Dois é Bom, Três é Demais

I thought this movie was painfully slow. I also thought considering the comedic talent involved that it would have been much better. I think I chuckled at a couple of scenes but not once did I gasp out in laughter as what I would normally do if a comedy were in fact 'funny'. The main problem with the film is the severe lacking in the script department which left the actors no room to improvise and made them rather bleak and uninteresting people. It wasn't a terrible movie but very average!

Michael Douglas also was an unusual candidate to play along side the 3 main leads - as when it came to Douglas's scenes that is when the film draged the most. You are never really told the reason as to why he dislikes Matt Dillion's character so much - which seems to be a large portion of the plot?!

Kate Hudson was great as usual and did well considering what she was given - she looked insanely hot in that black bikini though!!!

In the Russo Brothers' disappointing You, Me and Dupree, Owen Wilson's Dupree expounds an existential philosophy of keeping one's own character, a "ness" tacked on to a first name, such as his best friend's (Matt Dillon) "Carlness." It's a good idea dramatically to remind us all of our uniqueness and the necessity to nurture and protect it from, say, marauding fathers-in-law (in this case Michael Douglas), who might want to efface our individuality as well as get us vasectomies.

Yet the philosophical theme doesn't fit this comedy as it might Chekov's. Dupree's warm-hearted house guest slacking tests the patience of Carl and new wife (Kate Hudson). I can't figure out what Carl's character is, much less know what's worth preserving. Duprees's immature, likable, sometimes witty persona is much easier to determine. Kate Hudson's Molly is even easier, however, because all she has to do is put up with the boys' adolescent behavior and show up now and then in a bikini or white panties with her yellow hair in a breeze to let us know she inherited all of her mom's (Goldie Hawn) good traits including the promise of fine comedic timing should a script offer the chance. This script offers stinky scatology and humorless masturbation instead.

Wilson is establishing himself as an accomplished light comedian with a regrettable tendency to play the same type of charming bumbler who always has a pithy remark to make himself the poetic soul of the piece. His recurring sides of wit and boyish mischief are keeping him in enough cash to keep him from his even more talented role as co-writer with director and buddy Wes Anderson. So, I ask myself, why doesn't he do only projects that suit his creative gifts—maybe because he's lost his sense of "Owenness."

This is an extremely lazy slacker comedy. Owen Wilson overdoes his 'aw shucks' charm as a good for nothing who stays on as a house guest with his reluctant best friend. There are some comic moments but the film as a whole simply doesn't work. Why would anyone put up with someone as self-centered and obnoxious as Dupree? The film doesn't even bother to try. Kate Hudson looks good but has little to do. In fact, Matt Dillon and Michael Douglas, all play second fiddle to Owen. With a weak script and few laughs, this is pretty poor stuff,only watchable if you are completely bored.

Overall 3/10

'You Me and Dupree', the new comedy starring the Texas charmer Owen Wilson, represents two of the breeziest hours in film this year.

Quirky and funny 'You Me and Dupree' might be a film likely to catch you by surprise. It involves two newlyweds (Dillon and Hudson) and their oafish house guest Dupree (Wilson), who is turning their new world upside down.

I can't tell you what makes 'Dupree' tick so well, but something does. As far as plotting nothing seemed to be "filler" to me. Everything seems to drive the plot forward. Though it might just be "going through the paces" the film makes those paces as quick and lively as possible.

Performance wise, Wilson brings the right amount of charm needed for us to accept Dupree. Dillon and Hudson are solid in thankless roles. And Douglas creates a good supporting character of Hudson's father and Dillon's boss. I'd also like to point out the effortless comedic flow of 'The 40 Year Old Virgin' 's Seth Rogen also seen here.

In closing, 'Dupree' represents some very breezy summer fun in the air conditioned comfort of a theater.

After Carl and Molly get married in Hawaii, they come back home to start their new life together. It just so happens that Carl's best man, Dupree, lost his job due to time he took off to go to the wedding, thus he finds himself with no home and no money. Carl being the best friend he is invites Dupree to stay at his house until Dupree gets his feet back on track. Things don't go according to plan as Dupree quickly becomes a burden and the stress of Carl's new job and his step-father as his boss is taking a toll on him.

Coming off his success of Wedding Crashers, Owen Wilson quickly pumps out another comedy in which he plays the same loser character with a heart of gold. Only this time he doesn't have the safety net that is Vince Vaughn to bounce off of. Thus driving You, Me, & Dupree to enter the same category of, ironically, Vaughn's other film, The Break-Up. To say this film is original is laughable; just about everything that happens has happened in other funnier comedies. It goes about the formula with a check list and doesn't really bother to add anything to the mix. The film even has the wacky, cool because he's an old school actor type character, Michael Douglas and of course the montage to show he's back on track segment with Dupree.

From directors Anthony and Joe Russo, who have had their hands in the hilariously funny television series Arrested Development, one would expect some form of hilarity to be present. This is not the case, as the film only gets some chuckles here and there, mostly from Wilson himself, in particular when he is being chased by a security guard. Even though Wilson does indeed play the same character here as he does in just about everything else, he does manage to be the best thing. I was expecting more from Dillon, with comedies such as "There's Something About Mary" and "One Night at McCool's" one would expect something more out of him, but he plays it straight here. Every now and again I would get annoyed with his character, as it seemed he had no idea what he was doing. Next to Hudson, he has the most serious role.

Speaking of Hudson, her screen time is severely lacking and what little time she does have, she does nothing with it. Hudson is adorable, but brings nothing to the film. Hudson is basically the only female in the entire film. The only other females that have any significant roles are hidden. Mandy, the woman of Dupree's affection is never shown. Even the wife of their friend, Neil, is never shown, only blurred in the background. I don't fully understand why the directors chose to do this as any significance is lost on me. Michael Douglas seems so out of place here and really sticks like a sore thumb. His lines were suppose to be comedic, but came off really flat. Douglas seemed to not get the part, he plays it seriously, but with the material it just comes off weird.

Unlike "The Break-Up" which was completely flat and horrendous, Dupree manages to get a few chuckles in here and there before it exits. Don't look for originality anywhere, because you won't find it here and the supporting cast does a horrible job at accompanying Wilson. Nothing really clicks here, it's all cramped together to see if something good came out at the end. Only one scene is really memorable at it doesn't happen until the end. Wilson can be really funny, if the supporting cast is able to keep up with him and stay on the same track, you only have to watch Wedding Crashers or The Royale Tenenbaums to notice this, with Dupree it's a sinking ship and Wilson can't seem to swim all too well.