Avaliações de usuários

Look behind the woeful accent and this is actually a good movie. The first F&F was about racing, then went all Miami Vice. A final return to the street racing scene had to move away from the original cast as they had lost their 'From the streets' appeal.

Anyway back to this, some sweet cars that aren't the massively expensive hyper cars of later episodes and some trick driving to boot.

A quality film if you manage to watch it a couple of times and don't dwell on the accent.

The first film was BREAK POINT with cars. The second one was Miami VICE with cars. This is REBEL WITHOUT A CAUSE... with more cars. To be honest, I kinda liked this one better than the last two, despite Lucas Black somehow beating Paul Walker as the least charismatic actor in a starring role. What I mainly like is the direction by Justin Lin. The focus on police undercover stories is dropped in favor of the street racing culture and its connections to the mob. Was actually delighted to see Sonny Chiba appear, I must have missed his name during the opening credits. Purely as a movie about car action, I think it succeeds better than the first two. There's a goofy quality to it that kinda helps one go along with things. Best to sum that up is Lucas Black smiling like a dork with blood on his teeth, living for the thrill. That's probably what this film series needed, and less soap opera/undercover drama. Consider me surprised.

FILM: 7.0 Rewatching the 2006 film The Fast and the Furious: Tokyo Drift, I find myself enjoying it more than most people seem to. So, here's an unpopular opinion: Tokyo Drift ties as my third favourite film in the series. The film ramps up the fun straight away, ditches the cheese of the second instalment, and goes for an original plot.

One of the aspects I appreciate most about Tokyo Drift is its unique setting and storyline. Shifting the focus to Tokyo and introducing the world of drift racing feels fresh and exciting. The races and chases are some of the series' best, with a kinetic energy that keeps me engaged throughout. The soundtrack is another highlight, with its thumping beats perfectly complementing the high-speed action.

I know people heap crap on it for not keeping it in the "family," but it's an undeniably fun ride. The absence of the core characters initially feels strange, but the new cast manages to hold their own. Lucas Black as Sean Boswell brings a different kind of protagonist to the table, and I find his journey from outsider to drift racing aficionado quite compelling.

The character of Han, played by Sung Kang, is a standout. His cool, mentor-like presence adds depth to the film and makes for some memorable moments. The Tokyo setting is visually stunning, and the film makes excellent use of its locations, showcasing the vibrant cityscape in a way that's both thrilling and immersive.

What I like about Tokyo Drift is its ability to balance the adrenaline-pumping action with a story that feels grounded. The film doesn't rely on the over-the-top stunts that the later entries in the series do, and that simpler approach works in its favour.

Overall, The Fast and the Furious: Tokyo Drift is a fairly positive experience that brings something fresh and exciting to the franchise. While it may not be everyone's cup of tea, I find it to be a fun and engaging film that stands out in its own right.

FORMAT: Blu-ray

VIDEO: 9.0 1080/24p presentation Detail level: Excellent Colour reproduction: Excellent Level accuracy: Excellent Encode: Good Master condition: Good

AUDIO: 10.0 DTS-HD MA 5.1 audio Dialogue reproduction: Excellent Soundtrack & effects clarity: Excellent Dynamics: Excellent Surround sound presentation: Excellent LFE content: Excellent

MOOFIEMETER: 7.0.

What can I say about this movie that many haven't already noted? Well first of all I saw this movie twice, and probably shouldn't have. The cinematography was phenomenal and the racing sequences were jaw dropping. Unfortunately, this movie lacks substance. The storyline was really iffy and probably not likely to happen and the acting was a little shaky.

But thats not the reason why everyone goes to watch this movie. We all go to see the cars and the girls which fortunately delivers. Beautiful cars, beautiful ladies and beautiful scenery and destructive driving is never in short supply in this genre and the scenery of Japan is just breathtaking. All in all, just a movie you'll want to see with the boys.

