AVALIAÇÃO DA IMDb
4,7/10
3,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA college co-ed is brutally raped and struggles alone to rebuild her life.A college co-ed is brutally raped and struggles alone to rebuild her life.A college co-ed is brutally raped and struggles alone to rebuild her life.
- Direção
- Roteiristas
- Artistas
Jonathan Neil Schneider
- Archaeology Professor
- (as Jon Schneider)
Aisleagh Jackson
- Construction Girl
- (as Aislaegh Jackson)
Jacqueline Duprey
- Celeste
- (as Jaqueline Duprey)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning - one at the end. Together these events make up maybe 5% of the total movie time. Everything (and I mean _everything_) in between is basically the director's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I don't get troubled by gritty scenes - but if you expect me to sit through 60 minutes of hazy/dark (literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she doesn't get naked, not even in the NC-17 version, which I saw.
If you have a couple of hours to throw away and want to watch "Descent", take a nap instead - you'll probably have more interesting dreams.
If you have a couple of hours to throw away and want to watch "Descent", take a nap instead - you'll probably have more interesting dreams.
It's excruciating experience to see "Descent" in one single watch. It shows how much humanity we sacrificed for the sake of vengeance. Just like a great companion "Hard Candy", this movie can easily teared down your emotion and left it as open-wounded.
Rosario Dawson is Maya, a shy college student who, just like any hopeful young girls, wishes to meet a perfect man. At the party, she met Jared (Chad Faust), a passionate young man. He quickly makes a move to Maya. With all beautiful words and gestures he used, Maya finally let her guard down and completely trust that, this is the man whom she can spend a life with.
Then, horror happened. Maya was brutally raped by Jared. Her ideal world seemed to crumble right in front of her face. Maya delved into the darkness as she spends her life in her own silent world. She works in a clothing shop where she just ignores everybody else. Spending time in dance club where drugs, boozes and stranger intimacy are her new friends.
Months later, the story comes to last act when Maya and Jared meet again in the classroom. As insured, she has a plan. And it's a plan that Jared couldn't possibly think of. Strangely, he plays along with it. What we have here in the last 20 minutes is the most disturbing, depraved, twisted act that anybody couldn't possibly imagine.
One can think of how cheerfulness to see our heroic trio in "Death Proof" got their revenge. The result is comedic-like, ultra-surreal ending that sure to satisfy by fans of exploitation films. "Descent" ignores the whole concept of exploitation thing and stick it firmly to the ground with its truthfulness. It's an act of vengeance in its purest form. And it goes on and on and on and nobody seemed to be happy about it.
First time director, Talia Lugacy did an admirable job to explore this twisted world. One might think that she's overdone with Maya's downfall by putting excessive madness into the protagonist that almost overkill it. But with this powerful opening and ending, It's obvious that she has a rightfulness to tell this story straight.
One can also admire the lead (and first time producer), Rosario Dawson, to put herself into an interesting career path. It's the role that any praises for her acting overshadowed by its controversial. But it's also a role that will re-define her body of work and create a significant part in her life. As she feels that she's capable to do everything from now on.
In the final moment where the film just simply captures at Maya's face, it's effective. As they're both haunting and yet, strangely beautiful. There's not a single moment to show our protagonist satisfied in what she did, even she just thought so. It shows how much we wrong thought about "Revenge is a dish best served cold". Because it's ain't.
Rosario Dawson is Maya, a shy college student who, just like any hopeful young girls, wishes to meet a perfect man. At the party, she met Jared (Chad Faust), a passionate young man. He quickly makes a move to Maya. With all beautiful words and gestures he used, Maya finally let her guard down and completely trust that, this is the man whom she can spend a life with.
Then, horror happened. Maya was brutally raped by Jared. Her ideal world seemed to crumble right in front of her face. Maya delved into the darkness as she spends her life in her own silent world. She works in a clothing shop where she just ignores everybody else. Spending time in dance club where drugs, boozes and stranger intimacy are her new friends.
Months later, the story comes to last act when Maya and Jared meet again in the classroom. As insured, she has a plan. And it's a plan that Jared couldn't possibly think of. Strangely, he plays along with it. What we have here in the last 20 minutes is the most disturbing, depraved, twisted act that anybody couldn't possibly imagine.
One can think of how cheerfulness to see our heroic trio in "Death Proof" got their revenge. The result is comedic-like, ultra-surreal ending that sure to satisfy by fans of exploitation films. "Descent" ignores the whole concept of exploitation thing and stick it firmly to the ground with its truthfulness. It's an act of vengeance in its purest form. And it goes on and on and on and nobody seemed to be happy about it.
First time director, Talia Lugacy did an admirable job to explore this twisted world. One might think that she's overdone with Maya's downfall by putting excessive madness into the protagonist that almost overkill it. But with this powerful opening and ending, It's obvious that she has a rightfulness to tell this story straight.
