A Décima Primeira Hora

I must say, I am somewhat surprised that my favourite PS has allowed such an "arty" medium to be applied to a not very apparent replacement for the highly respected Morse detective series. The characters although new, remain totally impersonal and I really do not want long shots of many more car-washes, camera moves around cars with just a few words spoken,shots of railings with darkened views of walking main cast. Make this a proper sleuth show asap! gimme clues, gimme insider info on the characters, gimme some more anger/emotion, and gimme a hard hitting next episode that brings me back for more!. I know new shows need time to develop, to mellow the characters and give them time to make them their own, but this appears stunted, strained and cold with minimal vocabulary to give me the viewer and a fan of the more intelligent detective shows, much to hold on to other than modern but not altogether interesting camera work...come on Patrick, inject some pizazz!!!!

STAR RATING: ***** The Works **** Just Misses the Mark *** That Little Bit In Between ** Lagging Behind * The Pits

Patrick Stewart plays Ian Hood, a government scientist and top man who really gets a good glimpse at what those with power and knowledge get up to behind our backs. Each week, an episode deals with a scenario (e.g. cloning, miracle cures, virus outbreaks) where he must battle against the odds to give the public the protection they deserve.

Although he never really broke through the ranks as a top Hollywood star, Stewart does indeed remain one of the most notable actors we've ever produced and it is good to see him back on our screens. And indeed, he's well cast in this series, in fact it's almost as if the role was especially written for him.

Basically, this is one of those shows which will enthrall some and really put some others off. It's one for those who like to sit down, pay attention to everything that's going on and really enjoy the rewards that pay off from using your brain. It's one of those roles Stewart likes to accept, and fans of his work will easily warm to him in it. Others might find it all a bit too serious and brainy. There are attempts at humour here and there, but they're rather fluttered and not really played out that greatly.

Another problem I had with the show was the lighting and use of camera. The lighting is a little too grainy and the camera is too much of a close up shot throughout and this did detract from my enjoyment of it.

So, if you see any episodes, you should know what to expect. If you do, you'll probably enjoy it, if you don't, you probably didn't have much business seeing it to begin with. ***

First of all I'd like to start by saying it's a refreshing start to see a British Drama that finally looks and feels believable.

Patrick Stewart does the role justice as (Ian Hood), the government Science adviser, with his constant and unwavering views on authority and thoughts about the future of "real world" science and how he feels It's either being used or abused by others.

Not only is the casting thoroughly maintained all the way throughout the Series, but it makes it's characters seem more believable than most other British Drama's.

Ashley Jensen also delivers a first rate performance as Dr. Hood's Appointed bodyguard (Rachael Young), she brings a refreshing take on the unscientific, Uninterested everyday views of science, and her constant battling with Hood makes for some very funny and memorable moments between them.

The way the series keeps all the scientific elements more realistic I Find positive and more engaging than the psychobabble we are so used to in other Fiction or Science Fiction TV shows.

There are however notable disappointments with the series, every time an Episode ends I find myself disappointed that they didn't seem to cover all aspects of the plot and sometimes leaving open-ended stories unclosed.

Although bearing in mind that this is still the first series, I hope that we see a return to form in the near future where these open ended stories can finally be given a significant conclusion they so rightly deserve.

For those who enjoy more slow paced science related plot lines, this is the ideal show to watch as it always manages to stay believable and more Importantly to the point.

Is Ian Hood the 21st Century Professor Quatermass ?

I'm actually enjoying the series, as a sci-fi fan. After years of being subjected to British broadcasters being more concerned with producing period dramas, and endless detective shows - it's good to see some sci-fi back on the screen. And I for one think it's pretty well written, and of course the presence that Patrick Stewart brings, adds to the appeal.

Am I right in thinking that only 4 episodes have been made in this season ? I hope it's done well enough to given a shot at a 2nd season, with Stewart on board for that too.

This flashy po-faced hokum has clearly been built to milk the appeal of Sir Patrick Stewart to the bobble-hat brigade, and it's not as terrifyingly bad as some of writer Stephen Gallagher's other work. But why-oh-why-oh-why hasn't anybody flagged the significant debt to other and - in my nostalgia-loaded opinion - better series?

It obviously re-treads ground covered in the equally watchable but improbable perils-of-science 1970s BBC melodrama "Doomwatch" - created by Doctor Who writers and Cybermen creators Kit Peddler and Gerry Davis.

"Eleventh hour" writer Stephen Gallagher is also a former Doctor Who writer. What, then, do you think inspired the format of a slightly unworldly trouble-shooting "Government Scientific Adviser" with a younger and slightly feisty but unthreatening girl "companion"?

There's a certain amount to enjoy here, not least Jean Luc Picard trying to pretend he's not posh, as he flattens all his vowels and clearly has to be restrained from saying things like "Ay-up", "By 'eck", and "Ah grew oop round ear". That he's supposed to be a boffin is probably funnier, as in last week's episode which had him talking about quantum probability and Chaos theory to a Government accountant before charging off to put down a virus pandemic.

That girl from "Extras" as his sidekick also gets to wave a gun and run down endless stairs in Lycra tops without the benefit of a sports bra, which may offer younger male viewers some light relief.

Despite the slick presentation and casting coup, this isn't ever going to be great and memorable TV. The man who gave us budget-shy early nineties genetic engineering scare-fest "Chimera" (aka "Monkey Boy" - the clue's in the title) and international drugs corporation paranoia in "Oktober" is clearly going to carry on grinding out un-taxing soft-target science-gone-wrong potboilers. The only real social issue in the second story about a killer virus loose in England's Manchester, was the obvious question, "Well, would they really bother?"