This is an exciting narration of drifting auto racing with exceptionally fine camera work and great car chase sequences and crashes on the metropolitan streets. It deals about a rebel American adolescent named Shawn Boswell(Lucas Black as a determined race-car driver) challenges his contender for a race cars, causing wreak havoc racing 195 mph through streets. To avoid the jail, his mother(Lynda Boyd) sends him Tokyo where is his father(Brian Goodman) as US military. Meanwhile the newcomer Shawn tries to ingratiate with Twinkie(Nathalie Kelley) and the world of racing in Japan, and hoping to join his extended group. In Tokio he discovers the underworld of the Yazuka and competes against Drift kingpin who is niece of mobster chief(Sonny Chiba who does a credible job).

The picture mingles action-packed,drama, exciting pursuits cars, suspense, a little bit of violence and spectacular sequences though won't mean much on little screen TV. Flashy, noisy race-cars set in the Japan by the producers, -the famous Neal Moritz-of first part. Pulse-quickening action but plenty of clichés and lots of dirty driving and heavier on crashes than coherency. All stunts were performed by authentic experts without people damage. Special cameo by Vin Diesel and appearance by Sonny Chiba, a Kung Fu idol of the 70s. Justin Lin's direction(previously made Annapolis and Better Luck tomorrow) is competent though the story eventually run out of gas. Justin Lin is directing the third part with Vin Diesel, Michelle Rodriguez and Jordana Brewster. The movie gives new meaning to the term ¨Tuning¨and ¨Drifting¨. The flick will like to adrenaline lovers and those young people looking for strong emotions. This is the kind of film in which the cars enthusiastic will enjoy immensely, it's a must see for cars fonds.

The Fast and the Furious: Tokyo Drift Directed by Justin Lin Starring: Mitsubishi Evo 9, Nissan Silva, Ford Mustang, RX 7, Toyota Chaser, Lucas Black, Bow Wow, Nathalie Kelly, Sung Kang, Sonny Chiba

I think the Mitsubishi should get a best actor nomination for next year's Oscars.

Nice cars. Nice music. Nice bodies. Nice cityscape.

Brainless story. But that's what I watched it for, to have my brains parked outside the cinema and let the brainlessness drive me through a two hour entertainment.

The RX7 has more expression than all the actors.

C - Because it served its purpose in entertaining me with awesome drifts, over-sized exhaust pipes, and kick butt photography for a car racing film.

I was quite surprised by The Fast and The Furious: Tokyo Drift. Of course, I expected it to be a pile of steaming garbage, particularly with the formula of increasingly dodgy sequels. So when I went to see it with some friends, I had obvious misgivings. These misgivings, or at least the worst ones, such as the movie being unbearable to even look at, were fortunately unfounded. I kept my eyes on the movie the whole time, mainly because of the souped cars, but the fact that I went through the movie without flinching (a lot, except at some of the bad dialogue that was prevalent), says quite a lot. Maybe my view of The Fast and The Furious: Tokyo Drift is heightened by the fact that I cracked a few jokes during the movie.

Now down to business. Sean, a 'dude' who loves to race at high speeds for no apparent reason, is sent to Tokyo to live with his military dad and ends up being drawn to the racing circuit again, witnessing a new style of race called 'drift' (as seen in Need For Speed Underground, to those that don't know). Sounds stupid? Well, it is, the casual viewer can detect a plothole or two from even reading those two lines. To go on, except to state that Sean ends up making friends with a guy named Han, is pointless. I will admit that no-one looks for a good plot in a Fast and the Furious movie, but still, the less said, the better.

The dialogue, as I stated, can be funny - because of its stupidity. This is shown by one piece of dialogue where some guy asks Sean: "You know what DK stands for?" and Sean replies "Donkey Kong". At least its original, I guess.

The acting is OK - far from turgid, which I expected it to be in the first place. The guy who plays Han is surprisingly good, going through the movie without looking as if he was hired from a nearby sushi bar. Brian Tee as DK is a bit of a joke, he is more comedic than menacing. Lucas Black is OK as Sean, but his Southern accent makes his character more irritating to watch. The love interest does well as eye candy. That's about all that matters I guess.