One can also admire the lead (and first time producer), Rosario Dawson, to put herself into an interesting career path. It's the role that any praises for her acting overshadowed by its controversial. But it's also a role that will re-define her body of work and create a significant part in her life. As she feels that she's capable to do everything from now on.
In the final moment where the film just simply captures at Maya's face, it's effective. As they're both haunting and yet, strangely beautiful. There's not a single moment to show our protagonist satisfied in what she did, even she just thought so. It shows how much we wrong thought about "Revenge is a dish best served cold". Because it's ain't.
For once, I finally get to see a movie that portrays the reality of the aftermath of rape. This film digs deep into the psyche of what it can feel like after being violated and humiliated by another human being. Everyone talks about the ending but the true horror of the film is the very long middle segments that explores Dawson's character true descent into depression and darkness. She just doesn't "move on". She goes from living a normal college life to exploring the dark side of pain and trauma by failing out of school, drugs, alcohol and finally revenge. This is not a pure revenge story. It's more about the thin line between being prey or being the predator. At the end of the film , Rosario's character still feels empty, she still has a void. She crosses the line to become the predator but found out that it's extremely easy to become a predator. The difficult part of life is healing. With that said, the revenge is pretty sweet. I did not see that coming at all and honestly enjoyed it from the viewers perspective but not from the perspective of reality. Excellent film.
Some genre films need to be dressed up. This one was an exception. Taken on its own merit, it's a dressed down version of the horror genre film. With minimal special effects, it manages to be a psychological study of sorts, with a simple yet existential theme - who gets hit by the bus, and why her? It's not a great film, yet because there is little contrived about it, the story works. Subtle, and all about the interactions of the characters. Actually, there is one contrivance in the opening scenes, but it may have been placed there to simply set the tone for what's to come. I very much appreciate the balance of male and female energy, and would not recommend this story to anyone interested in more than people reacting to a physical and psychological challenge. You will enjoy the film if you have some empathy, value the need for a bit of adventure in your life, and wonder "What would I do in this situation?"
This is not the british horror movie that also goes by the name/title Descent! It also is anything but decent - in more ways than one. And it is a movie that will not be for the faint hearted or easily offended. The beginning alone might be too much for you - and it is a theme I personally do not like see explored - even in a fictional way. Although clearly this is a message and unfortunately still a truth that exists in the world, whether we like to admit it or not.
And it also ends in a place that will be hard to stomach. But as others have stated - and whether they liked the movie or its theme and more importantly its execution (no pun intended) and the morality of it in the end: there is a lot of running time that unfortunately is not doing much. And I don't mean it literally (although that is also true), but in the sense that it seems stuck. And while that is something that could work for the theme, it does not work with the tone of the movie that is all over the place.
I really like Rosario Dawson and I think no one will dismiss her as artist and an actress - but even she can't save the movie. Good intentions (if you want to call them that) be damned - it just doesn't work ... other than for the shock factor - which to be fair is one of the main goals. In that it does succeed ... but that is only a small part of it all. And could have been told in a short movie - in a way better fashion. Because there is not enough to maintain a stable pace and have this be feature length movie.
Let's hope this review will stay - the orignal one I did somehow got deleted - I am guessing by accident. Anyhow, I understand if you feel differently - you may be more leniant in respect to what I would call a movie filled with flaws and just be intrigued by the (social) message the movie tries to deliver ... as much as it did surely shock people who watched it, it did not achieve changing the root problem it adresses ... unfortunately.
And it also ends in a place that will be hard to stomach. But as others have stated - and whether they liked the movie or its theme and more importantly its execution (no pun intended) and the morality of it in the end: there is a lot of running time that unfortunately is not doing much. And I don't mean it literally (although that is also true), but in the sense that it seems stuck. And while that is something that could work for the theme, it does not work with the tone of the movie that is all over the place.
I really like Rosario Dawson and I think no one will dismiss her as artist and an actress - but even she can't save the movie. Good intentions (if you want to call them that) be damned - it just doesn't work ... other than for the shock factor - which to be fair is one of the main goals. In that it does succeed ... but that is only a small part of it all. And could have been told in a short movie - in a way better fashion. Because there is not enough to maintain a stable pace and have this be feature length movie.
Let's hope this review will stay - the orignal one I did somehow got deleted - I am guessing by accident. Anyhow, I understand if you feel differently - you may be more leniant in respect to what I would call a movie filled with flaws and just be intrigued by the (social) message the movie tries to deliver ... as much as it did surely shock people who watched it, it did not achieve changing the root problem it adresses ... unfortunately.
Você sabia?
- CuriosidadesRosario Dawson, Tracie Thoms, and Vanessa Ferlito all worked together in the 2007 Quentin Tarantino film, "Death Proof".
- Versões alternativasReleased on DVD in separate R-rated and NC-17 rated versions. The NC-17 DVD runs for around seven minutes longer.
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Descenso
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 15.233
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.411
- 12 de ago. de 2007
- Faturamento bruto mundial
- US$ 15.233
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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