI in exchange for protection and profit. When the Mafiosi put a $1M price-tag on his head, hordes of hit persons (solos and teams, male and female, foreign and domestic; the EEOC would be more than satisfied with this field's diversity), some hired, others freelance, converge on the casino penthouse in Lake Tahoe where their quarry is "hiding", while his agent (gifted, yet underemployed, Curtis Armstrong) negotiates terms with the Feds.

The deep cast includes Ben Affleck, Ray Liotta, Andy Garcia, Jason Bateman, Alicia Keys, and plenty of other familiar faces. Carnahan careens among multiple arenas of plotting, with FBI briefings filling in the audience and their agents on some of the players they're about to face, building to the inevitable chaos of competing factions converging on Piven and his legion of bodyguards, in what promises to be a dazzling display of carnage and comedy. The reality comes pretty close, with a couple of cool surprises along the way.

Unfortunately, Carnahan, like a certain US President who comes to mind, crafted his superb attack without a viable exit strategy. After the cosmic convergence, there's more exposition and anticlimactic wind-down than anyone needed, or the preceding frenzy deserved.

Enjoy the movie, fellas. But for those who wait (or double-dip), expect the DVD's extras to include at least one alternate ending, and several bloody and/or sexy deleted scenes that were axed for optimal running time, rather than lack of titillation.

I'm sick and tired of these people who watch a movie at some lame "premiere" and then criticize said movie because it was too complex. Wake up! Some movies are simple and beautiful. Others are complex but also great. You can't just trash a movie for seeing it once and not understanding it's meaning. You have to work it. Watch it a few times to get the whole story before you make a stupid review. How many years did it take humanity to recognize Van Gogh and some other painters and writers? Some times it took decades. So remember kids cinema is art not an excuse to eat popcorn.

Now the Smoking Aces: It goes through almost all the emotions. It's funny, it's sad, it's annoying, it's cool, it's hip and it shoots up the place. Good story, cool characters and a few great actors. It delivers thrills with a reasonably good filming and it's a definite watch. Not a masterpiece but a pretty good flick.

6.6 (The collective rating at the time of this writing) is pretty accurate.

I watched this on Netflix (via Xbox Live) a while ago and haven't mustered up enough words to give this a sound review. So this will be one of my shorter ones. Or at least one of my least detailed, on par with some of my much earlier reviews.

I remember a while ago, seeing the previews of this and knowing right off the bat that it was my type of movie. Mindless, violent, and awesome. NUMEROUS mercenaries and assassins are sent towards one guy for being a mob mole. A brilliant concept where they could have easily just made it a mindless slaughter-fest.

I went in expecting that, and that's exactly what I got.

What I DIDN'T expect is an entire back storyline detailing the history of facial disguises and how much of an important part it plays throughout the entire story - even though it's in the background and not revealed until the very end.

So it started as a mindless "ten versus one" assassination but ended as a near-intellectual thriller. I was, as my summary tagline thing states, "Thoroughly impressed".

I know I gave it a 7 but I honestly cannot think of any gripes, and the ones I do are way too minor and end up having a balancing factor.

For example, the movie doesn't seem to want us to be sympathetic with "Aces". The balancing act? It later reveals that you're really not supposed to be.

And that's pretty much the rest of the cast too. They act well, but you don't really give a damn about any of them; BUT THAT'S OKAY. Once again, you don't really HAVE to.

So, I suppose I gave it a 7 (as opposed to 8 or 9, I almost never give out 10's) because it's raunchy and mindless and it's not really any kind of instant classic.

Either way, it's worth seeing. Definitely. I'm glad I did.