The most important part of The Fast and the Furious is inarguably the racing sequences and their overall effectiveness. I will admit that the sequences themselves are well-filmed and eye catching, highlighting the cars, as they should. However, except in a few fleeting moments, they are not as enthralling as they should be and this is one of the most disappointing aspects of The Fast and The Furious: Tokyo Drift. The final confrontation, for me, is pretty good to watch, but only arouses the senses once in a while.

Time didn't drag though, which is a clear sign that The Fast and Furious is indeed quite watchable, despite its other pre-eminent faults. I admit that I didn't really get bored during the film, which may lead to my rose-tinted view of it (compared to my original perception of what it would be like).

So let me summarise my thoughts: "Didn't expect much, got more than I bargained for." The acting is satisfactory (for a racing film, otherwise it would more or less suck), the plot and the dialogue are predictably terrible, the racing sequences are satisfactory and the cinematography is somewhat effective, with frequent close-ups of the cars. What compels me to give The Fast and The Furious a pass grade is the fact that it is, like I said, quite watchable. However, it is still little more than satisfactory, so it's rating cannot therefore rise above:

2.5/5 stars

This is the only movie about cars racing and after this they are only fighting between each other . Why this movie do not earn more at box office i don't understand. But for me this movie is best in franchise after fast five.

The Fast and the Furious: Tokyo Drift is an improvement over the previous installment. Lucas Black and Sung Kang give great performances. Justin Lin's direction is great and the new location breathes new life into the franchise with some of the best car chases yet, even if the plot is nothing new.

I actually really enjoyed this movie. I love the location, cool race scenes, surprisingly interesting plot and overall a lot of fun. If you are a fan of the franchise you might be disappointed cause of its lack of characters we know and love but you'll still be entertained.

When teenage road-racer Sean Boswell (Lucas Black, who is too old for the part, but hey-ho) gets in trouble with the law for a third time, he avoids a jail sentence by going to live with his father in Tokyo; there, he becomes involved in the drift racing scene, coming to blows with DK (Brian Tee), the nephew of a powerful Yakuza.

Tokyo Drift gets short shrift from some Fast & Furious fans because it steers the franchise away from the US street racing scene and because it doesn't star series regular Paul Walker. While it might be a slight step down from the previous entries, being a little too teen-centric with its predictably troublesome high school protagonist, I don't think it's all that bad. As a fan of all things Japanese, I can appreciate the colourful Tokyo setting, the Yakuza storyline, and, of course, all those oriental cuties in extremely short skirts.

Director Justin Lin, who went on to helm parts 4, 5 and 6 in the series, handles the car scenes with aplomb, each race shifting up a gear in terms of adrenaline-pumping action. Drifting—sliding the car around sharp corners at high speed—adds a new level of excitement to the action, with a mountain road finale offering plenty of nerve jangling, edge-of-the-seat moments. The film closes with the reappearance of a familiar face, paving the way for further instalments.

The Fast and the Furious: Tokyo Drift is the least popular of the Fast and Furious franchise but it's also the most underrated. While I thought the country accent was a little overblown and some of the cgi looked a little too obvious, the movie was really good. The plot is fresh and exciting, the acting is spot on, and the cars are great. That's honestly one of my only gripes with 2 Fast 2 Furious is that, while really entertaining, it got away from the car element quite a bit. This movie brought back the cool car factor that made the first film so special. Overall, while it wasn't as good as the first two, it was still a great movie in its own right and one that can stand alone without the others.

With great racing scenes, silly action scenes and generic performances, "The Fast and the Furious Tokyo Drift" offers what is more than necessary for fans of this franchise and fans in love with tuned cars.

I expected no less and no more than what I got: Vin Diesel, fully using his newly acquired love for Shakespearian acting, gives us a performance of style and finesse. Too bad that's only in the last minute of the movie.

In the rest of the movie, hot head teenagers race for no other reason than adrenaline overdose, using top class Japanese cars in Tokyo. The story is pretty weak, too, but if there are people that get turned on by cars, this is a porn movie, and they don't really need a story.

For a movie placed in Tokyo there was a suspiciously low number of Japanese actors with actual lines. The cute Asian chicks appeared only in a few scenes, then "drifted" away. Lucas Black, with the same accent he has 10 years ago when he played an annoying kid in American Gothic, has now a big pack of extra muscles and a winning smile.

Conclusion: fast paced car movie, nothing else, really. A few free Japanese lessons now and then and a very peaceful representation of the Yakuza. And the disclaimer in the end felt so funny when my heart was beating faster against my will from the speed racing and it said "everything was done in a controlled environment, don't try this... blah blah blah".

An incurable addicted-to-speed young racer, Lucas Black, escapes to Tokyo to avoid jail after repeated arrests for racing. He joins his father, (who is estranged from his mother), in Tokyo where he runs into problems with other local race-aholics. The young American vies for the attention of gal who is linked to local Japanese racer, and the two rivals for affection eventually butt heads. This is the extent of plot you get in this tire-screeching, attitude and hormone churning, low-brow flick, where almost every character seems to be suffering from some form of personality disorder, or is just plain stupid. Somehow, in spite of a glaring lack of insight or smarts, the protagonist, a refugee from high school "shop" classes where he learned to work on cars, seems to master the Japanese language effortlessly. The Japanese characters in the flick are equally repulsive, or more so, as most are no more than thugs, with our hero's Japanese rival wrapped up in a Yakuza (Mafia) family. The movie is just a "loser to bruiser" story, as the young American masters the Japanese racing style, with flashy fast cars providing the backdrop for our hero's transformation. The movie does offer a generous supply of laughs, but I don't think that's what the director and company had intended.

When yet another town sees Sean Boswell getting into trouble with the law, his mother sees no choice but to send him out of the US to live with his father in Tokyo, Japan. However it is not long before Sean gets involved in the illegal racing scene yet again. Taking in by Han, Sean immediately clashes with DJ, the son of Yakuza Kamata over the racing and also the latter's girlfriend Neela.

Three films into this franchise and nobody is really even pretending that anyone is here for the characters or plotting subtleties. So instead we have a choppy script that expects us to buy the laziest and nonsensical plot devices yet – witness the way that Sean gets in with Han, it makes little sense but the script doesn't let that bother it as it blunders onwards. What it blunders towards is the thinnest of excuses for lots of car chases, load music, male posturing and sexy girls in skimpy clothes. That the plot is poor is a given and it is probably not worth getting into it because I don't think the makers were aiming for more.

It is also perhaps unfair to criticise them for this because they hit their targets with ruthless efficiency. Knowing their target audience the makers deliver the goods when it comes to what male teenagers will be looking for and it does it in noisy spades. There are lot of shiny toys and lots of races full of unlikely moves and screeching tyres. Personally I found them repetitive and lacking the tension and involvement that comes with action built on top of strong characters and stories but if all you want is the gloss then I can see why it would appeal. What I found a little less easy to swallow was the film's treatment of women. At best the women are love interests with a bit of history but the majority of skimpily clad and dancing – quick to flock to the male characters and always ready to give out phone numbers. Lesbians kissing in a corridor are thrown into the mix for no reason other than titillating the male viewers. It is nothing new in this type of film but it is tiresome to see it – is this the message we want to send to teenage boys!? The cast are average to a man. Black is pretty poor and I quickly tired of his accent and his character. He rarely manages to hold the attention when sharing the screen with anyone and is thus not a great leading man – even at this level. Bow Wow is at least fun and he benefits from not really taking it too seriously – in the more serious moments he is weak but that is to be expected. Tee is a solid presence in the baddie role but, with more dialogue to undermine him, Kang is not up to much. Kelley is cute but is not given much more to work with. I thought she did the job but not much more than that. Sonny Chiba buys the movie cult points in a cameo. Lin directs like one big pop video but not a very imaginative one since he revels in the obvious touches of flair and lacks imagination in his delivery; good for what the audience wants but is that all he wanted to achieve?

Overall then a film that does what you expect of it, which will either be a good or bad thing dependant on your viewpoint. It is noisy, full of rootless action, devoid of characters and convincing plotting and at times sounds and looks like nothing more than an extended music video – which is just what it is I suppose. Knows its target audience really well (depressingly well) but will have little to offer those outside this limited demographic or seeking more.