Buddy "Aces" Israel is in trouble. A Vegas entertainer once, he got to know the local mob and was taken by the lifestyle to the point that he began his own crew. Unfortunately for him and everyone he knows, it has caught up with him and he now finds himself targeted by all sides and in the hands of the FBI, desperately trying to make a deal with them from the security of the penthouse floor of a luxury hotel. However the FBI pick up wind of a hit called in by Sparazza with a strict time limit, a $1,000,000 bounty and cut out Buddy's heart. It is not long before a handful of bounty hunters are heading towards the hotel with one aim – to be the first.

On a transatlantic flight during the day I had time for one more film before landing. As I was just trying to relax I was looking for undemanding stuff just to distract and entertain me. The film I watched first was Shooter and I mention this deliberately. Shooter was only an OK film but what it did was lay out its stall and make it very clear what it was going to do and how it was going to do it – not necessarily in terms of plotting but more in terms of style and approach. It wasn't great but it worked. I assumed that Smokin' Aces would do the same as the trailer made it look like a comic hit-man film – with hyper filming, lots of stars and lots of action.

Now, if you're thinking that I shouldn't assume then you're right, but this is how the film starts and it is how it is at various stages across the film. However it goes from being a bit like Guy Richie (freeze frames, names on screen etc) to being an all out action fest, with guns everywhere and people surviving the way that they only do in action films. The suddenly in the final third it decides that it not going to be superficially comic or superficially action-packed and suddenly seemed to have an emotional side and expected me to care about the characters and their plights – like it had been a serious drama all along (although I'm not sure how I'm supposed to take the ADD kid with the erection in that context).

In doing this it does still do just about enough to keep a story going but to be honest I started to get bored as it changed tone based on whatever it want to do. Another problem I had with it was the violence – it was very brutal throughout, which I don't have a problem with but the mixed tone meant it was confused. With the comic feel the violent death of characters is really jarring, likewise with the action section – it just seemed too much and made it hard to enjoy. The final turn of tone actually makes the violence work because the extent of it works when you actually are expected to feel it – however by then it was too little too late.

Keeping this in mind it is no surprise that nobody is really that good. Piven goes from ham to tragic figure; it is a nice try but the film doesn't go with him and he is left exposed. Reynolds is reasonably good on the level he works on, a good presence – I've never seen him in anything that good but I generally like him when I see him. Affleck, Berg, Garcia, Liotta and a few others are solid enough but not anything special. Keys is good-looking but she is helped by Henson who is sassy and cute at the same time. The real stand out for me was Common. He dropped out of a big tour to make this and I felt bad that he seemed to be going down the "rapper goes to Hollywood to be in action movie" path. However he is actually one of the few who impressed me; not throughout the film perhaps but in the one scene he has with Piven in the bathroom I did think that he showed potential to do more than just be in this sort of thing. Time will tell if he can move away form just being a good looking guy with a deep voice, but he did seem in touch with his character here.

Overall though, the film is nothing to write home about. With an inconsistent approach that sees approach markedly changed abruptly not once but twice, the film is hard to stick with. It probably offers enough noise and narrative to please those looking for noise and violence but personally I was disappointed and found it hard to care that much about.

Smoking Aces is a film that tries hard, and in doing so is one that is not going to be easy to describe. The basic plot revolves around the central character "Aces" who is testifying against the mob, and in return has a contract out on his head. Locked away in his suite in Las Vegas, he is protected by the Fed, but there are multiple contract killers (all different from each as can be imagined!) out to get him.

First hour seems to be stuck piecing the different contract killers together and their background, whilst the Fed are shown to be trying to figure out what is going on. No one set of actors though gets above the others, and in doing so you have multiple stories in the film tied into the whole premise of the film. Acting is great by the general assemble which includes fine performances by Andy Garcia and Ray Liotta.

Problematically, the film tries to be too cool at the start, and reminds me too much of "Things to do in Denver...." and so on. In addition, the film is really confusing at points but is worth persevering with nevertheless. The complexity makes it very original, and you never know where its going, but it wraps up together in the last 30mins which are more than worth the cinema ticket alone.

No classic, but enjoyable, original and interesting overall..